Grainger49
Old Fart
. . . I just snapped the cantilever on my S999VE/X-ERD. . . .
John, this makes me very sad. That is a great stylus. I remember them well.
. . . I just snapped the cantilever on my S999VE/X-ERD. . . .
John, this makes me very sad. That is a great stylus. I remember them well.
The Sansui's arm looks lightweight, so it ought to be okay, but the way to really know is to mount the cartridge and see at what frequency the arm/cartridge resonates by using a test record with infrasonic tracks (eg, the Shure Era IV and V "obstacle course" discs). Even if it's not in the ideal range (10 to 15 Hz), you can still enjoy its sound, which should provide greater refinement, especially in the treble, than the Nagaoka 110.
So where does one obtain these discs? Are they freely available or rare as hens teeth?
How do you measure the resonance?
Cheers
I'd be interested in seeing photos of the plastic grip, in particular the hole into which the brass tube fits.
You have both my sympathy and empathy. I just snapped the cantilever on my S999VE/X-ERD. Never work on styli before coffee!
John
Wow, looks like the brass tube made a clean break! I expected wreckage, fragments, disintegration, craquelure.
In my case, I had to really jam the stylus in question in, so I knew what might happen. When it did, I gingerly pushed the tube the rest of the way in and left it that way. Now it looks like one o' them fancy-butt moving-coil jobs, you betcha.
View attachment 1074128 View attachment 1074131
They're officially known as the Shure TTR-115 and TTR-117. Where an interested person would get them in AU I don't know, .
The Sansui's arm looks lightweight, so it ought to be okay, but the way to really know is to mount the cartridge and see at what frequency the arm/cartridge resonates by using a test record with infrasonic tracks (eg, the Shure Era IV and V "obstacle course" discs). Even if it's not in the ideal range (10 to 15 Hz), you can still enjoy its sound, which should provide greater refinement, especially in the treble, than the Nagaoka 110.
Wow, looks like the brass tube made a clean break! I expected wreckage, fragments, disintegration, craquelure.
In my case, I had to really jam the stylus in question in, so I knew what might happen. When it did, I gingerly pushed the tube the rest of the way in and left it that way. Now it looks like one o' them fancy-butt moving-coil jobs, you betcha.
View attachment 1074128 View attachment 1074131
Hey Granger, how did you know that the tonearm would benefit from damping? Test record? Trial and error?Stevedal, I had a TP-16 arm on a TD-160. I used an ADC XLM, very high compliance, for 15 years. I had damped the arm with a home-made STP bath. It improved the solidity of the images and depth of soundstage. So my experience is that the arm is high compliance enough to be improved with the damping.
If you are interested, I can send instructions for construction in a PM.