I hereby nominate "Simon Gale conducts the Symphonic Rock Orchestra in Classical Highlights." It's from the bargain 'Vienna Masters Series,' it's #160 102. Just got about $10.00 worth of these disks at $.20 each....
Mostly, the disks are pretty good. I agree with one reviewer that the Vivaldi is fantastic. But this 'Symphonic Rock' bit is something else. Basically, you've got symphonic pop arrangements of medleys of classical themes, with an electronic rhythm track added. Yes. That.
Sometimes it's not too bad. The album starts out with bits from Strauss waltzes and polkas, and with them the concept almost works. The product is acceptable as sort of upbeat ambiance muzak.
But some other selections are just horribly wrong, which is why I'm calling this a 'World's Worst.' I mean, how can someone take the delicate melody of Bachs 'Air on a G-string' and add a rhythm track? The effect is so obviously awful, destructive of the sweet flow of string sound, that I cannot imagine WHY the thing was done, unless someone involved actually hated the concept and was seeking to sabotage it.
The same result is obtained by adding strings of knocks, thumps and crashes to the soaring melody of 'The Moldau.' Again, I have to assume that anyone actually able to make this music had to know this was a horrible idea. Didn't they?
I suppose the thing actually came to exist because of division of labor. The musicians doing the classical performances didn't have to hear the rhythm tracks (which were added later). Had there been an attempt to add that stuff real time, they would have had to walk out.
Still why was some of the least-suitable-imaginable music selected for this treatment? WHY? There's something perverse going on here. I sense evil.