Audio Community Phrases or Sayings that Make You Cringe.....

''vintage gear''. what is vintage gear? Does it improve with age like wine or does it just get older? yet we pay exorbatant amounts of money for ''vintage gear.''
"vintage" is one term I would like to be gone.

Here's my interpretation of ''vintage gear'':)

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"Fresh refoam" - usually translates to some ham-fisted refoaming job that has not even been tested, let alone broken-in.

Lee.
 
All the verbiage used immediately gets processed fast and comfortably it all gets accepted.....except one word.....audiophile. Like it or not the use of it infers "finer listening" and can be very off putting for more than just a few. If you can appreciate the different pitches of a cat's scream (compared to the last time it complained?) it can be argued that you indeed are "an audiophile". Simply growing into understanding sound for yourself is where the truth starts and? I have a dream.
 
I just have a few that bug me:

Aggressive - Forward and bright sonic character.

Airy - Spacious. Open. Instruments sound like they are surrounded by a large reflective space full of air. Good reproduction of high frequency reflections. High frequency response extends to 15 or 20 kHz.

Ambience - Impression of an acoustic space, such as the performing hall in which a recording was made.

Analytical - Highly detailed.

Articulate - Intelligibility of voice(s) and instruments and the interactions between them.

Attack - The leading edge of a note and the ability of a system to reproduce the attack transients in music.

Balance - essentially tonal balance, the degree to which one aspect of the sonic spectrum is emphasized above the rest. Also channel balance, the relative level of the left and right stereo channels.

Bass - The audio frequencies between about 60Hz and 250Hz.

Bassy - Emphasized Bass.

Blanketed - Weak highs, as if a blanket were put over the speakers.

Bloated - Excessive mid bass around 250 Hz. Poorly damped low frequencies, low frequency resonances. See tubby.

Blurred - Poor transient response. Vague stereo imaging not focused.

Body - Fullness of sound, with particular emphasis on upper bass. Opposite of thin.

Boomy - Excessive bass around 125 Hz. Poorly damped low frequencies or low frequency resonances.

Boxy - Having resonances as if the music were enclosed in a box. Sometimes an emphasis around 250 to 500 Hz.

Breathy - Audible breath sounds in woodwinds and reeds such as flute or sax. Good response in the upper mids or highs.

Bright - A sound that emphasizes the upper midrange/lower treble. Harmonics are strong relative to fundamentals.

Brilliance - The 6kHz to 16kHz range controls the brilliance and clarity of sounds. Too much emphasis in this range can produce sibilance on the vocals.



Cable Microphonics - The noise heard due to the movement of a headphone or in-ear-monitor's cable rubbing against an object (ie. a shirt).

Chesty - The vocalist sounds like their chest is too big. A bump in the low frequency response around 125 to 250 Hz.

Clear - See Transparent.

Closed - A closed-in sound lacking in openness, delicacy, air, and fine detail usually caused by Roll-off above 10kHz; in contrast to Open.

Congested- Smeared, confused, muddy, and flat; lacking transparency.

Coloured - Having timbres that are not true to life. Non flat response; peaks or dips.

Cool- Moderately deficient in body and warmth, due to progressive attenuation of frequencies below about 150Hz.

Crisp - Extended high frequency response, especially with cymbals.

Dark - A tonal balance that tilts downwards with increasing frequency. Opposite of bright. Weak high frequencies.

Decay - The fadeout of a note, it follows the attack.

Definition (or resolution) - The ability of a component to reveal the subtle information that is fundamental to high fidelity sound.

Delicate - High frequencies extending to 15 or 20 kHz without peaks.

Depth - A sense of distance (near to far) of different instruments.

Detail - The most delicate elements of the original sound and those which are the first to disappear with lesser equipment.

Detailed - Easy to hear tiny details in the music; articulate. Adequate high frequency response, sharp transient response.

Dry - Lack of reverberation or delay as produced by a damped environment. May comes across as fine grained and lean. Opposite of Wet.

Dull - See Dark.

Dynamic - The suggestion of energy and wide dynamic. Related to perceived speed as well as contrasts in volume both large and small.

Edgy - Too much high frequency response. Trebly. Harmonics are too strong relative to the fundamentals. Distorted, having unwanted harmonics that add an edge or raspiness.

Euphonic - An appealing form of distortion that generally enhances perceived fidelity, often ascribed to the harmonic elaborations of some valve amps.

Fast - Good reproduction of rapid transients which increase the sense of realism and "snap".

Fat - See Full and Warm. Or, spatially diffuse; a sound is panned to one channel, delayed, and then the delayed sound is panned to the other channel. Or, slightly distorted with analogue tape distortion or tube distortion.

Focus - A strong, precise sense of image projection.

Forward(ness) - Similar to an aggressive sound, a sense of image being projected in front of the speakers and of music being forced upon the listener. Compare "Laid-back".

Full - Strong fundamentals relative to harmonics. Good low frequency response, not necessarily extended, but with adequate level around 100 to 300 Hz. Male voices are full around 125 Hz; female voices and violins are full around 250 Hz; sax is full around 250 to 400 Hz. Opposite of thin.



Fun - A term coined by Currawong referring to a tonal balance in a piece of audio gear that has a boosted bass (mid-bass) and treble that is most appealing on first or casual listening but isn't intended to be tonally neutral. Fun gear is characterized by a U-to-V shaped signature, with good bass impact, energetic (but manageable) highs, and mids that - while recessed - are typically not veiled.


Gentle - Opposite of edgy. The harmonics (of the highs and upper mids) are not exaggerated, or may even be weak.

Grainy - A slightly raw, exposed sound which lacks finesse. Not liquid or fluid.

Grip - A sense of control and sturdiness in the bass.

Grungy - Lots of harmonic or I.M. (Intermodulation) distortion.

Hard - Too much upper midrange, usually around 3 kHz. Or, good transient response, as if the sound is hitting you hard. Uncomfortable, forward, aggressive sound with a metallic tinge.

Harsh - Grating, abrasive. Too much upper midrange. Peaks in the frequency response between 2 and 6 kHz. Or, excessive phase shift in a digital recorder's low pass filter.

Headstage - The perception of the Soundstage while listening to headphones.

Highs - The audio frequencies above about 6000 Hz.

High Midrange (High Mids, Upper Mids) - The audio frequencies between about 2kHz and 6kHz.

Hollow - Recessed mids.

Honky - Like cupping your hands around your mouth. A bump in the response around 500 to 700 Hz.

Imaging - The sense that a voice or instrument is in a particular place in the room.

Juicy - Sound that has joie de vivre, energy and life.

Laid-back - Recessed, distant-sounding, having exaggerated depth, usually because of a dished midrange. Compare "Forward".

Liquid - Textureless sound.

Low Level Detail - The quietest sounds in a recording.

Low Midrange (Low Mids) - The audio frequencies between about 250Hz and 2000Hz.

Lush - Very Rich/Full.

Lush (2) - A "lush" sound has a sense of warmth and fullness. Notes are more authoritative and have a sense of life about them. It is a sound free of any sibilance or brightness. It does not mean colored, however. It is an open and inviting sound enveloping the listener into its soundstage. (source: unkown headfier)

Mellow - Reduced high frequencies, not Edgy.

Midrange (Mids) - The audio frequencies between about 250 Hz and 6000 Hz.

Muddy - Not clear. Weak harmonics, smeared time response, I.M. distortion.

Muffled - Sounds like it is covered with a blanket. Weak highs or weak upper mids.

Musical (or musicality) - A sense of cohesion and subjective "rightness" in the sound.

Nasal - Honky, a bump in the response around 600 Hz.

Naturalness - Realism.
 
here are the rest, site post limitations prohibited me from listing them all in one post.:

Opaque - Unclear, lacking Transparency.

Open - Sound which has height and "air", relates to clean upper midrange and treble.

Pace - Often assoc. with rhythm, a strong sense of timing and beat.

Piercing - Strident, hard on the ears, screechy. Having sharp, narrow peaks in the response around 3 to 10 kHz.

PRaT - Pace, Rhythm and Timing

Presence Range - The presence range between 4kHz and 6kHz is responsible for the clarity and definition of voices and instruments. Increasing this range can make the music seem closer to the listener. Reducing the 5kHz content makes the sound more distant and transparent.

Presence - A sense that the instrument in present in the listening room. Synonyms are edge, punch, detail, closeness and clarity. Adequate or emphasized response around 5 kHz for most instruments, or around 2 to 5 kHz for kick drum and bass.

Puffy - A bump in the response around 500 Hz.

Punchy - Good reproduction of dynamics. Good transient response, with strong impact. Sometimes a bump around 5 kHz or 200 Hz.

Range - The distance between the lowest and highest tones.

Resolution (or Resolving) - See Definition


Reverberation - is the persistence of sound in a particular space after the original sound is removed. A reverberation, or reverb, is created when a sound is produced in an enclosed space causing a large number of echoes to build up and then slowly decay as the sound is absorbed by the walls and air.


Rich - See Full. Also, having euphonic distortion made of even order harmonics.

Roll-off (Rolloff) - The gradual attenuation that occurs at the lower or upper frequency range of a driver, network, or system. The roll-off frequency is usually defined as the frequency where response is reduced by 3 dB.

Round - High frequency rolloff or dip. Not edgy.

Rhythm - The controlled movement of sounds in time.

Saturation - The point at which a magnetic tape is fully magnetized and will accept no more magnetization.

Seismic - Very low bass (i.e. sub-bass) that you feel rather than hear.

Shrill - Strident, Steely.

Sibilant (or Sibilance) - "Essy", exaggerated "s" or "sh" sounds in vocals. Sibilant sounds carry most of their energy through the 4Khz to 8Khz range, but can extend to 10kHz, depending on the individual. Sibilance is often heard on radio.

Sizzly - See Sibilant. Also, too much highs on cymbals.

Smeared - Lacking detail. Poor transient response, too much leakage between microphones. Poorly focused images.

Smooth - Easy on the ears, not harsh. Flat frequency response, especially in the midrange. Lack of peaks and dips in the response.

Snap - A system with good speed and transient response can deliver the immediacy or "snap" of live instruments.

Soundstage - The area between two speakers that appears to the listener to be occupied by sonic images. Like a real stage, a soundstage should have width, depth, and height.



Sound Signature - The general sound of a headphone as a result of its frequency response (e.g. bassy, treblely, neutral, etc.).

Spacious - Conveying a sense of space, ambiance, or room around the instruments. Stereo reverb. Early reflections.

Speed - A fast system with good pace gives the impression of being right on the money in its timing.

Steely - Emphasized upper mids around 3 to 6 kHz. Peaky, non flat high frequency response. See Harsh, Edgy.

Strident - See Harsh, Edgy.

Sturdy - Solid, powerful, robust sound.

Sub-Bass - The audio frequencies between about 20Hz and 80Hz.

Sweet - Not strident or piercing. Delicate. Flat high frequency response, low distortion. Lack of peaks in the response. Highs are extended to 15 or 20 kHz, but they are not bumped up. Often used when referring to cymbals, percussion, strings, and sibilant sounds.

Telephone Like - See Tinny.

Texture - A perceptible pattern or structure in reproduced sound.

Thick - A lack of articulation and clarity in the bass.

Thin - Fundamentals are weak relative to harmonics. Bass light.

Tight - Good low frequency transient response and detail.

Timbre - The tonal character of an instrument

Timing - A sense of precision in tempo.

Tinny - Narrowband, weak lows, peaky mids. The music sounds like it is coming through a telephone or tin can.

Tone - The sound of definite pitch.

Transient - The leading edge of a percussive sound. Good transient response makes the sound as a whole more live and realistic.

Transparent - Easy to hear into the music, detailed, clear, not muddy. Wide flat frequency response, sharp time response, very low distortion and noise. A hear through quality that is akin to clarity and reveals all aspects of detail.

Tubby - Having low frequency resonances as if you're singing in a bathtub. See bloated.

Upper Midrange (Upper Mids, High Mids) - The audio frequencies between 2 kHz and 6 kHz.



V-Shaped - The description of a frequency response curve for a speaker or headphone. In layman's terms it means more prominent lows and highs with a recessed mid-range, hence the "V" shape formed from such a sound signature. Similar to a "U" shaped response curve but is generally used to describe a more dramatic difference.

Veiled - Like a silk veil is over the speakers. Slight noise or distortion or slightly weak high frequencies. Loss of detail due to limited transparency.

Warm - Good bass, adequate low frequencies, adequate fundamentals relative to harmonics. Not thin. Also excessive bass or mid bass. Also, pleasantly spacious, with adequate reverberation at low frequencies. Also see Rich, Round. Warm highs means sweet highs.

Wet - A reverberant sound, something with decay. Opposite of Dry.

Weighty - Good low frequency response below about 50 Hz. A sense of substance and underpinning produced by deep, controlled bass. Suggesting an object of great weight or power, like a diesel locomotive.

Woolly - Loose, ill-defined bass.
 
I like most of those because they are 'defined' :thumbsup: - however, I can see some that I don't think I would ever use.

When people use words that they have misunderstood the meaning of, or have invented, or hijacked for a description of something, that's what gets on my tits. I may even have been guilty of this myself in the past so, for past indiscretions I hereby apologise. :)

Here is a list I have seen used for describing speaker characteristics.

Colouration terms // approx applicable frequency range.

Boomy // 40-80Hz
Chesty, Plummy // 100-150Hz
Cupboard, Hollow, boxy // 150-300Hz
Tubelike, tunnel // 400-600Hz
Cupped, honky // 700Hz-1.2kHz
Clangy, nasal, hard // 1.8-2.5kHz
Metallic presence range // 2.4-5.0kHz
Sharp, sibilant // 5.0-8.0kHz
Fizz, grit, splutter // 10.0-15.0kHz

Make of that what you will.
 
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So eljr, do you have anything to offer that is in any way better and/or more succinctly defined than all those terms you seem not to like?
 
Have to agree with Giant Killer- usually when referring to some cheap plastic fronted amplifier from the 1980s (NAD 3020 I'm talking to you)

PRAT (pace rhythm and timing) thanks to NAIM for that piece of BS that endures due to the UK HiFi press.

Now that's kinda funny. I just got done repairing a NAD 3020. When I first opened it up I wasn't too impressed with the build quality, it looked pretty cheap to me. Anyway after replacing some of the output transistors and bulging caps in the power supply I gave it the magic smoke test. Well no smoke but I was impressed with this amp. It got loud and was very clean, more than my ears could take from the Klipsh I hooked up to them to. Anyway the owner is really happy. It just sorta shocks me a little that on initial look I could make a judgement that this was junk out of the gate.
 
Most any description in an Audio Advisor catalog. Now, not slagging them as a merchant but much of the copy is a hoot. My current favorite is for the Analysis Plus "Silver Oval" cables with "Unique Hollow-Oval Geometry. Now these might be really fine, great sound cables. Though at "only" $630 for a 0.5M IC I won't be trying one out anytime soon. But included in the copy is this choice tidbit:

"He found that a hollow oval cable was the best design. It maintains a low resistance value, even at 20 kHz, where the resistance of the round cable has increased dramatically. This increased resistance and slow rise time rolls off the high frequencies, which leads to the difference between the measured signal at the amp and the signal measured at the speaker terminals. This design principal is the reason why Hollow Oval cables look and sound better than many others."

Then there is the "Get a Dramatic Improvement". Silver Oval that uses pure silver over a "stabilizing" strand of OF copper to control "current bunching."

Here again, these might be the bees knees of cables and maybe the hollow oval design does allow for all the things it says. But in reading this all my BS flags go off. Then again, I'm not an audiophile so what do I know? :)

This talk about cables reminds me of a visit I had to a "High End" audio store. I was looking into having them wire my new home while it was being built. So as we were talking in the "High End" listening room and listening to some tunes I saw some funny looking braided speaker wires. The salesman told me that just the two 6 foot speaker cables alone cost more than all the electronics and speakers in the room. I think he said "$56K!" and oh by the way these guys did the wiring for the space shuttle (Nordost). Well it's no wonder that we couldn't fly the shuttle as often as we wanted with those building costs, just imagine!
 
In the 90's my young teenage daughter asked me what an LP was. I realized I was getting old.

I always felt a little out of place shopping for hifi. If what I was listening to didn't pass the raise the hair on the back of your neck or give you goosebumps I would get rather annoyed if the salesman would piously cross his arms, curl his lip and give me the 'You are such a hick, can't you appreciate all this!" look.

People on eBay or CL who come across like they really have something worth what they are asking for. Yes it magically shows up months later for another college try.
 
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