SA-708
Appalachian-American
Preface
A couple weeks ago, I mounted up an Audiotechnica TR485U p-mount cartridge on a stamped aluminum headshell with an adapter, to try it out on my Technics SL-1700Mk2 turntable, with good results. I then thought I should be able to use the same headshell/adapter combination to try out some other p-mount cartridges I had sitting around.
I then posted a question in this forum: http://www.audiokarma.org/forums/showthread.php?p=1863307
The answer was that this should work, that the needle position should be the same per the p-mount standard. However, this assumes that all manufacturers followed the standard exactly. This led to the current question I hope to answer with this experiment.
Question
How precisely did different manufactures follow the p-mount (TP4) standard, both for needle placement (overhang and height) and for cartridge weight (which, with the unadjustable counterweight of p-mount turntables, determined tracking weight)?
Test Subjects
The following p-mount cartridges were on hand and used in the experiment. All are older carts, and all have replacement styluses (not the one they were sold with). In addition to testing the variations in the carts as noted above, I also want to give them all a spin and see how they sound.
Audiotechnica TR485U with an ATN152LP shibata stylus
Pickering XL-28U with a DTL2 elliptical stylus
Audiotechnica DR400E with an ATN2472SE stylus
Two different variations of the Ortofon TM, both using the same aftermarket 14 stylus
* One with "TM" marked on the side, and a black base (contrasting to the off-white body) where it inserts into the adapter
* One with "TM" on one side, "14" on the other side, "Ortofon" across the top, and an off-white base to match the body
Equipment
Technics SL-1700Mk2 turntable, Pioneer SA-610 integrated amp, Pioneer CS-510 speakers
* My usual bedroom system in its usual habitat.
Shure SFG2 stylus pressure guage
Stamped aluminum headshell with p-mount adapter installed
* This was set up for my TR485U cartridge, and I didn't want to lose that setup, so I kept the adapter installed in the headshell in the same position for the experiment.
Technics overhang guage
Metric ruler marked in mm
* To determine the position of the point of the needle in three dimensions.
Mr. Clean magic eraser
AT stylus brush
ProGold contact enhancer pen
Discwasher D4+ kit
* To keep everything clean and perfroming well during the experiment
T Bone Burnett (self-titled) MCA-5809, side 1
Fine Young Cannibals (self-titled) IRS-5683, side 1
Falco ~ Weiner Blut Sire 26290, side 2
* Test recordings, all recently purchased and played recently, so I'm familiar with how they should sound. None of the three are very flat, so how well these carts track warps was also tested.
Lab notes
First I double-checked the setup on the Audiotechnica TR485U cartridge. I determined that the point of the needle was dead center for overhang and lateral position, and that it was 4mm above the end of the overhang gauge. I set the SL-1700Mk2 arm to 3 on the VTA accordingly, and left it there for the rest of the experiment. I then set the tracking weight with the SFG-2 to 1.25g (less than the 1.3g I had been running it at, but 1.25g is the TP4 standard). I double-checked this by dialing the counterweight back to zero which got me a good floating position, then back to 1.25g where I triple-checked it again with the SFG-2. I then played the first and last track on the three test recordings, and everything sounded great.
Next up was the Pickering XL-28U, which I recently rediscovered in a box of stuff from when I was in college 20 years ago. I just mailordered a replacement DTL2 stylus (a .3 x .7 mil upgrade on the original .4 x .7 DTL1 stylus, which was quite worn) and it arrived this past week, and this was the first test of the new stylus. First I measured the needle position in the headshell/adapter; it was 1mm forward in the overhang gauge, and it was 5mm above the end of the gauge. I then mounted the headshell on the arm with the counterweight at zero, and the end of the arm was high, so this cart is lighter than the TR485U. When I used the SPG-2 to set the tracking weight to 1.25g, the counterweight read 1.5g indicating that it was a quarter gram lighter. When playing the test recordings (at correct 1.25g weight but with the overhang remaining 1mm long), it lacked the some of the brightness of the TR485U but gave a good solid uncoloured performance.
Third was the AT DR400E, with a two-year-old ATN3472SE stylus, a good .3 x .7 mil elliptical. This cartridge had been on my parent's Dual until I replaced it last month. Unsurprisingly, since they are both Audiotechica products, the needle position was the same as the TR485U. However, when installed on the arm and put to the zero mark from the TR485U, it also was lighter, and the SPG-2 also showed it to be a quarter gram lighter. Set to 1.25g tracking force, it gave a good performance fairly similar to the Pickering.
Next up were the Ortofon TMs, first the all-off-white one marked 14. I noticed that the aftermarket 14 stylus didn't look like the best of workmanship; the markings on it just didn't look right, particularly the red dot on top. I bought it a couple years back on eBay from Ed Saunders if I recall correctly. The needle position was 5mm up off the base, the same height as the Pickering, and just a little forward, perhaps half a mm longer on overhang. It too turned out to be 0.25g lighter than the TR485U. It sounded OK on the Fine Young Cannibals and Falco records, but had audible distortion on the T Bone Burnett record, which is an all-acoustic album recorded live to two-track digital.
Last was the Ortofon TM with the black base with no number marking, using the same 14 stylus. The needle position was the same as the other TM, but it turned out to be heavier. When the counterweight was at the zero point for the TR485U it didn't float, but it wasn't as high than the other three carts. When I set the conterweight to 1.25g on the SFG-2 for the cart, the counterweight scale read 1.35g, indicating it was a tenth of a gram lighter than the TR485U. The playing test was very much like the other TM cart, including the distortion on the T Bone Burnett record.
Conclusions
Different manufacturers didn't follow the p-mount standards in the same manner, both in needle position (which I expected) and in weight (which I didn't expect). However, the needle position seems to be close enough that for a quick performance test, using a headshell & adapter set up for one will also work for others, but a check and possible adjustment of the tracking weight is probably in order (although I did not really test this, only testing performance once I reset the weight, which is a quick and easy adjustment).
I also suspect the performance of the aftermarket Ortofon 14 stylus.
A couple weeks ago, I mounted up an Audiotechnica TR485U p-mount cartridge on a stamped aluminum headshell with an adapter, to try it out on my Technics SL-1700Mk2 turntable, with good results. I then thought I should be able to use the same headshell/adapter combination to try out some other p-mount cartridges I had sitting around.
I then posted a question in this forum: http://www.audiokarma.org/forums/showthread.php?p=1863307
My question is, was the p-mount standard such that the tip of the needle should be in the exact same spot in relation to the end of the arm where it was mounted? In other words, should I be able to swap p-mount cartridges into the headshell/adapter I have set up, and have the overhang and alignment be correct?
The answer was that this should work, that the needle position should be the same per the p-mount standard. However, this assumes that all manufacturers followed the standard exactly. This led to the current question I hope to answer with this experiment.
Question
How precisely did different manufactures follow the p-mount (TP4) standard, both for needle placement (overhang and height) and for cartridge weight (which, with the unadjustable counterweight of p-mount turntables, determined tracking weight)?
Test Subjects
The following p-mount cartridges were on hand and used in the experiment. All are older carts, and all have replacement styluses (not the one they were sold with). In addition to testing the variations in the carts as noted above, I also want to give them all a spin and see how they sound.
Audiotechnica TR485U with an ATN152LP shibata stylus
Pickering XL-28U with a DTL2 elliptical stylus
Audiotechnica DR400E with an ATN2472SE stylus
Two different variations of the Ortofon TM, both using the same aftermarket 14 stylus
* One with "TM" marked on the side, and a black base (contrasting to the off-white body) where it inserts into the adapter
* One with "TM" on one side, "14" on the other side, "Ortofon" across the top, and an off-white base to match the body
Equipment
Technics SL-1700Mk2 turntable, Pioneer SA-610 integrated amp, Pioneer CS-510 speakers
* My usual bedroom system in its usual habitat.
Shure SFG2 stylus pressure guage
Stamped aluminum headshell with p-mount adapter installed
* This was set up for my TR485U cartridge, and I didn't want to lose that setup, so I kept the adapter installed in the headshell in the same position for the experiment.
Technics overhang guage
Metric ruler marked in mm
* To determine the position of the point of the needle in three dimensions.
Mr. Clean magic eraser
AT stylus brush
ProGold contact enhancer pen
Discwasher D4+ kit
* To keep everything clean and perfroming well during the experiment
T Bone Burnett (self-titled) MCA-5809, side 1
Fine Young Cannibals (self-titled) IRS-5683, side 1
Falco ~ Weiner Blut Sire 26290, side 2
* Test recordings, all recently purchased and played recently, so I'm familiar with how they should sound. None of the three are very flat, so how well these carts track warps was also tested.
Lab notes
First I double-checked the setup on the Audiotechnica TR485U cartridge. I determined that the point of the needle was dead center for overhang and lateral position, and that it was 4mm above the end of the overhang gauge. I set the SL-1700Mk2 arm to 3 on the VTA accordingly, and left it there for the rest of the experiment. I then set the tracking weight with the SFG-2 to 1.25g (less than the 1.3g I had been running it at, but 1.25g is the TP4 standard). I double-checked this by dialing the counterweight back to zero which got me a good floating position, then back to 1.25g where I triple-checked it again with the SFG-2. I then played the first and last track on the three test recordings, and everything sounded great.
Next up was the Pickering XL-28U, which I recently rediscovered in a box of stuff from when I was in college 20 years ago. I just mailordered a replacement DTL2 stylus (a .3 x .7 mil upgrade on the original .4 x .7 DTL1 stylus, which was quite worn) and it arrived this past week, and this was the first test of the new stylus. First I measured the needle position in the headshell/adapter; it was 1mm forward in the overhang gauge, and it was 5mm above the end of the gauge. I then mounted the headshell on the arm with the counterweight at zero, and the end of the arm was high, so this cart is lighter than the TR485U. When I used the SPG-2 to set the tracking weight to 1.25g, the counterweight read 1.5g indicating that it was a quarter gram lighter. When playing the test recordings (at correct 1.25g weight but with the overhang remaining 1mm long), it lacked the some of the brightness of the TR485U but gave a good solid uncoloured performance.
Third was the AT DR400E, with a two-year-old ATN3472SE stylus, a good .3 x .7 mil elliptical. This cartridge had been on my parent's Dual until I replaced it last month. Unsurprisingly, since they are both Audiotechica products, the needle position was the same as the TR485U. However, when installed on the arm and put to the zero mark from the TR485U, it also was lighter, and the SPG-2 also showed it to be a quarter gram lighter. Set to 1.25g tracking force, it gave a good performance fairly similar to the Pickering.
Next up were the Ortofon TMs, first the all-off-white one marked 14. I noticed that the aftermarket 14 stylus didn't look like the best of workmanship; the markings on it just didn't look right, particularly the red dot on top. I bought it a couple years back on eBay from Ed Saunders if I recall correctly. The needle position was 5mm up off the base, the same height as the Pickering, and just a little forward, perhaps half a mm longer on overhang. It too turned out to be 0.25g lighter than the TR485U. It sounded OK on the Fine Young Cannibals and Falco records, but had audible distortion on the T Bone Burnett record, which is an all-acoustic album recorded live to two-track digital.
Last was the Ortofon TM with the black base with no number marking, using the same 14 stylus. The needle position was the same as the other TM, but it turned out to be heavier. When the counterweight was at the zero point for the TR485U it didn't float, but it wasn't as high than the other three carts. When I set the conterweight to 1.25g on the SFG-2 for the cart, the counterweight scale read 1.35g, indicating it was a tenth of a gram lighter than the TR485U. The playing test was very much like the other TM cart, including the distortion on the T Bone Burnett record.
Conclusions
Different manufacturers didn't follow the p-mount standards in the same manner, both in needle position (which I expected) and in weight (which I didn't expect). However, the needle position seems to be close enough that for a quick performance test, using a headshell & adapter set up for one will also work for others, but a check and possible adjustment of the tracking weight is probably in order (although I did not really test this, only testing performance once I reset the weight, which is a quick and easy adjustment).
I also suspect the performance of the aftermarket Ortofon 14 stylus.