Dr. Music
Super Member
I got my Sennheiser HD-600s about a month ago at this point and they have sat patiently in their beautiful box waiting while I built around them so to speak, asking you good people about amps and CD players and trying to make intelligent vintage audio purchases, buying what I feel is a quality amp and a solid CD player with which to truly give them an opportunity to impress me when I felt ready to audition them.
Just a little background. I've been a headphone lover since I was a teen but could never get myself to pull the trigger on a truly wonderful set of cans.... the price always stopped me somewhere in the middle of the Sennheiser or AKG or Denon line. I've owned at least 5 sets of Sennheisers, AKG 240s, a very good sounding set of Denons in the 90's, even crummy early models by Pioneer, Technics and Sony... at age 49 I finally decided it was time to give myself and the music I love it's long over due!
Of late I had been listening to my old Sennheiser 212Pros through the CDP line out and was happy enough with the sound there, so, like the dork I am who had yet to own WONDERFUL headphones, I figured I would try that first with a recording I know and love.... "The Manhattan Project", a live session with a band comprised of Wayne Shorter, Michel Petrucciani, Stanley Clarke, Lenny White, Gil Goldstein and Pete Levin. Slid them over my head and frankly was unimpressed. Nothing out of the ordinary. Nice fit, really really comfortable, but thats not what I was buying these for. Nope, this was not how TOTL cans should sound. Cranked em a bit, no difference. Therein was the problem..... these puppies need to be DRIVEN, and the little line out section on the Sony ES CDP wasn't doing that. Plugged them into my Kenwood KR-6030 and BAM!
OH....MY....GOD. Yeah, these puppies DO need to be properly amped, because when properly amped they will respond with a positively vicious desire to please the listener. Incredibly wide soundstage, wonderful separation/imaging, intricate interpretation of all the instruments one would expect to distinguish in order to be called audiophile equipment...... okay, the lows aren't down in the basement low, but they aren't supposed to be with the 600s and I knew that going in. I've got the Kenwood on 10 o'clock and they opened right up immediately, wide staging and now are throwing a concert at my head. If these puppies aren't fed wattage they aren't going to do the job; give them some power and they will respond. Fast and more than capable of blowing my little music starved mind. Ohhh, what I have been missing....... either the phones themselves or the Kenwood toned that bit too bright sound of the Sony deck right down! My next plans are to add a DAC of some sort and probably incorporate a universal player as well; and of course be on the lookout for other beefy amps and receivers that might do the Senns justice
Just a little background. I've been a headphone lover since I was a teen but could never get myself to pull the trigger on a truly wonderful set of cans.... the price always stopped me somewhere in the middle of the Sennheiser or AKG or Denon line. I've owned at least 5 sets of Sennheisers, AKG 240s, a very good sounding set of Denons in the 90's, even crummy early models by Pioneer, Technics and Sony... at age 49 I finally decided it was time to give myself and the music I love it's long over due!
Of late I had been listening to my old Sennheiser 212Pros through the CDP line out and was happy enough with the sound there, so, like the dork I am who had yet to own WONDERFUL headphones, I figured I would try that first with a recording I know and love.... "The Manhattan Project", a live session with a band comprised of Wayne Shorter, Michel Petrucciani, Stanley Clarke, Lenny White, Gil Goldstein and Pete Levin. Slid them over my head and frankly was unimpressed. Nothing out of the ordinary. Nice fit, really really comfortable, but thats not what I was buying these for. Nope, this was not how TOTL cans should sound. Cranked em a bit, no difference. Therein was the problem..... these puppies need to be DRIVEN, and the little line out section on the Sony ES CDP wasn't doing that. Plugged them into my Kenwood KR-6030 and BAM!
OH....MY....GOD. Yeah, these puppies DO need to be properly amped, because when properly amped they will respond with a positively vicious desire to please the listener. Incredibly wide soundstage, wonderful separation/imaging, intricate interpretation of all the instruments one would expect to distinguish in order to be called audiophile equipment...... okay, the lows aren't down in the basement low, but they aren't supposed to be with the 600s and I knew that going in. I've got the Kenwood on 10 o'clock and they opened right up immediately, wide staging and now are throwing a concert at my head. If these puppies aren't fed wattage they aren't going to do the job; give them some power and they will respond. Fast and more than capable of blowing my little music starved mind. Ohhh, what I have been missing....... either the phones themselves or the Kenwood toned that bit too bright sound of the Sony deck right down! My next plans are to add a DAC of some sort and probably incorporate a universal player as well; and of course be on the lookout for other beefy amps and receivers that might do the Senns justice