So I've spent a better part of the day once again playing with my system, specifically the subs and the active x/o.
In the midst of that I also started going back and forth between the 4 and 8 ohm taps on my 501s. With the changes of all the crossover points and various tap combo's, one thing stood clear the 8 ohm was clearly the better midrange or "musical" tap in the "presence region" while the 4 ohm tap gave me better mid to upper bass. :scratch2: Hmm.
When I first got the Guarneri Memento I knew it was a 4 ohm nominal type of a speaker and a bit more difficult to drive than the Cremona Auditor. So I fiddled with the 4 and 8 ohm taps and settled on 4 because I "thought" the bass sounded better that way. Keep in mind the woofers and low frequencies will usually require much more current when the impedance drops even with monitor speakers although not quite as much.
Then came the dual Fathom subs and an active crossover. The taps stayed the same at 4 ohms and off I went to tweaking the x/o and subs.
Playing around with the whole setup today, it all of a sudden hit me, "take a look at the impedance graph of the Guarneri".
Please take a look at the graph.
Notice those excursions into the 20 ohm+ between the 20 and 100 ohms? How about the peak in the "presence region" starting at 1Khz...
Well, that explained why the 8 ohm was by far the most musical and the clear winner of the "midrange" tap to use, much better match from 1Khz on up to 6Khz. :yes:
Let's remember that with direct coupled amps if 500w=2 ohm, 250w=4 ohm, 125w=8 ohm, 62.5w=16 ohms and so on... (if they can effectively "double down", not all can.) The taps offered on the autoformer amp gets you closer to an optimal load match.
So what if, I thought, "let the Fathoms deal with 100Hz on down, just as the impedance comes back down to reasonable levels with their 1500w amps, they can handle that load and I will use the 8 ohm tap on the 501s and concentrate on the midrange. Bingo!!! :thmbsp:
Switched to the 8 ohm tap, bumped up the crossover points to 100Hz, played around with slopes and WOW!
Incredible!
Now the subs can do their dirty work and take care of all those impedance swings down low and the 501s can work their magic on the midrange. Worked like a charm.
Keep in mind, the Fathoms are simply incredible subs, no wonder they have completely swept all the reviewers off their feet and got so many awards. They are fast, articulate, effortless and can keep up with even the midbass drives of the monitors such as mine. Belive it! :thmbsp: I would not attempt this with just "any" sub, at 100Hz, most of them are anything but musical. The RELs are great subs but have you ever tried them at 100Hz...
The Fathoms simply ROCK! :yes:
In the midst of that I also started going back and forth between the 4 and 8 ohm taps on my 501s. With the changes of all the crossover points and various tap combo's, one thing stood clear the 8 ohm was clearly the better midrange or "musical" tap in the "presence region" while the 4 ohm tap gave me better mid to upper bass. :scratch2: Hmm.
When I first got the Guarneri Memento I knew it was a 4 ohm nominal type of a speaker and a bit more difficult to drive than the Cremona Auditor. So I fiddled with the 4 and 8 ohm taps and settled on 4 because I "thought" the bass sounded better that way. Keep in mind the woofers and low frequencies will usually require much more current when the impedance drops even with monitor speakers although not quite as much.
Then came the dual Fathom subs and an active crossover. The taps stayed the same at 4 ohms and off I went to tweaking the x/o and subs.
Playing around with the whole setup today, it all of a sudden hit me, "take a look at the impedance graph of the Guarneri".
Please take a look at the graph.
Notice those excursions into the 20 ohm+ between the 20 and 100 ohms? How about the peak in the "presence region" starting at 1Khz...
Well, that explained why the 8 ohm was by far the most musical and the clear winner of the "midrange" tap to use, much better match from 1Khz on up to 6Khz. :yes:
Let's remember that with direct coupled amps if 500w=2 ohm, 250w=4 ohm, 125w=8 ohm, 62.5w=16 ohms and so on... (if they can effectively "double down", not all can.) The taps offered on the autoformer amp gets you closer to an optimal load match.
So what if, I thought, "let the Fathoms deal with 100Hz on down, just as the impedance comes back down to reasonable levels with their 1500w amps, they can handle that load and I will use the 8 ohm tap on the 501s and concentrate on the midrange. Bingo!!! :thmbsp:
Switched to the 8 ohm tap, bumped up the crossover points to 100Hz, played around with slopes and WOW!
Incredible! Now the subs can do their dirty work and take care of all those impedance swings down low and the 501s can work their magic on the midrange. Worked like a charm.
Keep in mind, the Fathoms are simply incredible subs, no wonder they have completely swept all the reviewers off their feet and got so many awards. They are fast, articulate, effortless and can keep up with even the midbass drives of the monitors such as mine. Belive it! :thmbsp: I would not attempt this with just "any" sub, at 100Hz, most of them are anything but musical. The RELs are great subs but have you ever tried them at 100Hz...
The Fathoms simply ROCK! :yes:
