Looks great Retro and sure makes a lot more sense looking at the room, swapping out the speakers. Are you going to try Rita with the V-518's in the big room?
I did mention they needed a decent sized room
Cheers,
Ian
Yes Ian, you did mention they needed a decent-sized room a couple of times, and I think I got it now.
The smaller room was the first one remodeled and I couldn't wait any longer to get that RITA and those V-518s set up.
As far as moving the RITA into the larger room with the V-518s, I do believe I will give that a shot sometime in the future, but right now I'm just enjoying the way it is right now. With the Tyler D4s being 87 dB efficient and the V-518s being 92 dB, the extra RITA power is working pretty good on the D4s right now.
Retro
Couple of pics showing the smaller room to the larger, and vice/versa:
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Retro
MM, If you don't have any of the LS3/5A versions do think hard about it. They come up used often enough to grab a pair. I of course I like ours but look around first. Seeing that you in the business and also an audiophile or musicphile, these things are kind of a must to have, even if only as a reference to compare other speakers against. I do it all the time when doing crossovers for our other speakers, the LS3/5A brings me back to ground zero on the midrange and other things.
The RBS-1's are a nice step up, giving you the bass that the LS3/5A without the trade-offs bass normally introduces for studio work.
The Yaqin VK-2100 has a bass hump that the designer of Yaqin loves in some of his gear, basically a loudness button (his words to me). I think you mentioned that you tamed it with a tube roll, but when I used the A-534B (design/build by Yaqin) to remaster some work, it was like I was in heaven and that is hen I decided I wanted to shoot the guys that taught us we could only use SS in the studio. The remaster traveled exactly like I had heard it.
The A-534B may not be enough to impress clients that need the floor shaking, that is where Rita comes in. Say goodbye to every 20 minutes breaks to avoid ear fatigue from the typical studio culprits. Not just GF amps, try any tube amp for monitoring, your ears will adjust in minutes.
Cheers,
Ian
Way off topic. but that is obviously an old, well-built house. Are the internal pillars a cosmetic element, or the back balance for cantilevered gables balancing against the house's roof or upper floor? I've seen that in American houses built in the early 1800's and it's an advancement of the flying arches used in medieval cathedrals.
Congrats on the beautiful reno job, the flooring is awesome. How did you ever talk the wife into 2 systems? I'm sure others would like to know. I used the 'I can make money from it' line, she bought it, but then quit her job to become my boss. Oopsand now she gets all the money, I do get lots of toys thought to play with.
Will the wife let you move speakers around a bit?
Cheers,
Ian
The internal pillars in this particular house are purely cosmetic. The house itself will be 100 years old in about 5 years. Well-built is an understatement, as a 90 mph straight-line wind blew through town here a few years back and I didn't even wake up, and I'm a light sleeper.
Retro

hello all, I'm a new member, and relatively new owner of multiple Grant Fidelity pieces. I've moved from a lot of vintage equipment to my current list :Nice place Retro, I used to live in Owatonna, A beautiful town with a lot of great architecture.Couple of pics showing the smaller room to the larger, and vice/versa:
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Retro