The restored condition of each of these is unknown, so it CANNOT serve as anything other than an anecdotal comparison.
Quite frankly, the phono preamp that depends the LEAST on electrolytic capacitors for it's performance is the one likely to sound the best over time.
The best for longevity would be ones that can get by without electrolytics of any type.
You want to put numbers on a SUBJECTIVE experience. Noise floor and distortion can give some indication of DEFICIENCIES, but they do NOT account for the rest of the chain - which includes the rest of the preamp, the power amp, the speakers, their placement and the room, the source maerial and how IT was recorded, the listeners ears and the TRAINING and refinement of the ear-mind interface of THAT particular listener AT THAT PARTICULAR TIME IN THEIR LISTENING CAREER... Stuff that USED to sound fine, can sound like garbage years later. And I am NOT talking hearing loss, age OR abuse related...
Plus the KIND of the distortion can affect the perception of the material. Second harmonic distortion can get pretty bad and still escape notice by some, while third harmonic distortion will be instantly detected.