Today's World Music playlist
- Thread starter pmsummer
- Start date
mfrench
Addicted Member
Ahenk Duo
September 04, 2005
Neurosciences Institute Auditorium
La Jolla, CA
Traditional Turkish and Ottoman Music
Ambient Recordings (x2)
The instrument on the left is the Turkish Khamanche (predecessor to violin)
On the right,... The Tambur. Its a plucked lute family instrument. The neck is incredibly long and flexible. The musician would thrust the instrument forward and back, flexing the neck, and causing a "vibrato"-like effect (not sure if this is even correct title for the action). The neck would whip around, sometimes in a circular motion, creating a very interesting sound.
September 04, 2005
Neurosciences Institute Auditorium
La Jolla, CA
Traditional Turkish and Ottoman Music
Ambient Recordings (x2)
The instrument on the left is the Turkish Khamanche (predecessor to violin)
On the right,... The Tambur. Its a plucked lute family instrument. The neck is incredibly long and flexible. The musician would thrust the instrument forward and back, flexing the neck, and causing a "vibrato"-like effect (not sure if this is even correct title for the action). The neck would whip around, sometimes in a circular motion, creating a very interesting sound.
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mfrench
Addicted Member
Hossien Omoumi - Ney flute master
Mehrdad Arabi - daf, tombak, frame drum
Kourosh Taghavi - setar, robob
Jessika Kenney - vocals (setII)
October 20, 2007
saturady 8pm (8:30 real start time)
Claire Trevor Theatre
University of Cal - Irvine
Irvine, Ca (redundant?)
Claire Trevor School of the Arts
Dep't of Music and Dr. Samuel M. Joran Center for Persian Studies and Culture, present:
Rumi Celebration - Fire of Love
A concert of Hossein Omoumi & friends
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Dastgàh-e Shur, Avàz-e Dashti. And Bayàt-e Tork
Poems of Rumi (13th Century)
1. Rhythmic Masnavi*
2. Chàhàr-mezrab
3. Tasnif-e Và del-e man*
4. Avàz-e Dashti
5. Avàz-e Bayàt-e Tork and tasnif-e Jàn-e Jàn*
intermission
Avàz-e bàyàt-e Esfahàn
Poems of Sahar (contemporary poet), Sa'adi (13th century)
Bàbà Tàher (11th century), Rumi (13th century),
Bidjan Taraghi (contemporary poet)
1. Daràmad
2. Tasnif-e Sepideh in Ràz-o niyàz - Poem of Sahar*
3. Rahàvandi - Poem of Sa'adi*
4. Suz-o godàz - Poem of Bàbà Taher
5. Ebri (masnavi in Bayàt-e Esfahàn) - Poem of Rumi
6. Tasnif-e Bahàr-e delneshin - Poem of Bidjan Taraghi
Composition of Ruhollà Khàleghi
* Composed by H. Omoumi
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Recordings by Mike French, as archivist and friend of ensemble
Ambient Master:
DPA 4022 stereo pair, cardioid XY 90º ->
Grace Lunatec V3 45dB analog ->
Sound Devices 722 line-in -3db, 2448
Mics at center of balcony lip, extended outward on 3' extension (see pics)
Soundboard Master:
Allen-Heath console -> canare 25' -> Edirol R09 line-in level-9 2448
set two - pt.I is missing, as the Edirol R09 recorder quit recording just after a confirmation was made that it was recording. So, about 15 minutes of sbd feed is missing, and an attempt to replace that missing segment was made with the ambient source.
BlindBoyGrnt
Nullius in verba
String bending old school.Ahenk Duo
September 04, 2005
Neurosciences Institute Auditorium
La Jolla, CA
Traditional Turkish and Ottoman Music
Ambient Recordings (x2)
The instrument on the left is the Turkish Khamanche (predecessor to violin)
On the right,... The Tambur. Its a plucked lute family instrument. The neck is incredibly long and flexible. The musician would thrust the instrument forward and back, flexing the neck, and causing a "vibrato"-like effect (not sure if this is even correct title for the action). The neck would whip around, sometimes in a circular motion, creating a very interesting sound.
mfrench
Addicted Member
@BlindBoyGrnt
Yep!
I did two of their gigs. The first one, I was sitting straight out in front of them in the audience. The next gig, I was set up to their right "in the wings". I could look down the long neck of the Tambour, and watch him flex the neck by whipping it around. The nut end of the neck was swinging about a 6" diameter when he was whipping it into a circular flex. It was pretty interesting to see.
Yep!
I did two of their gigs. The first one, I was sitting straight out in front of them in the audience. The next gig, I was set up to their right "in the wings". I could look down the long neck of the Tambour, and watch him flex the neck by whipping it around. The nut end of the neck was swinging about a 6" diameter when he was whipping it into a circular flex. It was pretty interesting to see.
mfrench
Addicted Member
Bhundu Boys
April 09, 1988
Music Machine
Santa Monica, Ca
Ambient and Soundboard recordings by m0k3
South African / Zimbabwe Jit music
https://en.wikipedia.org/wiki/Bhundu_Boys
April 09, 1988
Music Machine
Santa Monica, Ca
Ambient and Soundboard recordings by m0k3
South African / Zimbabwe Jit music
https://en.wikipedia.org/wiki/Bhundu_Boys
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mfrench
Addicted Member
Thomas Mapfumo
August 05, 2006 early and late shows
Cultural Arts Series
Mission San Juan Capistrano Library Courtyard
SJC, Ca
Ambient Recordings by m0k3
DPA 4060 HRTF stereo -> DPA MMA6000 two channel preamp -> Sound Devices 722 @ 24.96
The creator of Chimurenga (see above, Bhundu Boys; the roots of their music): Zimbabwe
https://en.wikipedia.org/wiki/Thomas_Mapfumo
August 05, 2006 early and late shows
Cultural Arts Series
Mission San Juan Capistrano Library Courtyard
SJC, Ca
Ambient Recordings by m0k3
DPA 4060 HRTF stereo -> DPA MMA6000 two channel preamp -> Sound Devices 722 @ 24.96
The creator of Chimurenga (see above, Bhundu Boys; the roots of their music): Zimbabwe
https://en.wikipedia.org/wiki/Thomas_Mapfumo
mfrench
Addicted Member
Kékélé
Aug-07-2004 late show
Mission SJC Library Courtyard
SJC, Ca
Cultural Arts Series
Congolese Rhumba
Ambient recording by m0k3
DPA4060 HRTF -> MMA6k -> Sony PCM-M1 DAT
http://www.rfimusic.com/artist/congolese-rumba/kekele/biography.html
Aug-07-2004 late show
Mission SJC Library Courtyard
SJC, Ca
Cultural Arts Series
Congolese Rhumba
Ambient recording by m0k3
DPA4060 HRTF -> MMA6k -> Sony PCM-M1 DAT
http://www.rfimusic.com/artist/congolese-rumba/kekele/biography.html
mfrench
Addicted Member
Ostad Manoochehr Sadeghi and friends
September 04, 2004
Grand Performances Free Concert Series
California Plaza
Los Angeles downtown
Manoochehr Sadeghi, santur
John Bilezikjian, oud
Mehrdad Arabi, tombak, daf
Adam del Norte, classical guitar
Omid Tarbatian, ney flute
Afshin "Max" Sadeghi, electric santur
set one / disc 1.2
Traditional Persian Classical set
01) introduction preamble
02) Santur and Tombak
03) intro of Omid Tarbatian / Ney flute
04) Santur, Ney, Daf
set two / disc 2.2
World Music Fusion Set
01) intro by Max Sadeghi
02) preamble by Manoochehr Sadeghi
03) Parvaneh (Butterfly) by M. Sadeghi (written 45 years ago)
04) preamble to flamenco guitar solo
05) flamenco guitar solo
06) spanish traditional
07) preamble to the Oud solo
08) Oud solo
09) preamble by Manoochehr, intro to Max Sadeghi
10) Manoochehr Sadeghi original compostion
11) Q & A Session (post concert)
Ambient Recording by Mike French, as archivist for ensemble
DPA 4022's ORTF stereo, from 1st row center, mics at 7'
Grace Lunatec V3 +51dB 48k ANSR dither to 1648
Sony PCM-M1
source for safe, legal downloads, authorized by Master Sadeghi:
https://archive.org/details/sadeghi
September 04, 2004
Grand Performances Free Concert Series
California Plaza
Los Angeles downtown
Manoochehr Sadeghi, santur
John Bilezikjian, oud
Mehrdad Arabi, tombak, daf
Adam del Norte, classical guitar
Omid Tarbatian, ney flute
Afshin "Max" Sadeghi, electric santur
set one / disc 1.2
Traditional Persian Classical set
01) introduction preamble
02) Santur and Tombak
03) intro of Omid Tarbatian / Ney flute
04) Santur, Ney, Daf
set two / disc 2.2
World Music Fusion Set
01) intro by Max Sadeghi
02) preamble by Manoochehr Sadeghi
03) Parvaneh (Butterfly) by M. Sadeghi (written 45 years ago)
04) preamble to flamenco guitar solo
05) flamenco guitar solo
06) spanish traditional
07) preamble to the Oud solo
08) Oud solo
09) preamble by Manoochehr, intro to Max Sadeghi
10) Manoochehr Sadeghi original compostion
11) Q & A Session (post concert)
Ambient Recording by Mike French, as archivist for ensemble
DPA 4022's ORTF stereo, from 1st row center, mics at 7'
Grace Lunatec V3 +51dB 48k ANSR dither to 1648
Sony PCM-M1
source for safe, legal downloads, authorized by Master Sadeghi:
https://archive.org/details/sadeghi
O'Maino Horo
Theodosii Spassov Folk Quintet
Bulgarian
Theodosii Spassov Folk Quintet
Bulgarian
mfrench
Addicted Member
Majek Fashek - The Rain Maker
October 05, 1990
Music Machine
Santa Monica, Ca
Soundboard recording by m0k3
Nigerian reggae
https://en.wikipedia.org/wiki/Majek_Fashek
October 05, 1990
Music Machine
Santa Monica, Ca
Soundboard recording by m0k3
Nigerian reggae
https://en.wikipedia.org/wiki/Majek_Fashek
Quadman2
Lunatic Member
Magna Carta, a Netherland's group who were pretty big in the 70's.
I liked the lyrics which were almost poetic-like and the background music that featured the words.
One of their best was "Seasons" which was based after Vivaldi's famous work wherein they cover the different seasons with a textured music/lyrics that paint detailed word pictures. The album is a sit down by yourself type of composition in which you get lost in the mix. In a way they are much like the Moody Blues in the presentation.
A record worth taking the time to appreciate. LIMO.
Q
I liked the lyrics which were almost poetic-like and the background music that featured the words.
One of their best was "Seasons" which was based after Vivaldi's famous work wherein they cover the different seasons with a textured music/lyrics that paint detailed word pictures. The album is a sit down by yourself type of composition in which you get lost in the mix. In a way they are much like the Moody Blues in the presentation.
A record worth taking the time to appreciate. LIMO.
Q
v8peters
Lunatic Member
BlindBoyGrnt
Nullius in verba
Anoushka Shankar - "Traveller"
mfrench
Addicted Member
thanks for the Anoushka tease!
Ravi Shankar
Anoushka Shankar
April 28, 2006 friday 8pm+
(8:30pm, late start)
California Center for the Arts
Escondido, Ca
Ambient Recording by TFH
DPA 4060 HRTF stereo
DPA MMA6000 mic pre +5dB
Sound Devices 722 @ 2496, mic input, high-gain +28dB gain, limiter engaged
From the mezzanine level, right of center (+10' r.o.c.).
Digital processing in 2496, and resampling to 1644 by Sound Studio 2.2.4
Anoushka Shankar set: Set One Disc 1.2
1) house introduction and player introduction
2) Prayer Chant to Lord Ganesha (Vandana)
3)
4)
5)
Ravi Shankar set: Set Two Disc 2.2
1) Audience in and tuning......
2) Introduction to set, by Ravi Shankar
3) Evening Raga I
4) Evening Raga II
5) Ravi Shankar player introduction, by Ravi
6) Improvisational Raga
end of show, no encore
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set list from 04-24-06 Yuma Az., for sample of song names:
Disc 1:
1st set:
1)Intro>Tuning
2)Vandana
3)Tarana:Raga Nata Bhairavi
4)Raga:Yaman Kalyan
5)Viraha Milan
Disc 2:
2nd set:
1)Tuning>Intro
2)Evening Raga:Jog
3)Evening Raga:Ropaltal
4)Tuning>Band Intro
5)Improv:Various Rags & Styles
Ravi Shankar
Anoushka Shankar
April 28, 2006 friday 8pm+
(8:30pm, late start)
California Center for the Arts
Escondido, Ca
Ambient Recording by TFH
DPA 4060 HRTF stereo
DPA MMA6000 mic pre +5dB
Sound Devices 722 @ 2496, mic input, high-gain +28dB gain, limiter engaged
From the mezzanine level, right of center (+10' r.o.c.).
Digital processing in 2496, and resampling to 1644 by Sound Studio 2.2.4
Anoushka Shankar set: Set One Disc 1.2
1) house introduction and player introduction
2) Prayer Chant to Lord Ganesha (Vandana)
3)
4)
5)
Ravi Shankar set: Set Two Disc 2.2
1) Audience in and tuning......
2) Introduction to set, by Ravi Shankar
3) Evening Raga I
4) Evening Raga II
5) Ravi Shankar player introduction, by Ravi
6) Improvisational Raga
end of show, no encore
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set list from 04-24-06 Yuma Az., for sample of song names:
Disc 1:
1st set:
1)Intro>Tuning
2)Vandana
3)Tarana:Raga Nata Bhairavi
4)Raga:Yaman Kalyan
5)Viraha Milan
Disc 2:
2nd set:
1)Tuning>Intro
2)Evening Raga:Jog
3)Evening Raga:Ropaltal
4)Tuning>Band Intro
5)Improv:Various Rags & Styles
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BlindBoyGrnt
Nullius in verba
Your turn for the tease. Father and daughter together on stage.
