Thor -
I know what you mean, and I don't blame ya for being pissed. Seems like a lot of these companies can see a big fat golden goose, and they'll exploit it as far as it has legs to run. A guy just wants some cheap wire or connectors/adapters to hook up nothing too fancy, and he ends up paying
way bucks for RatShack's crap.
I mean, look at how much they want for a 75 to 300 ohm transformer, or say a 6' piece of 1/8" mini-jack to stereo RCA cord that costs them $0.13 to make in the Philippines and they sell for like $5.99 or $7.99. If you look at it as a percentage, it's fecking ridiculous!!!
:tongue:
:thumbsdn: :uzi:
MikE, et al -
I agree on the MIT stuff. I used to use the MIT 330 i/c's for tone controls on certain bright SS units. Nothing really bad about the MIT, but it did tend to soften things a bit. But I've rolled tubes AND wire, and the gain in fidelity just depends. Sometimes a different tube doesn't do much at all, and I've heard big leaps between different cables. I think that's why most of us enthusiasts end up being crazy. :lmao:
But yes, the 'cable argument' could go on indefinitely, and accomplish not much but usually pissing everyone off.
I would also agree with Celt generally, except to add that there IS no "neutral" cable or connection, because
everything has an electrical value it imparts to the circuit as soon as signal is passed through it.
I'd say that ideally, the trick is to have the least amount of
electrical change through the cable/connector/solder as is possible. And I think that is much tougher in practice than it seems on paper.
Also, I think there is much we don't fully understand yet, like skin-effect, back-EMF, various forms of noise & interference, magnetism, etc. So no - it's
not just about The 3 Basic Electrical Food Groups of R, C, and I.
...akin to the old "bits is bits" argument with digital. Remember how lousy the early CD players sounded, and no one could quite put their finger on why? Then somebody discovered
jitter and
quantizisation noise...