Paul Klipsch and World War II, JBL and the Cold War, Lowther and the Cambridge Five

Tom Brennan

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As you may know Paul Klipsch developed the Heresy and LaScala during WW II when he worked for the Army munitions in Hope. They were intended to be used against fanatical Japanese defenders in caves and bunkers, but the Army decided the use of the Heresy against the Japanese was inhumane and decided to use flamethrowers, gasoline and satchel charges instead. And as a practical matter prototypes used in Eichelberger’s attack on Buna soon swelled up and delaminated under wet jungle conditions. Eichelberger, who’d been told by MacArthur to capture Buna or not come back alive was heard to quip he’d came back with his Heresy or on it.

Even though the Army decided against using the Heresy-LaScala weapons system in it's drive across New Guinea and into the Phillipines, the Navy did consider the system for Marine Corps use in the Navy's Central Pacific drive. But Admiral King, always jealous of Navy prerogatives in the Pacific War, decided against using a weapon developed by the Army.

Patton, in late 1944 while his Third Army was bogged down reducing the fortresses of Metz, asked the War Department for the Heresy-LaScala system but since the system had not been put into production he had to wait while an effort was made to cobble a few together (by this time attitudes toward the Germans had hardened considerably over those of 1942-43). Before the Heresys reached the European Theater the stalemate at Metz was broken and the war entered it's final highly mobile phase with the breakout across the Rhine and into Germany; a mode of war for which PWK's weapons were unsuited.

"Bomber" Harris, the brutal and ruthless head of Britsh Bomber Command, heard of the Heresy-LaScala system and wanted to fit Lancaster bombers to drop over German cities loads of Heresys fitted with miniature vacuum tube radio receivers tuned to a station in London that would broadcast Gilbert and Sullivan songs. He thought this would strike a bigger blow against German morale than the firebombing of German cities. His vision of a thousand bombers over Berlin releasing hundreds of thousands of Heresys screeching "I'm the Very Model of a Modern Major General" is terrifying indeed. Unfortunately for Harris the best British boffins were at work on radar, Enigma and iceberg aircraft carriers and the engineers assigned to the program soon fell out arguing whether the Heresy sounded worse with single ended or push-pull amplification. This squabbling torpedoed the development and the scheme was dropped.

After the war American Army scientific teams spread out across western Germany to find evidence of German research into rumored V Speakers but though Klangfilm had a small program Hitler was fixated on von Braun's rockets and the German speaker weapon project was stillborn, especially after several of Klangfilm's top engineers were killed in an accident trying to make "werewolf" crossover capacitors filled with T Stoff.

Post war development of the Heresy-LaScala system, including Curtis LeMay's efforts to make it a part of American Cold War strategy and Soviet efforts to counteract it (involving a frantic crash Soviet program to develop their own using reverse engineered University and Electro-Voice drivers supplied them by Soviet agents employed in New York's famous "Radio Row") is a little known story now being researched by Richard Rhodes, the famous writer of "The Making of the Atomic Bomb" and "Dark Sun: The Making of the Hydrogen Bomb".

JBL certainly had an eye to possible Defense Department contracts when they developed the infamous 075 tweeter. There are persistent but unconfirmed rumors the CIA experimented with it, both during the famous LSD experiments and possibly during the Bay of Pigs. It's known that Dick Bissell pushed for arming the Cuban émigrés at the Bay of Pigs with 075 tweeters but Allen Dulles feared their falling into Communist hands. Note that during this period James Jesus Angleton investigated AR speakers, hoping their soporific qualities would act as a truth serum in his interrogations of suspicious Soviet defectors.

The firm stance Kennedy took during the Cuban Missile Crisis is a strong indication the Soviets were unable to duplicate 075 tweeter technology on a large scale, even if some had fallen into their hands. Of course the Soviets well understood the technology of the far less powerful EV and University tweeters but the thermonuclear JBL was beyond their resources.

Latest research indicates that the Soviets, wanting to make a cheaper and simpler weapon, a T-34 so to speak, eventually abandoned the American multi-driver model and went "single driver" with copies of Lowthers smuggled out of Britain by Kim Philby and Guy Burgess.

A little known article of the 1963 Nuclear Test Ban Treaty signed by Kennedy and Kruschev banned the development of weapons based on "obnoxious speakers". Kruschev, who'd never forgotten the suffering of the Russian people during the Great Patriotic War, is said to have been adamant in his demand that such development be stopped.

A mysterious American audiophile and Russian emigre known as "Romy the Cat" is said to be a veteran of the Soviet program but to this very day refuses to talk about it or even acknowledge the existence of the program. However some Cold War historians claim this "Romy"s prodigious talent at assembling dangerously bad horn speaker systems evidences a sophisticated level of knowledge no layman could've gained.

In any event we now know the REAL reason for the development of the ferrite magnet Lowther: the British, not wanting to be outdone by the Soviet copies upped the ante so to speak by developing the ferrite version. But as with the famous Castle Bravo H-bomb test the British scientists were totally unprepared for and shocked and frightened by the results of their efforts.

By the terms of the post war Japanese Constitution Japan may only use speaker weapons in self defense and is treaty limited to speakers no more dangerous than the Pioneer HPM series. Before the war, much as the Japanese Navy was modeled on Britain's Royal Navy so were Japanese speaker weapons modeled on such dangerous British speakers as the Voight-Lowthers. In addition the Japanese were much taken with the Voight "bath tub" horn, for obvious reasons. However Japanese speaker weapon research, though fixated on the British single driver model, came up with nothing more dangerous than the rather benign Fostex and Diatone weapons which lacked firepower and had the serious drawback of needing their voice coils to be regularly oiled. After the war Japanese development followed the multi-way American model, as with the previously noted HPM series for which the Japanese had high hopes of export sales to Third World armies. However Syria's HPMs failed dismally in the Yom Kippur War when pitted against Israel's highly modified JBLs and sales plummeted but the Japanese cleverly rebounded by pitching the weapon at marijuana befuddled young American audio enthusiasts by means of advertising campaigns in the National Lampoon and Penthouse.
 
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OMG, the TRUE story of the WWII loud shriekers!!
 
But is it true Bob Carver's Amazing Loudspeaker was responsible for the stagnation of the entire Japanese economy in the 90's?
 
Great story!!!, As I was reading this one of the things that popped into my mind was the scene from "Apocalypse Now" when Kilgore was cranking "Ride of The Valkries" from the helicopter. Anybody know what speakers those were?
 
So where does the German Lutwaffe counter-strike program using BOSE direct-reflecting speaker technology to baffle the enemy fit into this?
 
I remember reading this somewhere else previously. Always good for a chuckle.
 
I remember reading this somewhere else previously. Always good for a chuckle.

As I continue my research I find new wrinkles to the story, such as (pardon an obvious pun) the Angleton angle.

James Jesus Angleton, CIA mole hunter.
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Hysterical! I guess that this would make the Vitavox the worlds first weapon of mass destruction:)
 
"Brennan's epic telling of the 'rest of the story' - once considered the domain of conspiracy theorists and rumor mongers - immediately plunges the reader into the fantastical war-era world of spies, counter-spies, and men willing to put aside moral constraints in their zeal to defeat the Axis powers with the only weapon truly capable of halting the demonic march of nakedly aggressive dictatorships - the innocently code-named 'reproducer.' It hardly stretches the bounds of credibility to assume that movie moguls in Hollywood are tramping on each other for the rights to film their own version of Brennan's tale."

- Peter Hatchworth, Special to The Topeka Journal-Crier
 
So where does the German Lutwaffe counter-strike program using BOSE direct-reflecting speaker technology to baffle the enemy fit into this?

Actually our war department did investigate Bose speakers but soon found they lacked the fierce directivity, deadly upper midrange shrillness and sheer firepower of LaScalas, Lowthers and the mighty JBL 075.
 
Did the British give up on the MP "KILLER JOKE" to be broadcast by the Heresy Speakers in german as to not put the Brits in danger?
 
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