tekuhn
Active Member
Hi there,
New member here. I'm finding some fascinating modifications for my 400 here. I'm particularly drawn to those engineered by Dave Gillespie. They are nothing short of fantastic. I plan to implement those immediately. I had already begun a basic recap project when I came upon this site. Here is the history of my 400.
My parents best friends when I was growing up had a stereo system that I was in love with. I'll always remember as a kid, making a beeline for the basement of their home to "play" with that system whenever we visited. I'd never heard a home stereo that sounded so good. To me, at that time, sounding good meant powerful bass. We had a small console at home that I now know was single-ended EL84 based and obviously, very low powered. My brother and I purchased that complete system in 1978. We purchased the Fisher 400 receiver, a Garrard turntable, and KLH Model 17 speakers after it quit working due to the bias/dc heater bridge failing. We divided the pieces up based on our needs, with my brother getting the receiver and turntable and I got the KLH speakers. I repaired the receiver for him and we also installed a new quad of Radio Shack Realistic Gold Series Lifetime 7868's at that time. I still have that set and they were working when it was shelved. Most of the other tubes are original Fisher branded and the 12AX7's appear to be Telefunken smooth plates (diamond symbol in glass between pins).
The last time I heard this receiver was in 1979 in my brothers college dorm room. Time moved on and eventually he stopped using it when it started performing poorly. Twenty or so years ago, I rekindled my fascination with tube audio, which (not coincidentally), was about the time I started moving to Compact Disc. It was an instant love/hate relationship with digital. Bass and dynamic range was so much better, but it didn't sound right. It had a graininess that I hated and cymbals no longer sounded real. I began to gather as many vintage tube pieces as I could for future projects. My brother was kind enough to give me the 400 which I tucked away safely waiting for the right time.
Now is the right time! I plan to post progress and pictures as I go. I know this is pretty routine for many of you but I'm really excited about it. I can't thank Dave Gillespie enough for sharing his knowledge and circuits....
New member here. I'm finding some fascinating modifications for my 400 here. I'm particularly drawn to those engineered by Dave Gillespie. They are nothing short of fantastic. I plan to implement those immediately. I had already begun a basic recap project when I came upon this site. Here is the history of my 400.
My parents best friends when I was growing up had a stereo system that I was in love with. I'll always remember as a kid, making a beeline for the basement of their home to "play" with that system whenever we visited. I'd never heard a home stereo that sounded so good. To me, at that time, sounding good meant powerful bass. We had a small console at home that I now know was single-ended EL84 based and obviously, very low powered. My brother and I purchased that complete system in 1978. We purchased the Fisher 400 receiver, a Garrard turntable, and KLH Model 17 speakers after it quit working due to the bias/dc heater bridge failing. We divided the pieces up based on our needs, with my brother getting the receiver and turntable and I got the KLH speakers. I repaired the receiver for him and we also installed a new quad of Radio Shack Realistic Gold Series Lifetime 7868's at that time. I still have that set and they were working when it was shelved. Most of the other tubes are original Fisher branded and the 12AX7's appear to be Telefunken smooth plates (diamond symbol in glass between pins).
The last time I heard this receiver was in 1979 in my brothers college dorm room. Time moved on and eventually he stopped using it when it started performing poorly. Twenty or so years ago, I rekindled my fascination with tube audio, which (not coincidentally), was about the time I started moving to Compact Disc. It was an instant love/hate relationship with digital. Bass and dynamic range was so much better, but it didn't sound right. It had a graininess that I hated and cymbals no longer sounded real. I began to gather as many vintage tube pieces as I could for future projects. My brother was kind enough to give me the 400 which I tucked away safely waiting for the right time.
Now is the right time! I plan to post progress and pictures as I go. I know this is pretty routine for many of you but I'm really excited about it. I can't thank Dave Gillespie enough for sharing his knowledge and circuits....