Kingdaddy
Member
Here is a good way to test and revel why SACD has superior sound to Redbook.
IMO comparing SACD to a Redbook CD of the same title isn’t at all fair and doesn’t revel anything of merit. Anytime there is a SACD made there is a certain amount of remixing and re-mastering done (no way around it) and everybody has probably heard re-mastered versions of familiar recordings that sound dramatically different than the original, I know I have. I’ve heard it said many times that the best upgrade to any system is a good recording and I believe this to be true, nothing makes a bigger difference than the recording.
Here is a good test that will revel some truth about the SACD format. Every thing I’ve read about SACD talks about the dramatic difference DSD 1 bit mastering / re-mastering makes “More like Analog” and they all say you must have a unprocessed direct analog signal from the SACD player to the preamp via 6-Analog IC’s so that the signal is not down converted to a lo-rez PCM that a standard HT Preamp AD to DA conversion will do.
The comparison I’ve done is as follows.
Equipment List
Sony TA-E9000ES Preamp
Sony TA-P9000ES Analog Preamp
Sony DVP-NC650V DVD/SACD player
Multiple Sony TA-N9000ES amps
DIY Sub Satellite combo (Actively Bi-Amped)
Simply connect as per instructions in the TA-P9000ES manual and volume match the two Sony Preamps. Now listen to a 2-Channel SACD (not Multi-channel) and use the “bypass” button on the TA-P9000ES Remote for a comparison of the Pure DSD signal vs. the Down Converted PCM signal of the same recording, you can switch back and forth very quickly without interruption, and if you do this without looking at the remote you will find it easy to forget what mode you are in (Bypass or not) and you can do this right in the middle of a vocal, strings, percussion, horn passage etc and see if you can hear the difference in timbre, depth, air, soundstage (insert any audiophile lingo here) bla bla bla.
Now you are comparing the same recording with and without the advertised glory of what SACD is all about.
I spent many hours over 5 weeks and many different 2-channel SACD recordings and the results were remarkably identical in every way.
Before I make my conclusion known I’ll allow anyone a chance to critique the test and tell me if/why it’s fatally flawed.
IMO comparing SACD to a Redbook CD of the same title isn’t at all fair and doesn’t revel anything of merit. Anytime there is a SACD made there is a certain amount of remixing and re-mastering done (no way around it) and everybody has probably heard re-mastered versions of familiar recordings that sound dramatically different than the original, I know I have. I’ve heard it said many times that the best upgrade to any system is a good recording and I believe this to be true, nothing makes a bigger difference than the recording.
Here is a good test that will revel some truth about the SACD format. Every thing I’ve read about SACD talks about the dramatic difference DSD 1 bit mastering / re-mastering makes “More like Analog” and they all say you must have a unprocessed direct analog signal from the SACD player to the preamp via 6-Analog IC’s so that the signal is not down converted to a lo-rez PCM that a standard HT Preamp AD to DA conversion will do.
The comparison I’ve done is as follows.
Equipment List
Sony TA-E9000ES Preamp
Sony TA-P9000ES Analog Preamp
Sony DVP-NC650V DVD/SACD player
Multiple Sony TA-N9000ES amps
DIY Sub Satellite combo (Actively Bi-Amped)
Simply connect as per instructions in the TA-P9000ES manual and volume match the two Sony Preamps. Now listen to a 2-Channel SACD (not Multi-channel) and use the “bypass” button on the TA-P9000ES Remote for a comparison of the Pure DSD signal vs. the Down Converted PCM signal of the same recording, you can switch back and forth very quickly without interruption, and if you do this without looking at the remote you will find it easy to forget what mode you are in (Bypass or not) and you can do this right in the middle of a vocal, strings, percussion, horn passage etc and see if you can hear the difference in timbre, depth, air, soundstage (insert any audiophile lingo here) bla bla bla.
Now you are comparing the same recording with and without the advertised glory of what SACD is all about.
I spent many hours over 5 weeks and many different 2-channel SACD recordings and the results were remarkably identical in every way.
Before I make my conclusion known I’ll allow anyone a chance to critique the test and tell me if/why it’s fatally flawed.