Heck there was an ad I came across somewhere for a 1200GAE. Price was $6K.
Regards
Mister Pig
its true i guess when they say you would need to spend $3k on a new table, to get near the sound and quality of a used sl 1200.
Nothing but words. I might as well depend upon a hater's criticism.Nothing but adjectives. You might as well just read the user reviews.
The reviewer took pains to differentiate the new model from the older versions, ". . . the brand-new 2017 version of the SL-1200, designated the SL-1200G, is really an entirely different turntable from the previous SL-1200 models. And all the debate about these earlier models, though fascinating from a historical perspective, really has no bearing on the current version." From other reviews and my own listening, I can say that entry-level turntables like the Rega P1 and Music Hall MMF 2.2 got more from the record than an SL1200MK2, but, if Robert Greene can be believed, the SL-1200G operates at a much higher level. It's unlikely that I will ever hear one, and I remain quite happy with my Rega RP3 (with M97xE), but the new Technics was interesting to read about, especially from a reviewer I have long read and enjoyed.its true i guess when they say you would need to spend $3k on a new table, to get near the sound and quality of a used sl 1200.
No, not crazy at all. I have long liked Linn's approach to hifi, including their adage, "If it sounds better, it is better." I've never auditioned an M91ED, but it's been discontinued for decades, and Shure noted that their supply of replacement styli was exhausted long ago, too. I'm curious as to what loading you use for each cartridge. The review cited by the OP makes much of proper loading, at least for frequency response, and in terms of capacitance, the M91ED is designed for 400-500 picofarads while the M97xE wants 200-300.M97xE on a $4k table...? To my ears a M91ED sounds better on my lesser TABLES. Am I crazy?
I use my Soundsmith The Voice into the Simaudio Moon LP 5.3 without capacitive loading. I just don't like the thought of another cap in the signal path.No, not crazy at all. I have long liked Linn's approach to hifi, including their adage, "If it sounds better, it is better." I've never auditioned an M91ED, but it's been discontinued for decades, and Shure noted that their supply of replacement styli was exhausted long ago, too. I'm curious as to what loading you use for each cartridge. The review cited by the OP makes much of proper loading, at least for frequency response, and in terms of capacitance, the M91ED is designed for 400-500 picofarads while the M97xE wants 200-300.
I have to admit that in my current setup I have no idea what capacitance I'm presenting to my M97xE. Rega does not supply tonearm wire/signal lead capacitance information for my RP3, and Frank Van Alstine, maker of my preamp, said in another forum, "We do not provide for additional capacitive loading built into our phono preamplifiers. . . one poorly understand electronic fact is that resonator circuits resonate. They generate output at and near their tuned frequency and also when they see harmonics of their tuned frequency. Thus cartridge mistracking and out of band garbage makes them susceptible to generating "splashes" of wide band garbage in and out of the audio range which can overload circuits downstream. We suggest you are better off just dealing with the natural built in roll off of your phono cartridge at high frequencies than trying to fix it with additional capacitive loading." http://www.audiocircle.com/index.php?topic=119692.0
Hater? Get a grip, man. Golden-ear vagueness isn't good enough for gear costing thousands of dollars.Nothing but words. I might as well depend upon a hater's criticism.
Hater? Get a grip, man. Golden-ear vagueness isn't good enough for gear costing thousands of dollars.
Would you accept just a bunch of words if you were shopping for a car? I want lots and lots of numbers. I hate expensive surprises.
Like I said, you might as well just rely on user reviews.