CopperWizard
Super Member
More sensitivity=more noise. More noise cues= more atmosphere.
Ported speakers tend to be more efficient than sealed and usually more dynamic. I guess once the power goes up than this becomes less noticeable?Could anyone point out less sensitive.speakers that sound dynamic?
Could anyone point out less sensitive.speakers that sound dynamic?
It seems as long as you feed the speakers sufficient power, then they would souind dynamic regardless of sensitivity, am I correct?I guess once the power goes up than this becomes less noticeable?
Like it's been said...if the first watt sucks there's not much point in piling on a whole bunch more.A third of my amps barely reach one watt.
But JBL 120Ti's, whose sensitivity is merely 89 dB / watt / meter, can go pretty loud without compression. I don't know where the upper limit is, but the specs say the speakers can handle up to 150 watt.Not really. Take Beethoven's Fifth, put the album on the TT or in the cd player, and turn your system up to five watts. Does the intro slap you in the face, and can you hear the strings vibrating as they decay? Can you feel the ebb and swell of the orchestra as sections come in, and recede? Can you feel the aggression, and then the finessing of the string section through the movement?
A truly dynamic set of speakers will be able to draw you in for the quiet passages, blast you with a cannonade of tympani, regale you with the woodwinds section, and express the deepest of emotions with the cello and doublebass...and they can do it with five watts, or fifty.
Without high sensitivity speakers, the most dynamic of orchestra recordings can only see authentic(and dynamic) levels with a very large amplifier. You end up chasing the noise floor, and low level information, higher and higher in order to reach the normal peaks an orchestra, and high sensitivity speakers, can deliver with ease. By the time you hit the required peaks, you are dumping a large amount of amplifier power into speaker compression, which feeds distortion, which is not what you set out to hear in the first place.
No.But JBL 120Ti's, whose sensitivity is merely 89 dB / watt / meter, can go pretty loud without compression. I don't know where the upper limit is, but the specs say the speakers can handle up to 150 watt.
On the other hand, sensitive single driver loudspeakers like Fostex FE206EN can only handle 30 watts or so.
Does loudspeaker power handling marks the point where the said speaker starts to compress? L
Not really. Take Beethoven's Fifth, put the album on the TT or in the cd player, and turn your system up to five watts. Does the intro slap you in the face, and can you hear the strings vibrating as they decay? Can you feel the ebb and swell of the orchestra as sections come in, and recede? Can you feel the aggression, and then the finessing of the string section through the movement?
A truly dynamic set of speakers will be able to draw you in for the quiet passages, blast you with a cannonade of tympani, regale you with the woodwinds section, and express the deepest of emotions with the cello and doublebass...and they can do it with five watts, or fifty.
Without high sensitivity speakers, the most dynamic of orchestra recordings can only see authentic(and dynamic) levels with a very large amplifier. You end up chasing the noise floor, and low level information, higher and higher in order to reach the normal peaks an orchestra, and high sensitivity speakers, can deliver with ease. By the time you hit the required peaks, you are dumping a large amount of amplifier power into speaker compression, which feeds distortion, which is not what you set out to hear in the first place.
Without high sensitivity speakers, the most dynamic of orchestra recordings can only see authentic(and dynamic) levels with a very large amplifier. You end up chasing the noise floor, and low level information, higher and higher in order to reach the normal peaks an orchestra, and high sensitivity speakers, can deliver with ease. By the time you hit the required peaks, you are dumping a large amount of amplifier power into speaker compression, which feeds distortion, which is not what you set out to hear in the first place.
Back to Lowthers and their controversy for a moment (I only just tuned in)... I was very lucky to get a pair of Lowther's at an auction. I was thrilled! They were the real deal, in Lowther designed-and-made cabinets. Corner designs and I had the perfect room for them. But when I go them home, driving them with Quad II tube monoblocks, the thrill was gone. The sound was so thin, range so limited, dynamics so undynamic. I was comparing them to Quad ESL 57's, and those delicate electrostatics trounced them. Changing amps didn't help, nothing did. Another story to add to the controversy...Lowther has been producing hand built full range speakers since 1934.
Back to Lowthers and their controversy for a moment (I only just tuned in)... I was very lucky to get a pair of Lowther's at an auction. I was thrilled! They were the real deal, in Lowther designed-and-made cabinets. Corner designs and I had the perfect room for them. But when I go them home, driving them with Quad II tube monoblocks, the thrill was gone. The sound was so thin, range so limited, dynamics so undynamic. I was comparing them to Quad ESL 57's, and those delicate electrostatics trounced them. Changing amps didn't help, nothing did. Another story to add to the controversy...
That's why I stressed that the Quads had better dynamics — because they shouldn't. As for implementation, the Lowther drivers were in Lowther cabinets, assembled at the Lowther factory, I just assumed that was good implementation.Here's what Linkwitz says regarding electrostats and dynamics. Wish you could have tried the Lowthers in OB with augmented bass. Implementation is everything.
That's why I stressed that the Quads had better dynamics — because they shouldn't. As for implementation, the Lowther drivers were in Lowther cabinets, assembled at the Lowther factory, I just assumed that was good implementation.
I'd also liked to have heard them OB as you suggest, I'm very interested in OB. Am I correct in thinking "augmented bass" means subwoofers? The Lowthers are supposed to be full-range aren't they. I'm sure I'd have liked them more if a lot of things were different — but I heard them in cabinets specially made for those drivers by the makers of the drivers, driven by ideal amps, and that's probably how Lowther wanted me to hear them. I'd love to hear Lowthers again, sounding like good speakers — but after that experience I certainly won't buy them, I already did.
As someone said earlier in this thread, they're controversial.