John, I'd give the iron in these old Rowe amps a real 'thumbs up' as far as performance goes. I'm quite a 'Scott' fan, with a number of Scott 7591 amps. I've got an old LK-72 that I kind of consider as my 'benchmark' of performance when dealing with either 7591 or 7868 amplifiers. While I'd not say that the Rowe is 100% equivalent, I think the real performance detriment is perhaps at the upper end of power output level. The Scott may simply have a bit more 'guts', or 'headroom' as some might put it. However, that said, these Rowe amps can give the Scott a real run for the money, particularly in the mid-range of power output, and certainly in the overall fidelity. I'll make note of Bob Carver's comment about having tested the OTs and found them to be nearly flat all the way from about 16hz up to about 60Khz. I take that with a grain of salt.....but still......if it's truly good from 20 to 20K, or even 18K, then I'd put that well within the 'Hi-Fi' category. Give one a try.....and please let me know if you do. I'd love to get a group together around these old amps.
Bill, I now follow you....... At first I wasn't sure what you meant by 'grounded lug', but then I realized you were talking about one of the lugs on the terminal strip. So, clearly your feedback was NOT going where it should be.....lol. I take it the first resistor is the 1500 ohm feedback resistor, the second that is connected to your ground buss is the 82 ohm resistor, and the red wire seen coming off the 'grounded lug' is the feed to the other 1500 ohm resistor which feeds the first cathode (pin 3) of the driver tube...... Like John, I didn't catch the grounded lug either....but now I see it plain as day........... and I can admit to having made similar errors in the past. I now try to remember about it......but if not working with this stuff regularly (and I mean almost on a daily basis), it's easy to overlook something like that. But, good catch, and glad it's working well.
Paul has got me now deep into a Baldwin project amp. I'm not sure just what the chassis number is that served as 'donor' for this project, but I got one from an old organ that had a PPP stage for the main amp, and a PP stage for the 'Leslie' driver. All using EL84 output tubes. Paul had the same amp, and had been looking for a mate for his PPP output transformer, so I simply swapped him mine for his PP OT. He's now going to build a FrankenAmp of some kind...while I'm going to attempt yet another build using just the PP OTs. So.....the projects 'rock on'..... I may seek your advice on this next build of mine.
One last comment here: I've used this Rowe driver circuit now in a few other amps. I've copied it into an old RS177 RCA, an old Madison Fielding Console amp that had actually caught fire....and I even fabricated it into an old Rock-Ola amp. I've had stellar luck with it, as all the amps sounded wonderful...and I was able to get things working with minimal effort. My point is that it seems to be a very versatile design, easy to work with, and very 'functional' from a general standpoint. Sadly, I never really got to do a lot of 'testing' on all those amps...other than many hours of fine listening...but reports from their new owners all came in with high praises. So, you may want to keep a copy of that part of the schematic just for another project down the road.
Best, Tom D.