Mogami, Belden and Canare make most of the cables used in studios where most of our recordings were made in the first place. They each have a range of different cables for different purposes and at different price points. What they are is high-quality and consistent. Get some good end connectors like Neutriks, and do a careful job of soldering using high-quality (eutectic) solder. You'll get good results.
Yes, you can use more expensive "audiophile' cables and the sound may change, but how it changes will depend on your particular set-up. In most cases, something will be lost and something exaggerated (by comparison, at least). You might like that sound more, but the studio cables will give you a more accurate, transparent sound in most cases. Overall, I think the studio cables give the best value-for-money, for most systems. After all, if they are eliminating any portion of the recording, it was already eliminated in the studio during the recording process!
I'd recommend trying as many different cables as you can reasonably get hold of, to see what you like best in your system. Often, there will be little difference between many of them, but some may noticeably alter the sound. In the end, I've been happy in most cases to stick with the DIY ones using the studio cable (I mostly use Mogami), but I also use some six-nines or better Japanese-made OHNO OFC cables.