I always recommended professional UREI back in the 70's. It had great dynamic range was very quiet and had low distortion. It was very popular stuff in recording and broadcast studios. Its was the best at the time. With 96 db signal to noise below 1.4 volt level and close to and additional 16 db of head room. They made Graphic, Room, and Parametric equalizers, crossovers, line amps, mixers etc etc. For a more economical choice there was Rane, with the same choices. Professional Yamaha equalizers were so much better than their home products. At the time Home products just couldn't match up against professional stuff. There were exceptions Accuphase, and very limited choice from Mcintosh. That said I enjoyed the sound of Sansui and Pioneer Elite products. I have a SAE graphic 11 band I use in my record processing loop with other DBX products. My Speaker equalizers are Crown EQ Professional parametrics. Fabulous signal to noise and almost infinite adjustment with no sign of irritation or on set of listing fatigue. It can handle the increased voltage output required to drive modern Mac amplifiers with Power Guard, that can be a real issue for lesser home units. Professional DBX is another choice, but like home units their choice of connectors, volume controls and switches were always cost based and performance could become compromised after a few years. In the 80's Urei became part of JBL, but the products continued to perform well. WE sold Soundcraftsman, Marantz, Crown,Yamaha, Denon, Sansui, Mcintosh, Rane, Bozak, White , Urei, DBX, Altec, JBL, Ev, Renkus Heinz, QSC, Shure, Stanton, Audio Control, Ortofon, Nakamichi, MXR, M&K etc. So I had plenty of opportunity to compare different units. Very few were really bad, it was just others were so much better.