You're welcome.
The thing about jukebox amps is they are done differently than your typical hi-fi setup. Output transformers are either extra heavy duty, or contain a maze of secondaries. They're designed to be driving multiple speakers in odd configurations. That's why you see hookups for 500ohm (or whatever) speakers/CV. I learned to work on tube amps working on jukebox amps. I dislike my job, but learning to work on tubes was the one reason I stayed. Where else are you going to get OTJ training on tubes anymore? The AMI C amp is one I've worked on a few times. I think I could recap an amp in my sleep now.
My last rebuild of one was over a year ago, and I actually wrote about it.
http://www.audiokarma.org/forums/showthread.php?t=426039
Glad you didn't get hung up on terminal 4 being ground and nothing hooked up to it, just the way they designed it.
Throw some new caps in there, check your resistors; you'll be ready for years of service. On the subject of stressing the amps, that's silly. Jukebox amps are actually very conservative in how they run the tubes, its commercial equipment designed for high reliability with minimal service. I have, in 10 years, and dozens of amps; only encountered one blown OPT. Pretty good reliability in my book
AMI also had some of the best sounding amps. I was also wrong in my previous post about the RIAA stage, ceramic carts never needed it...displacement rather than velocity.
Too many amps, not enough memory.
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