Poway Symphony Orchestra - Live Recordings free d/l's, safe
- Thread starter mfrench
- Start date
mfrench
Addicted Member
OK,.... here is the recording.
Once again,.... these are authorized, safe, legal downloads. No fear the download.
This is an overlay of two, two channel stereo recordings, that I did. One is with a pair of omnidirectional mics, DPA 4060 miniature omni pair, as baffled omni stereo. The other is a directional stereo pair, Line Audio CM3 sub-cardioid pair, as wide-DIN stereo, apprx. like this \___/ with 25cm between the points, and angled outward at 45º each. Both mic sets on the same stand, in close proximity. From 2nd row center.
2448:
https://archive.org/details/PSO2017-05-21.pso2017-05-21_4060-cm3_2448matrix
1644:
https://archive.org/details/pso2017-05-21.pso2017-05-21_4060-cm3_1644matrix
Poway Symphony Orchestra
John LoPiccolo, Conducting
Violin and Choral Masterpieces
last concert of 2016/2017 season
w/ Poway Community Choir
Nancy Gray, conducting choir
~and~
Misha Vayman, violin solist
May 21, 2017 sunday 4pm
Poway Center for the Performing Arts
Poway, Ca.
program:
~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~
01) House-in - preamble by John LoPiccolo
02) An American Tribute — arr. D.E. Wagner
03) Bright Morning Star — arr. F. Squatrito
04) What a Wonderful World — arr. R. Robinson
~ Marshall Volt, Euphonium
05) Hallelujah — L. Cohen / arr. D. Nielson
06) Pure Imagination arr. M.D. Neilson
07) One Song — M. Hamlisch / arr. M. Hayes
~ Alisha Kassel soloist
Poway Community Choir, Nancy Gray, Conducting
Steven Gray, Piano accompaniment
Preamble……. to choir and orchestra (end t.07)
08) How Lovely is Thy Dwelling Place — J. Brahms
09) Hallelujah, from Christ on the Mount of Olives — L. Van Beethoven
John LoPiccolo conducting
<<< intermission >>>
01) preamble….
02) Water Music — selections — G.F. Handel
03/04) Violin Concerto No.1 in G minor — M. Bruch
~ Misha Vayman, Violin soloist
05) Encore solo by Misha (not in program list)
<<< fin >>>
~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~
Ambient Recordings by Mike French
TFH — A Journey to the Impact Zone
1) DPA 4060 as baffled omni stereo pair
DPA MMA6000 preamp(s) +20dB gain
2) Line Audio CM3 pair as wide-DIN stereo 25cm @90º
From second row, center - mics at 7’6” +, -
Tascam DR70D at 24bit 48khz
Once again,.... these are authorized, safe, legal downloads. No fear the download.
This is an overlay of two, two channel stereo recordings, that I did. One is with a pair of omnidirectional mics, DPA 4060 miniature omni pair, as baffled omni stereo. The other is a directional stereo pair, Line Audio CM3 sub-cardioid pair, as wide-DIN stereo, apprx. like this \___/ with 25cm between the points, and angled outward at 45º each. Both mic sets on the same stand, in close proximity. From 2nd row center.
2448:
https://archive.org/details/PSO2017-05-21.pso2017-05-21_4060-cm3_2448matrix
1644:
https://archive.org/details/pso2017-05-21.pso2017-05-21_4060-cm3_1644matrix
Poway Symphony Orchestra
John LoPiccolo, Conducting
Violin and Choral Masterpieces
last concert of 2016/2017 season
w/ Poway Community Choir
Nancy Gray, conducting choir
~and~
Misha Vayman, violin solist
May 21, 2017 sunday 4pm
Poway Center for the Performing Arts
Poway, Ca.
program:
~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~
01) House-in - preamble by John LoPiccolo
02) An American Tribute — arr. D.E. Wagner
03) Bright Morning Star — arr. F. Squatrito
04) What a Wonderful World — arr. R. Robinson
~ Marshall Volt, Euphonium
05) Hallelujah — L. Cohen / arr. D. Nielson
06) Pure Imagination arr. M.D. Neilson
07) One Song — M. Hamlisch / arr. M. Hayes
~ Alisha Kassel soloist
Poway Community Choir, Nancy Gray, Conducting
Steven Gray, Piano accompaniment
Preamble……. to choir and orchestra (end t.07)
08) How Lovely is Thy Dwelling Place — J. Brahms
09) Hallelujah, from Christ on the Mount of Olives — L. Van Beethoven
John LoPiccolo conducting
<<< intermission >>>
01) preamble….
02) Water Music — selections — G.F. Handel
03/04) Violin Concerto No.1 in G minor — M. Bruch
~ Misha Vayman, Violin soloist
05) Encore solo by Misha (not in program list)
<<< fin >>>
~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~
Ambient Recordings by Mike French
TFH — A Journey to the Impact Zone
1) DPA 4060 as baffled omni stereo pair
DPA MMA6000 preamp(s) +20dB gain
2) Line Audio CM3 pair as wide-DIN stereo 25cm @90º
From second row, center - mics at 7’6” +, -
Tascam DR70D at 24bit 48khz
Last edited:
mfrench
Addicted Member
My critiquing (which is always way too soon)....
Ambient room noise. This was from the house air conditioning system.
As you well know ( @bhunter ) its been quite warm all week; 90's all week, inland. Sunday was no different. Minutes before show time, the AC kicked in, and turned a nice sounding room into a resonant box.
So I was torn between trying a work around in editing; I tried scanning a quiet bit just before the start of a song, and removing it with software. Too much damage. Don't save changes.
Then I tried a High Pass Filter, and while it did sound nice, I felt the bottom end was left vacant; hints of bottom end, but, I know what was missing. Too much damage. Don't save changes.
So, there is HVAC noise present. Its not so bad with speaker playback, but, is a bit annoying in headphone playback. Its there. My specialty is capturing whole room ambient sound, and there is an HVAC system in the mix.
Pet peeve mini-rant: So many great concert halls are plagued by this very thing. They rave how great their hall sounds, and not hear this 100hz whump that is far more broad frequency spectrum (40hz->200hz). Rolls eyes.
/rant
continuing....
The choir.
I wanted to be right there in front of them, on-stage. But, the choir director didn't want a mic stand behind her.
The house techs didn't want me there either, as they had a stage change to do at intermission; removing choir risers, and relocating them for horns.
Then the choir director wanted to be through the PA system, as she felt they couldn't compete with the orchestra. So, the house tech set four microphones up; which caused me to have to step out into the audience area an additional 10', to bring the center array into focus. My typical set up spot is not in the impact zonre of the PA system, as they don't use it at most shows. Then the house didn't use the mics to the PA, after all.
So, I'm way out in left field for the choir, due to all of the confusion.
Ambient room noise. This was from the house air conditioning system.
As you well know ( @bhunter ) its been quite warm all week; 90's all week, inland. Sunday was no different. Minutes before show time, the AC kicked in, and turned a nice sounding room into a resonant box.
So I was torn between trying a work around in editing; I tried scanning a quiet bit just before the start of a song, and removing it with software. Too much damage. Don't save changes.
Then I tried a High Pass Filter, and while it did sound nice, I felt the bottom end was left vacant; hints of bottom end, but, I know what was missing. Too much damage. Don't save changes.
So, there is HVAC noise present. Its not so bad with speaker playback, but, is a bit annoying in headphone playback. Its there. My specialty is capturing whole room ambient sound, and there is an HVAC system in the mix.
Pet peeve mini-rant: So many great concert halls are plagued by this very thing. They rave how great their hall sounds, and not hear this 100hz whump that is far more broad frequency spectrum (40hz->200hz). Rolls eyes.
/rant
continuing....
The choir.
I wanted to be right there in front of them, on-stage. But, the choir director didn't want a mic stand behind her.
The house techs didn't want me there either, as they had a stage change to do at intermission; removing choir risers, and relocating them for horns.
Then the choir director wanted to be through the PA system, as she felt they couldn't compete with the orchestra. So, the house tech set four microphones up; which caused me to have to step out into the audience area an additional 10', to bring the center array into focus. My typical set up spot is not in the impact zonre of the PA system, as they don't use it at most shows. Then the house didn't use the mics to the PA, after all.
So, I'm way out in left field for the choir, due to all of the confusion.
Last edited:
mfrench
Addicted Member
I have just now received a link to the video of the 2017-05-21 concert. The orchestra wants to share this with people, along wth the audio recordings.
This is the resulting video, with my audio overlay, by George Sullivan of OldHarborVideo, San Diego.
You can see my audio rig at the stage lip in the opening moments, and throughout. I try to fly low, to keep the vid lines as clean as possible, while still running high enough to get a clear aural view.
https://drive.google.com/file/d/0B9WRHaEb0TG2ajVRWXljR2tZcFk/view
hope you enjoy!
Mike
This is the resulting video, with my audio overlay, by George Sullivan of OldHarborVideo, San Diego.
You can see my audio rig at the stage lip in the opening moments, and throughout. I try to fly low, to keep the vid lines as clean as possible, while still running high enough to get a clear aural view.
https://drive.google.com/file/d/0B9WRHaEb0TG2ajVRWXljR2tZcFk/view
hope you enjoy!
Mike
mfrench
Addicted Member
new season coming up....
From their website announcement:
Dvořák in America
Sunday, November 19, 2017, 4 PM
Both of these masterpieces were composed between 1893 and 1895 while Dvořák was director of the American Conservatory of Music in New York City.
Antonin Dvořák, Symphony No. 9 in E Minor "From the New World", Op. 95, B. 178.
Antonin Dvořák, Cello Concerto in B Minor, Op. 104, B 191. Soloist: Daniel Grab, Principal Cellist.
The Poway Symphony Orchestra's own Daniel Grab will be the soloist in this major concerto.
www.powaysymphony.org
From their website announcement:
Dvořák in America
Sunday, November 19, 2017, 4 PM
Both of these masterpieces were composed between 1893 and 1895 while Dvořák was director of the American Conservatory of Music in New York City.
Antonin Dvořák, Symphony No. 9 in E Minor "From the New World", Op. 95, B. 178.
Antonin Dvořák, Cello Concerto in B Minor, Op. 104, B 191. Soloist: Daniel Grab, Principal Cellist.
The Poway Symphony Orchestra's own Daniel Grab will be the soloist in this major concerto.
www.powaysymphony.org
mfrench
Addicted Member
So, the pre-show spamming period is over. We now move onto the music.
I just sent this early file set out to the maestro and soloist.
It is a rendering of two, two channel stereo recordings (four mics) mixed into a two channel stereo track; then edited and split into tracks.
There are two formats, at present: 2448flac, and, 1644wav
The wav files are intended for the less technically adept in the orchestra. If folk want the 24bit stuff, I'm assuming they're capable of dealing with the FLAC format.
So, for now, this is the earliest upload of the recording. They'll all eventually get uploaded to the Live Music Archive Collection folder. I'll link to those as the process moves on.
I hope that you'll enjoy! It was a good show.
matrix_2448_flac: https://archive.org/details/PSO2017-11-19.pso2017-11-19_matrix_2448
matrix_1644_wav: https://archive.org/details/pso2017-11-19.matrix.1644
The mic array looks like it is balancing the maestros music stand on top of it. It is a centered stereo pair spaced at 20cm apart, and a wider stereo pair at 36" apart.
I was actually out at 2nd row, center.
Poway Symphony Orchestra
Dvorak in America
John LoPiccolo, maestro
Daniel Grab, cellist
November 19, 2017
sunday 4pm
Poway Center for the Performing Arts
Poway, Ca
~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~
t01)
intro-preamble…
t02 -> t.04)
Cello Concerto in B minor —— Antonin Dvorak
I. Allegro
II. Adagio ma non troppo
III. Finale’ Allegro Moderato
t.05 soloist encore - not listed in program
Intermission
t.01)
Preamble
t.02-> t.05
Symphony No. 9 — — Antonin Dvorak
“From the New World”
I. Allegro Molto
II. Largo
III. Molto Vivace
IV. Allegro con Fuoco
fin
~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~
Ambient Recordings by Mike French
TFH — A Journey to the Impact Zone
Line Audio CM3 pair was wide-ORTF 20cm @ 110º
DPA 4060 miniature omnidirectional pair as spaced omnis 40”apprx
DPA MMA6000 mic preamp +25dB gain
Tascam DR70D @ 2448
From 2nd row DFC @ 8’ from floor (~5’ above stage level)
I just sent this early file set out to the maestro and soloist.
It is a rendering of two, two channel stereo recordings (four mics) mixed into a two channel stereo track; then edited and split into tracks.
There are two formats, at present: 2448flac, and, 1644wav
The wav files are intended for the less technically adept in the orchestra. If folk want the 24bit stuff, I'm assuming they're capable of dealing with the FLAC format.
So, for now, this is the earliest upload of the recording. They'll all eventually get uploaded to the Live Music Archive Collection folder. I'll link to those as the process moves on.
I hope that you'll enjoy! It was a good show.
matrix_2448_flac: https://archive.org/details/PSO2017-11-19.pso2017-11-19_matrix_2448
matrix_1644_wav: https://archive.org/details/pso2017-11-19.matrix.1644
The mic array looks like it is balancing the maestros music stand on top of it. It is a centered stereo pair spaced at 20cm apart, and a wider stereo pair at 36" apart.
I was actually out at 2nd row, center.
Poway Symphony Orchestra
Dvorak in America
John LoPiccolo, maestro
Daniel Grab, cellist
November 19, 2017
sunday 4pm
Poway Center for the Performing Arts
Poway, Ca
~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~
t01)
intro-preamble…
t02 -> t.04)
Cello Concerto in B minor —— Antonin Dvorak
I. Allegro
II. Adagio ma non troppo
III. Finale’ Allegro Moderato
t.05 soloist encore - not listed in program
Intermission
t.01)
Preamble
t.02-> t.05
Symphony No. 9 — — Antonin Dvorak
“From the New World”
I. Allegro Molto
II. Largo
III. Molto Vivace
IV. Allegro con Fuoco
fin
~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~
Ambient Recordings by Mike French
TFH — A Journey to the Impact Zone
Line Audio CM3 pair was wide-ORTF 20cm @ 110º
DPA 4060 miniature omnidirectional pair as spaced omnis 40”apprx
DPA MMA6000 mic preamp +25dB gain
Tascam DR70D @ 2448
From 2nd row DFC @ 8’ from floor (~5’ above stage level)
Last edited:
mfrench
Addicted Member
OK,... I beg a change of the information in the text file, if you download from these the now gone WeTransfer links.
At 1am, when I set up the song list / tech info file, this abstract form of counting made sense; less so now.
I counted in the abstract form of: t.01, t.02, t.03, t.04, t.06
Please correct to: t.01, t.02, t.03, t.04, t.05
At 1am, when I set up the song list / tech info file, this abstract form of counting made sense; less so now.
I counted in the abstract form of: t.01, t.02, t.03, t.04, t.06
Please correct to: t.01, t.02, t.03, t.04, t.05
Last edited:
mfrench
Addicted Member
This is one of the two discrete recordings; the the two channel stereo minimalist recordings.
So far, I like this one the most,... so far.
This is the center most of the array, the Line Audio CM3 pair, as wide-ORTF 20cm@110º
2448: https://archive.org/details/pso2017-11-19.cm3pair_2448
1644: https://archive.org/details/pso2017-11-19.cm3pair_1644
So far, I like this one the most,... so far.
This is the center most of the array, the Line Audio CM3 pair, as wide-ORTF 20cm@110º
2448: https://archive.org/details/pso2017-11-19.cm3pair_2448
1644: https://archive.org/details/pso2017-11-19.cm3pair_1644
Last edited:
I LIKE MUSIC
Super Member
Mike, again thank you for your great work!
mfrench
Addicted Member
@I LIKE MUSIC
My pleasure!
This is the last source for this concert. It is another minimalist two channel stereo recording, mastered at 24.48, w/ rendering to 16.44. The only edit was a slight gain boost overall.
This is the DPA4060 spaced miniature omnidirectional pair, spaced 36"+ apart (not measured). These are the wider flanking mics on the same stand as the cm3 pair.
The omnidirectional most noteable characteristic is the abliity to capture the hall in its entirety, and, a deeper bass response. But, if there is anything glaring, such as audience noise, air conditioning noise (fortunately off for this show), the omnis will catch it in all of its glory.
36" spaced omni pair:
2448flac: https://archive.org/details/pso2017-11-19.dpa4060_2448
1644flac: https://archive.org/details/pso2017-11-19.dpa4060_1644
My pleasure!
This is the last source for this concert. It is another minimalist two channel stereo recording, mastered at 24.48, w/ rendering to 16.44. The only edit was a slight gain boost overall.
This is the DPA4060 spaced miniature omnidirectional pair, spaced 36"+ apart (not measured). These are the wider flanking mics on the same stand as the cm3 pair.
The omnidirectional most noteable characteristic is the abliity to capture the hall in its entirety, and, a deeper bass response. But, if there is anything glaring, such as audience noise, air conditioning noise (fortunately off for this show), the omnis will catch it in all of its glory.
36" spaced omni pair:
2448flac: https://archive.org/details/pso2017-11-19.dpa4060_2448
1644flac: https://archive.org/details/pso2017-11-19.dpa4060_1644
Last edited:
mfrench
Addicted Member
The video of the Dvorak in America concert was just upped.
This is the first set:
Poway Symphony Orchestra website link:
http://powaysymphony.org/videos.html
links you to:
https://drive.google.com/file/d/1GBj1t8gR8mC8RNk7J6jRbMD_mGIt2pxy/view
The sound track is from this audio master file set. The two channel stereo master, wide-ORTF stereo 20cm spacing at 110º response axis
https://archive.org/details/pso2017-11-19.cm3pair_2448
https://archive.org/details/pso2017-11-19.cm3pair_1644
This is the first set:
Poway Symphony Orchestra website link:
http://powaysymphony.org/videos.html
links you to:
https://drive.google.com/file/d/1GBj1t8gR8mC8RNk7J6jRbMD_mGIt2pxy/view
The sound track is from this audio master file set. The two channel stereo master, wide-ORTF stereo 20cm spacing at 110º response axis
https://archive.org/details/pso2017-11-19.cm3pair_2448
https://archive.org/details/pso2017-11-19.cm3pair_1644
mfrench
Addicted Member
This weekend, sunday, 4pm - Poway Center for the Performing Arts, Poway, Ca
Come on out, SD/OC/RC/SBC folks. I'd love to meet and greet! ... just follow the mic cables.
Sunday, March 18, 2018, 4 PM
Ludwig van Beethoven, Leonore Overture No. 3
George Enescu, Romanian Rhapsody No. 2
Ludwig van Beethoven, Symphony No. 4
Saturday, May 19, 2018, 7 PM
Program to be announced.
All concerts are held at the Poway Center for the Performing Arts, 15498 Espola Road, Poway.
Admission is $17 for adults, $14 for seniors (60+), and $12 for students (12-24).
Come on out, SD/OC/RC/SBC folks. I'd love to meet and greet! ... just follow the mic cables.
Sunday, March 18, 2018, 4 PM
Ludwig van Beethoven, Leonore Overture No. 3
George Enescu, Romanian Rhapsody No. 2
Ludwig van Beethoven, Symphony No. 4
Saturday, May 19, 2018, 7 PM
Program to be announced.
All concerts are held at the Poway Center for the Performing Arts, 15498 Espola Road, Poway.
Admission is $17 for adults, $14 for seniors (60+), and $12 for students (12-24).
mfrench
Addicted Member
OK,.... this is what the audio gods allowed me to take out of this concert.
backstory,... in brief:
Arrive two hours before show; first in hall; set up and ready before orchestra rehearsal. Everything is set up, and sound checked; all systems a total go.
Three rigs set up:
1) Center stereo pair at stage-lip
2) Wide spaced flanking omnis split 12' across center, to support center stereo pair, or, as discrete stereo pair.
3) Binaural head at 2nd row center, seated in audience perspective.
Results:
1) Bass motor boating at 40hz in both channels, with one channel devoted exclusively to this motor boating noise, the other had some music below the motor boating.
2) somehow the tape gods allowed this pair, cleanly.
3) Binaural only recorded to left channel, despite showing both channels w/ levels.
The wide spaced omni pair is the only pair of tracks that came out of the six captured.
It is not what I would typically want to present. But in this instance, it is all that I can present.
Poway Symphony Orchestra
Vintage Beethoven and Enescu
March 18, 2018
sunday 4pm
Poway Center for the Performing Arts
Poway, Ca
~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~
House-in_Preamble
Lenore Overture No.3, Op.72 — L. van Beethoven
Second Romanian Rhapsody — G. Enescu
intermission
House-in_Preamble
Symphony No.4 in B-flat major — L. van Beethoven
I. Adagio — Allegro vivace
II. Adagio
III. Minuetto, Allegro vivace — Trio. Un poco meno Allegro
IV. Allegro ma non troppo
~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~
Ambient Stereo Recording by Mike French
TFH — A Journey to the Impact Zone
DPA4060 miniature omnidirectional pair as 12’ spaced omnis, stage-lip (were intended to be my flanking pair)
**Line Audio CM3 sub-cardioid pair, as extra-wide_ORTF stereo, 25cm@110º, stage-lip, center.
Tascam DR70D at 24.96, on-stage, in Set-It_&_Forget-It bag to conceal.
***Sennheiser MKE2002 Gude Head binaural stereo, 2nd row center -. Edirol R09HR 2496
** Line Audio tracks had weird things happening, and were disposed of. The left tracks was pulsing thumps, like a bass motor boating, no music. The right track had music, and pulsing thumps. This made the tracks useless, and they were trashed.
*** Sennheiser MKE2002 -> only recorded to left track, despite showing levels on both tracks.
The Taping Gods didn’t allow much of this show to be recorded.
1644: https://archive.org/details/pso2018-03-18.dpa4060_1644
2496: https://archive.org/details/pso2018-03-18.dpa4060_2496
backstory,... in brief:
Arrive two hours before show; first in hall; set up and ready before orchestra rehearsal. Everything is set up, and sound checked; all systems a total go.
Three rigs set up:
1) Center stereo pair at stage-lip
2) Wide spaced flanking omnis split 12' across center, to support center stereo pair, or, as discrete stereo pair.
3) Binaural head at 2nd row center, seated in audience perspective.
Results:
1) Bass motor boating at 40hz in both channels, with one channel devoted exclusively to this motor boating noise, the other had some music below the motor boating.
2) somehow the tape gods allowed this pair, cleanly.
3) Binaural only recorded to left channel, despite showing both channels w/ levels.
The wide spaced omni pair is the only pair of tracks that came out of the six captured.
It is not what I would typically want to present. But in this instance, it is all that I can present.
Poway Symphony Orchestra
Vintage Beethoven and Enescu
March 18, 2018
sunday 4pm
Poway Center for the Performing Arts
Poway, Ca
~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~
House-in_Preamble
Lenore Overture No.3, Op.72 — L. van Beethoven
Second Romanian Rhapsody — G. Enescu
intermission
House-in_Preamble
Symphony No.4 in B-flat major — L. van Beethoven
I. Adagio — Allegro vivace
II. Adagio
III. Minuetto, Allegro vivace — Trio. Un poco meno Allegro
IV. Allegro ma non troppo
~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~
Ambient Stereo Recording by Mike French
TFH — A Journey to the Impact Zone
DPA4060 miniature omnidirectional pair as 12’ spaced omnis, stage-lip (were intended to be my flanking pair)
**Line Audio CM3 sub-cardioid pair, as extra-wide_ORTF stereo, 25cm@110º, stage-lip, center.
Tascam DR70D at 24.96, on-stage, in Set-It_&_Forget-It bag to conceal.
***Sennheiser MKE2002 Gude Head binaural stereo, 2nd row center -. Edirol R09HR 2496
** Line Audio tracks had weird things happening, and were disposed of. The left tracks was pulsing thumps, like a bass motor boating, no music. The right track had music, and pulsing thumps. This made the tracks useless, and they were trashed.
*** Sennheiser MKE2002 -> only recorded to left track, despite showing levels on both tracks.
The Taping Gods didn’t allow much of this show to be recorded.
1644: https://archive.org/details/pso2018-03-18.dpa4060_1644
2496: https://archive.org/details/pso2018-03-18.dpa4060_2496
Last edited:
mfrench
Addicted Member
OK,... from this past saturday evening,...
There are going to be two offerings in this thread, starting with the four mic ambient mix. I'm also going to include the Senn MKE2002 Gude Head binaural stereo recording, but at a later uploading (tomorrow).
To begin the kick down,....
check back as the thread develops.
Four Mic Mix "Matrix":
https://archive.org/details/pso2018-05-19.matrix.2496
https://archive.org/details/pso2018-05-19.matrix.1644
Gude Head Binaural:
https://archive.org/details/pso2018-05-19.mke2002.2496
https://archive.org/details/pso2018-05-19.mke2002.1644
Poway Symphony Orchestra
John LoPiccolo, maestro
Impressionistic and Classical Greats concert
May 19, 2018
saturday 7pm
Poway Center for the Performing Arts
Poway, Ca
~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~
program:
~ House-in_Preamble
~ Prelude to the Afternoon of a Faun — Claude Debussy
~ Trumpet Concerto in E flat - Franz Joseph Haydn
Allegro - Andante - Allegro
John MacFerran Wilds, Trumpet soloist
<< intermission >>
~ House-in_Preamble
~ Harp solo by 12 year old virtuoso, Isabella McCormick
~ Symphony No. 35 "Haffner” - W. A. Mozart
Allegro con spirito - Andante - Menuetto - Presto
<< fin >>
~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~
Recordings and Mix by Mike French
TFH - A Journey to the Impact Zone
Sennheiser MKE2002 Artificial Head Binaural Stereo Microphone Kit “Gude Head” -> Edirol R09HR 2496 clamped to handrail
DPA4060 as wide-spaced pair, at 12’+ spacing as spaced boundary layer pair taped to balcony face wall
Line Audio CM3 sub-cardioid stereo pair as wide modified-NOS stereo 35cm at 70º, clamped top handrail
Tacam DR70D at 2496
All recordings from first row center, balcony; clamped to balcony handrail, and, 4060 pair taped tight to hard face of drywall balcony face.
The resulting Four-Mic Mix “matrix” is a simple 1:1 mix of all four DR70D mono tracks, via Reaper 4.77 software.
This was the highlight for me, a short harp solo by an amazing 12 y.o. young lady who was simply amazing on the harp.
The house exploded when she finished!
There are going to be two offerings in this thread, starting with the four mic ambient mix. I'm also going to include the Senn MKE2002 Gude Head binaural stereo recording, but at a later uploading (tomorrow).
To begin the kick down,....
check back as the thread develops.
Four Mic Mix "Matrix":
https://archive.org/details/pso2018-05-19.matrix.2496
https://archive.org/details/pso2018-05-19.matrix.1644
Gude Head Binaural:
https://archive.org/details/pso2018-05-19.mke2002.2496
https://archive.org/details/pso2018-05-19.mke2002.1644
Poway Symphony Orchestra
John LoPiccolo, maestro
Impressionistic and Classical Greats concert
May 19, 2018
saturday 7pm
Poway Center for the Performing Arts
Poway, Ca
~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~
program:
~ House-in_Preamble
~ Prelude to the Afternoon of a Faun — Claude Debussy
~ Trumpet Concerto in E flat - Franz Joseph Haydn
Allegro - Andante - Allegro
John MacFerran Wilds, Trumpet soloist
<< intermission >>
~ House-in_Preamble
~ Harp solo by 12 year old virtuoso, Isabella McCormick
~ Symphony No. 35 "Haffner” - W. A. Mozart
Allegro con spirito - Andante - Menuetto - Presto
<< fin >>
~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~_~
Recordings and Mix by Mike French
TFH - A Journey to the Impact Zone
Sennheiser MKE2002 Artificial Head Binaural Stereo Microphone Kit “Gude Head” -> Edirol R09HR 2496 clamped to handrail
DPA4060 as wide-spaced pair, at 12’+ spacing as spaced boundary layer pair taped to balcony face wall
Line Audio CM3 sub-cardioid stereo pair as wide modified-NOS stereo 35cm at 70º, clamped top handrail
Tacam DR70D at 2496
All recordings from first row center, balcony; clamped to balcony handrail, and, 4060 pair taped tight to hard face of drywall balcony face.
The resulting Four-Mic Mix “matrix” is a simple 1:1 mix of all four DR70D mono tracks, via Reaper 4.77 software.
This was the highlight for me, a short harp solo by an amazing 12 y.o. young lady who was simply amazing on the harp.
The house exploded when she finished!
Last edited:
I look forward to these posts.
I visit Poway several times a year; hope to get the chance to attend a live performance one of these days
Thanks
I visit Poway several times a year; hope to get the chance to attend a live performance one of these days
Thanks
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