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Subwoofer Management - New Toy!

Negotiableterms

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Half the time people wind up not liking their subs because they aren't correctly matched to the satellites and room.

Velodyne solved this problem in their expensive "Digital Drive" line of powered subs, by including a tricky spectrum analyzer and equalizer. Now, they've come out with that unit as a standalone, useable with any sub, for $600 and called the SMS-1. I think it only works from 200Hz down, so it's not full-range, but it doesn't cost like one either.

I just ordered one, and will report back on its usefulness, but I wanted to start this thread to see what others have done, and what other products might be out there besides the $5,000 DEQX unit.

Any and all comments welcome!
 
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Isn't that an interesting device. Yes please do! Report back here with what it can do for you. I'm for one real curious to hear about it. Where did you find it for 6 bills if I may ask?
 
WildWest said:
Where did you find it for 6 bills if I may ask?

Very close to Charivari at OneCall.com.

Charivari said:
Sounds like a fancy, expensive version of the Behringer Feedback Destroyer...

I don't think so. This is really a spectrum analyzer and computer controlled graphic equalizer in one little box. Take a look at the Velodyne site.
 
Negotiableterms said:
Charivari said:
Sounds like a fancy, expensive version of the Behringer Feedback Destroyer...
I don't think so. This is really a spectrum analyzer and computer controlled graphic equalizer in one little box. Take a look at the Velodyne site.
Hey, I did say it was fancier. Now, why'd you have to go and post this in the first place? I was happily saving my pennies for a Behringer and now this unit comes out, looking a lot nicer and apparently a great deal easier to use, so I've 6x as far to go now. Hmm, sometimes ignorance is bliss, but thanks for sharing this goody.

- JP
 
Charivari said:
...Now, why'd you have to go and post this in the first place? I was happily saving my pennies ... so I've 6x as far to go now...

I post little gems like this (and anything on QLSs) solely for the pleasure of seeing you drool in public. The answers to my questions and other information contributed by all the other members is merely a side-benefit. :naughty:
 
Negotiableterms said:
I post little gems like this (and anything on QLSs) solely for the pleasure of seeing you drool in public. :naughty:
Well, dangit, you succeeded. How can I not be jealous of your QLS speakers? It's bad enough about those; I try not to think of those Betas in storage, lest I hurt something.

- JP
 
Seriously, does anyone else have any of the "Digital Drive" series subs? Any comments on how to set up and work best will be helpful.
 
It Arrived!!

It's quite a toy. The bad news, is that for stereo bass, you need TWO of them!

It's intended for HT, where all the bass is done in one channel. So, when it says it can control three subs, it means three subs producing the same signal, not three channels.

It's designed to deal with stereo by daisy-chaining two of them together using an RS-232 cable. The second operates as a slave unit to the first, each controlling its own channel using the same settings. Each unit allows balanced in and out, so it's actually pretty sophisticated.

Really, it's very well thought out... but at $600 per, it's a painful thing to find you need another one. I'm gonna try and fake it in mono and see how much good it does before I shell out for a second one. Frankly, it'll have to be really amazing to make me buy it a brother.
 
#2 Ordered

OK, here's the results. After a bit of playing around, it was obvious that even in mono, the SMS-1 cured a ton of problems, and made a huge difference. My subs are huge (4x18" woofers), and the room is small, so they basically alternated between overpowering the room and being sucked out.

I've ordered the second one, and can't wait to get it hooked up in stereo. I'll post a follow-up here, or a review or something.
 
I use a DBX subwoofer processor. "looks a lot like the rest of the small DBX boxes"

It's quite adjustable, there cheap when you find um, it's from 50hz on down.
And it's stereo. Ever since I got mine I've found it very handy!
 
Kegger said:
I use a DBX subwoofer processor. "looks a lot like the rest of the small DBX boxes"

It's quite adjustable, there cheap when you find um, it's from 50hz on down.
And it's stereo. Ever since I got mine I've found it very handy!
How far down does it reach? The Behringers brickwall at 20Hz, which is worthless for me with a sub that goes flat to ~14 Hz. So, I've been looking for a cheap alternative. $600 is two times as much as my current main system cost including the sub.

- JP
 
I don't have a spec sheet but I do believe when I set up my b&k prepro sending pink
noise through my yamaha eq I could adjust down to 10 hertz and get a tone that did
adjust with the b&K that did make a difference on the EQ MIC for what that is worth.

I bought this used as many things we all do with no book or manual. There was some
info on the web, that's how I found out it was from 50hz on down.
The model # is: DBX 120X "if that helps"
On the front there there are 4 led's "3 deep" that read 25 34 40 and 50 but I think it
does go lower then 25 just that there usually isn't a ton of info down there so maybe
they didn't want a set of led's that didn't do a lot but the 25hz LED light's do come on
3 strong a lot without much effort though.

"there 2 different versions of this thing one is called digital"

Here's a couple pic's of the model I have.
 

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Charivari said:
... me with a sub that goes flat to ~14 Hz. $600 is two times as much as my current main system cost including the sub.

JP, would you mind describing your system? Flat to 14 Hz with total cost below $600 is an intriguing combination.
 
JP,

I used a Marchand assemble-it-yourself active xover, with a handful of xover point modules it come to less than $200.

Pete

edit: I used the XM1. I thought it made the mains sound a bit brittle., I have heard tell the XM9 is much better. Here's the link:

http://www.marchandelec.com/
 
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Negotiableterms said:
JP, would you mind describing your system? Flat to 14 Hz with total cost below $600 is an intriguing combination.
Well, it's not flat, hence my interest in subwoofer correction. However, in my room, my sub doesn't start to roll off until just around 16 Hz and is only about 3 dB down at 14 Hz (Radio Shack SPL meter after corrections) -- so I was using "flat" as a relative term.

My main system right now is a scrounger's delight. The speakers are a pair of Tannoy Berkeleys that I found for an incredible price of $40 for the pair. The amp is a Fisher SA-16 console pull, which means the price works out to ~$20 for it. The 6BQ5 outputs are some strong Dynaco label tubes from my Dynaco SCA-35 ($4.99 Goodwill). The pre-amp is an abused Marantz 3200 that I picked up sans knobs and with water damage on its wood case for $10 at a second hand store, the knobs I have on it are stolen from a Sansui 551 ($2.99 St. Vinnies). The source is a Sony CDP-X111ES that I picked up for $15. The interconnects are a pair of Radio Shack Fusions after the name was sued out of existence and they were put up on clearance for ~$15 for the pair. The speaker cable is 6 gauge homemade wire made from a large spool I picked up at a garage sale for a buck and using some spare Dayton banana plugs I had sitting around here from a past project.

So, the price total here is $40 + $20 + $4.99 + $10 + $2.99+ $15 + $15 + $1 = $108.98

The subwoofer is a scrounged together Adire DPL-12 in a passive radiator alignment. The DPL-12 was a door prize won by a friend which I then traded some gear for ($15 Goodwill). The 18" on a side cube cabinet constructed of 3/4" Baltic Birch plywood was an under-the-table build using scrap materials from other projects, so I can't give the price, but it wasn't much. I paid the full price for an Adire PR-15 and got a nice discount on an Adire AVA-250 plate amp as they were changing over to a digital amp based plate and were closing out these amps. The 3 lbs of polyfill were from some pillow forms I bummed off of the Adire folks thanks to a "will call" pickup, so no shipping charges there.

Now, this design should've granted 16 Hz in room response, but thanks to my not having access to a decent scale, I ended up putting a little too much weight on the PR dropping the bottom end even further, though at the cost of midbass response. This didn't bother me as I intended this sub to work with my $15 Goodwill (with an additional $25 refoam kit) Quantum 2s (-3 dB @ 24 Hz anechoic, ~20 Hz in room) and it works well with my Tannoys that are only 3 dB down at ~35 Hz. The original 14 Hz measurement came with a certain subwoofer position that offered up this incredibly low response, but at the cost of a severe 40-54 Hz suck out (12-16 dB). I recently moved the sub around to smooth out the response a little bit, but it was at the cost of this real low end -- hence my interest in parametric equalization. The cost of the sub rounds out the total system cost to around $300, though I only occasionally use it, as the music requires it, thanks to these limitations imposed by the current position.

The Tannoy and sub combination results in a little bit of a ~30 Hz dip, but once I get my big amp (~200 wpc into 4 ohms pro amp picked up on a ridiculous discount) back from my friends this weekend, I'll probably rotate my Quantums back in and then the system will have that 14 Hz performance, though with some 6-8 dB differences in peaks below the Watkins woofer (and a slight 45 Hz 5 dB peak thanks to a room mode) threshold until I can figure out some means of equalizing the sub.

I also plan on hooking my Toshiba SD-4960 (~$58 shipped) and Sony PS-X500 Biotracer ($40 for table $65 for Grado Gold) up to this setup soon, so the system cost will go up and cease to be half the price of that sub tool.

Now you see why I'm such a cheap bastard? I've really lucked out with putting my system together. So, it's hard spending a lot of money on it when I've made it this far for a little cash.

Hope this satisfies your curiosity.
- JP
 
Odd thing about how I ended up with that subwoofer in the first place. I had been doing a lot of research into bass towers as I really wanted to clone the bass towers in the bigger Infinity Reference Series. I just couldn't find an affordable source of good, low resonant frequency subwoofer drivers. I found the Adire DPL-12 mentioned on a website with its 16 Hz resonant frequency and discussed it with my friend. A few days later, he won that driver as a door prize .. and the story continues up above. I never did clone those bass towers though, but some day, someday I hope to be able to find myself a pair of those big IRS and then I won't have to clone it. I've got another good 30-40 years before my hearing goes too far South, so I've the time.

- JP
 
See? See why it's such a good idea to read the WHOLE thread?!

Parametric, that's supposed to be the bomb. Flat flat flat.

I went with the Marchand 'cause I wanted to high pass the mains, and the XM1 has +/- so many db at the xover point (I had a NASTY hump at 80hz).

Pete
 
Yah my B&K prepro has a parametric EQ that gives you 3 places to do your work, you
can choose the frequency on all 3 and how wide you want it to be then adjust the level
+ - upto 40db. My room has a 56 hertz hump of about 5db and a suckout at 9k of
about 4db other then that it's pretty flat but now with the B&K on doing it's work
I've been able to compensate for those very well. I've done a lot of room treatments
with measuring to try and get the room reasonably flat so my 2 channel has a chance.

I was quite surprised at all the B&K has, it even sends test tones over the frequencies
you chose so you can adjust accordingly by using your rat shack meter or an EQ with mic.
 
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