I’ve got the same Panasonic films at the same locations as you do, but am running Silmic II’s at the other locations near the top of the board. It sounds good as-is..the caps are only about 6 years old. But now that I’m running a separate phono pre, I doubt I’ll ever go back to using P400 phono pre exclusively. Those 12ax7 output tubes make a difference, with probably a very slight uptick in noise, but with an added depth to the soundstage overall.
On the other hand, I like to use the Dolby pre occasionally as well, but sometimes it can hinder rather than help the music. It’s as if a mute switch has been applied...kind of like the same effect when someone puts you on their speaker phone. Of course it depends on how the recording was done, but it can make the music shine also and bring out the more laidback nuanced stuff in the background to the front. It’s always a toss up sound-wise when using it.
I’m probably going to hold off on doing the Dolby stuff for now because I just finished the receiver this week, and it was a lot of work doing just the sections I did. For the guys that do this full time, you have my respect because there’s a lot of detailed work involved.