I love the Burmester. Oddly enough, buying a new car is what made me realize that I love music, and it was time to address my home stereo needs.
Nice GLC BTW, I came very very close to choosing the GLC. Needed more towing capacity however, ... and the GLE still offered the clean diesel (34mpg since new and 30% less greenhouse gas than a gasoline engine. Tell me again why the US doesn't like diesels?).
Bose vs the world? Not really. I never cared for Bose for the same reason I never cared for Magnepan (can of worms really open now): they are not pure reproduction. They add the artificial soundstage of room reflections, so do many respected speakers from Carver, Martin-Logan, ESS, Acoustat, ESL, Klipsch, ... a long list of who's-who and top-tens.
But are we listening to the science, the music, or the effect of the music in the room on our systems? Is it a matter of analytical listening and absolute reproduction of the source material or enjoyment of the experience (which I know to some is the same, and to others it is not)?
Just as distortion exists in all audio reproduction (electronics) and tolerated (some is more musical than other), reflection and changes exist in all speakers.
So do you eat your steak with seasoning and on charcoal or broil it dry in the oven? Do you put salad dressing on your salad or eat it without? Mixed drink or neat? How about coffee black or with cream and sugar (I have friends in Portland who make me nice pour-overs and would be insulted if I wanted cream in my coffee)? These are the same IMO as speaker choices, you like what you like and anyone who tells you otherwise is a coffee-snob.
Nice GLC BTW, I came very very close to choosing the GLC. Needed more towing capacity however, ... and the GLE still offered the clean diesel (34mpg since new and 30% less greenhouse gas than a gasoline engine. Tell me again why the US doesn't like diesels?).
Bose vs the world? Not really. I never cared for Bose for the same reason I never cared for Magnepan (can of worms really open now): they are not pure reproduction. They add the artificial soundstage of room reflections, so do many respected speakers from Carver, Martin-Logan, ESS, Acoustat, ESL, Klipsch, ... a long list of who's-who and top-tens.
But are we listening to the science, the music, or the effect of the music in the room on our systems? Is it a matter of analytical listening and absolute reproduction of the source material or enjoyment of the experience (which I know to some is the same, and to others it is not)?
Just as distortion exists in all audio reproduction (electronics) and tolerated (some is more musical than other), reflection and changes exist in all speakers.
So do you eat your steak with seasoning and on charcoal or broil it dry in the oven? Do you put salad dressing on your salad or eat it without? Mixed drink or neat? How about coffee black or with cream and sugar (I have friends in Portland who make me nice pour-overs and would be insulted if I wanted cream in my coffee)? These are the same IMO as speaker choices, you like what you like and anyone who tells you otherwise is a coffee-snob.
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