I have "Goodbye Yellow Brick Road" by Elton John on CD by MFSL It sounds great but is a great deal "quieter" than my other CD's. I also have "Days of Future Passed" by Moody Blues and it does not seem to have this issue.
The "quieter" part is a good thing. It's the same reason people like pre-loudness-war CD's. No mastering compression. Let your stereo system do the heavy lifting, not the CD. Most CD's today are an overcompressed, heavily-fatiguing mess compared to the '80's and early '90's pressings. That GYBR release from the '80's is excellent (My all-time favorite is that Superdisc vinyl pressing from the UK).
I usually check the dynamic range of my digital stuff. Helps me weed out the lesser stuff, although it's bloody obvious these days. I have the Stones' London CD's from 1984, which are basically all straight transfers (There's a great MoFi connection story behind those discs... Those were mastered using the digital transfers MoFi did when they released the Stones' ABKCO catalog on cassette back in the early '80's), though I do prefer certain later ABKCO remasters like the '02/'03 "Let It Bleed" (You couldn't ask for a better remaster of that album, on vinyl OR digital, in large part because of the tape source they used).
I remember one MoFi Cars CD, "Candy O", I think, that just didn't sound right to me. Sounded too "pumped-up", as if the engineer made some creative mixing moves in an attempt to try and liven up the recording. I compared it to older CD's as well as a vinyl-rip I have, and I really haven't been back to the MoFi since.
But like I said, there WERE a few of the more-recent digital MoFi releases that I have loved, and the Marvin Gaye albums were a good example. I have Curtis Mayfield's "Curtis" and listen to it a lot. It's offer up something good, like a more-relaxed sound or better dynamics, otherwise I stay away.