Yes the speakers do need an upgrade. I’d like (if possible) one set of good speakers in my basement but I have two systems. Mx110/mc30’s and the c27/mc2105. Often I will listen for a 1/2 hour here and there and don’t want to fire up the tube system for that. Any good solutions for this scenario? Two systems one set of speakers? Thanks all
No offense at all. Long story short, I’m a musician first and the reason I even started getting into McIntosh gear was for the power section of my guitar rig, ala Jerry Garcia. Started with an mc250 and then an mc2105, again, as a guitar rig. So when things slowed down with playing that rig, I couldn’t let the Mac’s go unused. I started listening more and built up my system from there. The only speakers at the time I had was what were in my signature for the most part.
So yes it seems backwards, but I enjoyed every backwards minute of it! From making the infinity’s better than what they were with a few inexpensive tweaks etc and getting into tube units. I literally just pulled the trigger on a pair of JBL 580’s that just went on sale again. I’ve had them for 1 day and I already know what I was missing, but no regrets! I enjoyed the backwards approach I took because it was what I was dealt with, my own journey if you may. The cost of items is of no concern to me. I like the music first, then the equipment. I see some that promote the prices of their gear and to each their own, that’s not me. I was totally happy listening to my system pumping through my speakers for the last few years, wouldn’t trade it for nothing.
Interesting bit on the guitar rig. The MC250 and MC2105 sound identical to the MC2300 Garcia was famous for using. Years ago, I ran a want ad on the Dead's website ('97 or so) looking for the MC2300s used in the WOS. This dude named Bear emailed me the same day ... God, I wish I would have archived our email discussions.No offense at all. Long story short, I’m a musician first and the reason I even started getting into McIntosh gear was for the power section of my guitar rig, ala Jerry Garcia. Started with an mc250 and then an mc2105, again, as a guitar rig. So when things slowed down with playing that rig, I couldn’t let the Mac’s go unused. I started listening more and built up my system from there. The only speakers at the time I had was what were in my signature for the most part.
So yes it seems backwards, but I enjoyed every backwards minute of it! From making the infinity’s better than what they were with a few inexpensive tweaks etc and getting into tube units. I literally just pulled the trigger on a pair of JBL 580’s that just went on sale again. I’ve had them for 1 day and I already know what I was missing, but no regrets! I enjoyed the backwards approach I took because it was what I was dealt with, my own journey if you may. The cost of items is of no concern to me. I like the music first, then the equipment. I see some that promote the prices of their gear and to each their own, that’s not me. I was totally happy listening to my system pumping through my speakers for the last few years, wouldn’t trade it for nothing.
There is just something very cool about running a properly set up Twin Reverb pre section into an mc250, 2100, 2300 etc. it’s quite addictive. I think it may have something to do with the McIntosh part of the equationInteresting bit on the guitar rig. The MC250 and MC2105 sound identical to the MC2300 Garcia was famous for using. Years ago, I ran a want ad on the Dead's website ('97 or so) looking for the MC2300s used in the WOS. This dude named Bear emailed me the same day ... God, I wish I would have archived our email discussions.
I will thanks! Yes my 74’ Twin has had a lot of the Alembic mods done to it by a meticulous tech who knows ‘Garcia’ mods inside and out. He puts his own interpretation of Garcia’s tone into it as well. A joy to play.You should read Jim, now Janet Furman's post about building, designing and repairing the various guitar preamp front ends for the various SF groups when she worked for Ameblic.....the Mac amps just faithfully amplified the various creative efforts that the front end preamp section delivered to it.
Her post is located within the history of the power management company she started called Furman sound.