I don't understand why you'd use a half-wave voltage doubler vs. a full wave. They both have the same number of parts and I have to imagine the full wave would provide less ripple but heck, I'm sure I'm missing something.
I apologize for that Scuzzer. Here is a clean pic (to the left of the red dotted line) of what I used (which is what the amp had originally). Also a couple topside pics of the amp after testing for golana.
Holy cow, That's a nice looking amp!!:yes:
That is a beauty. Have you used those power switches before? I got one that looks like that from "The Shack"for a non-audio project once and it gave me a lot of trouble.
In essence, they are both half-wave doubler, in the sense that they are full wave to the transformer, but half-wave to each cap. The one Jay uses is a universal one, meaning that you can cascade the diode/cap combo string to get higher multiplier out of it. The one you use is specific to a doubler. It is two half-wave rectifiers stack together. Most, if not all, doublers in vintage tube amps use this configuration since it uses cheaper lower voltage caps. The combined voltage ripple is 120 Hz instead of 60Hz, good if you add another cap or RC/LC stage after the doubler. The disadvantage is that two caps are in serial, so the effective capacitance (power reserve) for the amp is half (assuming they are the same value). With the "universal" one, the amp sees the full value of C2, but it is also in the full B+ voltage instead of half, and ripple is only 60 Hz.I don't understand why you'd use a half-wave voltage doubler vs. a full wave. They both have the same number of parts and I have to imagine the full wave would provide less ripple but heck, I'm sure I'm missing something.
In essence, they are both half-wave doubler, in the sense that they are full wave to the transformer, but half-wave to each cap. The one Jay uses is a universal one, meaning that you can cascade the diode/cap combo string to get higher multiplier out of it. The one you use is specific to a doubler. It is two half-wave rectifiers stack together. Most, if not all, doublers in vintage tube amps use this configuration since it uses cheaper lower voltage caps. The combined voltage ripple is 120 Hz instead of 60Hz, good if you add another cap or RC/LC stage after the doubler. The disadvantage is that two caps are in serial, so the effective capacitance (power reserve) for the amp is half (assuming they are the same value). With the "universal" one, the amp sees the full value of C2, but it is also in the full B+ voltage instead of half, and ripple is only 60 Hz.
I would put the motor run caps in the B+ location (after the choke, where signal is bypassed to ground) instead of inside the doubler.
She sure is purdy! Stainless steel, I ve done lots of work with metals, but would have thought SS would be hard to deal with, nice.