Raynald
Addicted Member
Having been lucky enough to have a pair of the Kef Reference 107 to listen to at the store I worked at long ago, I have kept vivid memories of how great they could be when well set up. They have been at the the very top of my watch list for a while.They are fairly rare beasts around here and getting them shipped in is pretty much out of the question due to their size, complexity, not to mention the need to check the state of their alomost inevitable woofer rot.
I saw a pair for sale a while ago in town and was not surprised when I recognized the seller's name on the response he sent to my questions. Sure enough, he was an Audiocentre customer and the Kef's came from us. It took a while for us to hook up, but it finally came together over the last two days. They are in pretty good shape but they do have a few marks. As I was getting them ready to take away, I recognized a few of the marks. Not only were these from our store, these were the very demo pair I had been listening to all those years ago!
These are an early pair with the captive leads on the Kube. I had read that some early pairs had rubber woofer surrounds and I was hoping that I would find that was the case here and I would not have to replace all of the surrounds. Opening them up and pulling out the foam pads, I was disappointed to see a foam surround on the first woofer I checked. But an intact one...As was the second. The third one checked out also. I decided that there was no point checking the last one and went about setting them up. I have no idea why these surrounds and donuts survived while so many others have crumbled. Maybe there was very good climate control in the building that housed them for the last couple of decades.
For starters I have simply replaced the 103.3 in my living room system which consists of a CR-2040 and a Yamaha multi CDP. Hardly the type of partnering equipment, particularly the source, they deserve but good enough to see if they work. The bass is much tighter than on my 103.3. In fact, sometimes there seems to be much less bass, until some frequency too low to be heard on the 103.3 jumps out of the 107. There was one live cut on the Oscar Peterson Pablo box set that I had to skip over. It was fine on the 103.3, but on the 107 it was obvious that one of the mics was placed way too close to something and the resulting very low bass thumping made it feel like the walls were about to come down. The remastered Abbey Road CD was much less boomy, but the sheer weight of Ringo's drumming was astounding.Right now I am listening to "The Intimate Ella" and it really sounds like she is in the next room. When I sit in front of the speakers and listen, the dynamic range in her voice is startling even when she is not singing loud.
I am about to go out of town for a few days, but when I get back I will (get help to) cart them down to the basement where the real fun will begin. Not to knock the Yamaha that normally does a great job in the living room, but things will get more serious downstairs. I will get to try various combinations of Bryston, Cyrus, Meridian, Nak not to mention some vinyl. Should be fun. I wonder if the Mirage M-3Si will hold their own?
Here are some pictures. Emma is not sure what to make of these big, noisy things.
I saw a pair for sale a while ago in town and was not surprised when I recognized the seller's name on the response he sent to my questions. Sure enough, he was an Audiocentre customer and the Kef's came from us. It took a while for us to hook up, but it finally came together over the last two days. They are in pretty good shape but they do have a few marks. As I was getting them ready to take away, I recognized a few of the marks. Not only were these from our store, these were the very demo pair I had been listening to all those years ago!
These are an early pair with the captive leads on the Kube. I had read that some early pairs had rubber woofer surrounds and I was hoping that I would find that was the case here and I would not have to replace all of the surrounds. Opening them up and pulling out the foam pads, I was disappointed to see a foam surround on the first woofer I checked. But an intact one...As was the second. The third one checked out also. I decided that there was no point checking the last one and went about setting them up. I have no idea why these surrounds and donuts survived while so many others have crumbled. Maybe there was very good climate control in the building that housed them for the last couple of decades.
For starters I have simply replaced the 103.3 in my living room system which consists of a CR-2040 and a Yamaha multi CDP. Hardly the type of partnering equipment, particularly the source, they deserve but good enough to see if they work. The bass is much tighter than on my 103.3. In fact, sometimes there seems to be much less bass, until some frequency too low to be heard on the 103.3 jumps out of the 107. There was one live cut on the Oscar Peterson Pablo box set that I had to skip over. It was fine on the 103.3, but on the 107 it was obvious that one of the mics was placed way too close to something and the resulting very low bass thumping made it feel like the walls were about to come down. The remastered Abbey Road CD was much less boomy, but the sheer weight of Ringo's drumming was astounding.Right now I am listening to "The Intimate Ella" and it really sounds like she is in the next room. When I sit in front of the speakers and listen, the dynamic range in her voice is startling even when she is not singing loud.
I am about to go out of town for a few days, but when I get back I will (get help to) cart them down to the basement where the real fun will begin. Not to knock the Yamaha that normally does a great job in the living room, but things will get more serious downstairs. I will get to try various combinations of Bryston, Cyrus, Meridian, Nak not to mention some vinyl. Should be fun. I wonder if the Mirage M-3Si will hold their own?
Here are some pictures. Emma is not sure what to make of these big, noisy things.
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