jaymanaa
RIP 1961-2018
Try to find some Tungsol 6U8 (both blackplate and grey plate are excellent), really nice sounding tubes.
The black glass ones are also very good.
Try to find some Tungsol 6U8 (both blackplate and grey plate are excellent), really nice sounding tubes.
While the pentodes of the mentioned tubes are roughly the same depending on operating point, the triodes differ markedly and may need circuit redesign. The 7199 triode has µ=17 and gm=2100µS. The 6U8A has µ=40 and gm=7500 µS., quite close to that of a 6GH8, but a little different from the 7199. The 6BL8 (equivalent ECF80) has a µ=20 with gm=5000µS, the 6AN8 similarly, but with yet again different pin-out.
If these happen to do concertina phase-splitter duty the difference may not be noticable, in other amplifier duties there might be a redesign requirement.
The choice is yours; I might very slightly prefer ECF80.
6BL8 isn't a good candidate for the ST70 because the max heater to cathode voltage limits for this tube are too low for the triode side. You would have to make too many modifications to the supply voltages to be under the limits and that would necessitate changes to the feedback components. Good luck.
The ST-70 Series II amp switched to the 6GH8A with no driver circuit modifications. There was only a small change in the feedback circuit do to a change of FB tap points but if you leave that original, then there is nothing to mod for the 6GH8A other than socket rewire or use adapters, too.
I suggest sticking with the 6GH8A as a 'sub' in the ST-70 for the 7199. Since having made that post above, I've done some further reading and research and came across an article by VanAlstein where in he did some rather in-depth and extensive testing on the attributes of the 6GH8A vs 7199 before deciding upon it for his rather sophisticated driver board for the ST-70 amp. In that article he pretty much covers all the usual areas of concern; frequency response, noise, drive voltages, current draw, capacitance match, etc. Honestly, I don't recall all the details. But I do recall that in the end he basically concluded that the 6GH8A was a superior tube to the 7199 in virtually every way. So, in reading that, one has to question reports where the old 7199s sound 'better' than the 6GH8As? Over time I've come to the conclusion that, when using 'good' tubes of either type, I don't really hear any difference between the two tubes in the ST-70, even when using 'adapters' and 'not' performing the suggested modifications for using the 6GH8A. I believe those suggested modifications may enhance the life-span of the 6GH8A, but not so sure they really produce an audible sonic difference. In any case, when this question is put to me these days, I just suggest going with the adapters and putting in the 6GH8A and being done with it. The 6GH8A is, to me, a pretty good tube and worthy sub for the 7199 when 're-pinned' or 'adapted' for use. But, like the 7199, you HAVE to make sure you're using GOOD ones!! Of all the 6GH8As that I've purchased, I dare say that a good half of them are sub-par! In testing them, I've found that one section or the other was NOT where is should be. This is particularly true with 'used' tubes..... where the number jumps to perhaps 75%! But, as cheap as they are, I can afford to buy a bunch to cherry pick the good ones for my own use.....and just 'toss' the rest. Even with NOS tubes, I suggest 'testing' them.....or buying from a known reliable source vs just a random ebay purchase. Finally, if you happen to run across the old Sovtek version of the 7199, be careful of that tube. It's been shown to have some issues, particularly in being used in the Dynaco ST-70 amp. Again, I don't recall all the details of this, but I seem to remember that it was 'unstable' in the ST-70 and could lead to some other problems, like a super-sonic HF parasitic oscillation that could do some damage to the output transformers without actually 'hearing' anything while the damage was taking place. WC
there are 3 pins to change to go from a 7199 to 6GH8/6u8/etc, or buy adapters to avoid
spending time/effort and worry about whether it loses value with the change.
if you're changing the pins, you add short wires to each of the 3 affected pins
on the bottom of the tube socket, and flatten them against the bottom of the
socket then solder them into the new positions. then push down and solder
the other non-affected of the socket into the remaining holes of the PCB.
google the change, get the reasoning, etc. and get the rest of the mods.
BTW, having had 6 of these or so, with various driver boards, the BIGGER
sound difference comes from the output tubes and the respective biasing,
so Mullards XF2s sound different than Winged-C, than RCAs, than EIs,
than any other tubes I tried (zillions). that's just EL34/6CA7s not the
KT66/77/etc.
I gave up due to gremlins and parts failure. so my advice is to blue-print
that ST70 if you're going into it - I've replaced fuse holders, power cords,
can caps, sockets, boards for reliability after failure.
let's not talk about 5ar4 vs 5U4s. starts religious war.
but while and after you do all this,
enjoy the music.
no. however, if you have a replacement board do not use the 60YO stuff off
another, use modern day caps (in some order of price/performance/street-cred:
Teflon, polypropylene, mylar, electrolytic, tantalum,...) and metal films.