If they are cheap, and if they sound good, use two at double the value, in parallel.
You get two wire paths instead of one, and it will be more reliable and
sound more dynamic, due to the two equal signal paths.
There will be a possibility of skewing of the sound, if the Rs are not tightly matched to each other. So, match to at least 1%.
I will match to 0.1% or 0.01%, on Ras and Rks, on my SET builds.
If you read Jeff Day's review of the French LEFSON speaker-crossover resistors, you will obtain a feel for what happens sonically, when you go from one set of leads on a resistor, to two runs of wire, and finally, to two equal and double the value Rs in parallel. Works !!
https://positive-feedback.com/audio...end-analog-audio-devices-the-lefson-resistor/
You'll deduce the advantages of paralleling CLOSELY MATCHED resistors ( each double the intended value) in a decent audio circuit.
I double - up resistors, in my own amp designs and builds. Matching needs to be spot on to avoid skews, and to avoid degrades.
NEVER series-connect Rs !!
Dowto1000