As far as amps go, I've spent some time today mulling over my various options and trying to rank the features that are most important to me.
I think I'm officially ruling out vintage. I have no doubt that any piece of Mac equipment is a better unit than any of my other options. I have a real hangup for vintage gear and 12 months ago I probably wouldn'tve even considered buying modern but what can I say? My mind changed the more I read.
The people who bought those Macs and Marantzes new 50 years ago must've felt pride in knowing they were purchasing some of the finest stereo equipment currently in production. Why shouldn't I do the same? As I read about this gear and the folks who make it, I realized how important it is to me that I use my money to support what they do. Corny I know, but that's how I feel.
That leaves mostly the integrateds that many have recommended to me - the Line Magnetic 211 or 216, the Rogue Cronus Magnum, the Psvane TC5, or maybe a Jolida. The Chinese products are very tempting. As Woody pointed out to me yesterday, if the Chinese can make a 3116 chip amp for $70 out the door, what can they do for $1500? And is that $1500 Chinese product the equivalent of a $2400 American-made product? Would I be getting the same level of quality and workmanship from each amp? If so, is it worth an $800 premium to buy American? Maybe it is, for the same reasons I'd prefer to buy modern gear - I want to support the people who make this stuff. It's really cool that some of you suggest calling up Eric from Tekton to talk about the Lores. That sounds like a guy I want to buy from.
Honestly the Dennis Had amps really appeal to me. He just put another amazing-looking one up this afternoon:
http://www.ebay.com/itm/TUBE-AMPLIF...147?pt=LH_DefaultDomain_0&hash=item235072921b
It's not a matter of it being a "boutique" item, with the rarity and novelty that term implies. I don't care if he can make 200 of them each week. The guy makes them by hand using his decades of experience - again, that sounds like someone I want to buy from. Unfortunately, the power just isn't there - that amp above is 2wpc!
So that's sorta where I'm going. Sorry for the personal philosophy lecture - I guess I'm hijacking my own thread. :scratch2:
4-2-7, thanks for pointing me to the Audioengine DAC. It's exactly what I'm looking for. Added to the system.
Hey olex, it sounds like you're moving toward more contemporary options (and I've found myself doing that in some ways too), but I thought I'd throw this out there to you:
Austin Stereo had a Conrad Johnson MV-75 for sale the last time I was there. I've no experience with CJ tube amps, and the conversations around them seemed to be mixed. But, if you haven't completely moved away from vintage options, it's something that you could listen to in the shop if you're curious about it. I picked up a Marantz 2330 from them last year and have been very pleased with it.
In any event, I'm fairly green when it comes to this obsession, but thought it worth mentioning as another avenue of exploration for you. I'm sure others here can provide a more experienced opinion of how it might mate with the Tekton's, etc. Good luck with your system building and enjoy the ride!
Thanks, Jace121. I used to live right down the street from Austin Stereo - they are great guys with a great selection.
After my big soapbox speech ruling out vintage (or "old" ) I'm already walking back from it because there's a Mac 110Z over in Barter Town and damn do I want it!
"And I actually bought my Tekton Lore's from Sebrof"
Ang why did he sell them?
He also was participating in this thread but made no recommandation or even agreed with you when you brought them up...:scratch2:
Most of the time when someone sells off their gear they found better, didn't like them, didn't fit their system well.... I got a room full of gear like that not in use because of all the same resaons....:scratch2:
Thanks, Jace121. I used to live right down the street from Austin Stereo - they are great guys with a great selection.
After my big soapbox speech ruling out vintage (or "old" ) I'm already walking back from it because there's a Mac 110Z over in Barter Town and damn do I want it!
Also, I was listening to my 60w chip amp yesterday at ear-splitting volume and it was probably only halfway to max-out so I really doubt I NEED 100w.
Ok the preamp position has been filled. Mac 110Z from Barter Town.
I am still committed to the Tekton Lores for speakers. They're getting ordered in a few days, so if anyone sees a reason why these two should not be wed speak now or forever hold your peace.
DAC is settled too. That leaves the amp. Let's get creative and say somewhere between $500-$1K. Tube or SS. Old or new. Also, I was listening to my 60w chip amp yesterday at ear-splitting volume and it was probably only halfway to max-out so I really doubt I NEED 100w.
Basically the only restrictions now are price and compatibility with the rest of my system. I'm all ears
Congratulations. :thmbsp: Cannot go wrong with the MX110 and the tuner section is no slouch either.
As long as you've jumped that far, may as well go the whole hog with a complimentary and equally regarded McIntosh MC2100. Rated at 105 wpc by Mc, but in the real world, that model is typically good for 145 wpc while still remaining under 1% THD.
The MC2100 is the last McIntosh amplifier* with the older chassis design like the tube models and since MC 2100 production overlaps the MX110, you would have two perfectly compatible pieces.
Being that it doesn't have the meters of its electrical twin MC2105, it is significantly less expensive and can usually be had for well under $1,000 - depending on condition naturally.
Also worth mention is the MC2100 is designed for mono-parallel operation whereas the MC2105 is not. This means that you can always add another 2100 if more power is desired - effectively giving you ~ 300 wpc.
*Not including later MC275 reissues.
What about the MC250? I thought this was the best sounding in this line and a secret sweet spot.
At their price he could get two and bridge them mono @ 100WPC, and would be seperating the channels between the amps.