audiozaz
rtfm!? - tl;dr
Hello,
Friday night I get a call from a friend tipping me off that a local pawn shop has a rather nice Kenwood power amplifier for sale. Just earlier that day I decided not to stop at this same pawn shop because they always have the same old crap for sale and rarely anything new on the shelves. D’oh!
Very heavy amp for its apparent size, more so than my Yamaha M-45. Two big power transformers, a nice and big extruded heat sink, four output devices per channel, two big 10 000µF ELNA power supply capacitors. THX certified, 130W per channel, bridgeable via a switch on the back panel to 270W mono. Vanishingly low distortion and, especially, noise specs. The thing is a beast and I think it sold for a steal back in ’96, something around 450$US new.
It also sounds better than it’s price point would let believe, unless it’s just the initial impressions and joy talking here. Versus my M-45, I find bass slightly more solid and an overall increased presence in what most would call soundstage.
I like it a lot so far, we’ll see what more involved listening will reveal.
az
Friday night I get a call from a friend tipping me off that a local pawn shop has a rather nice Kenwood power amplifier for sale. Just earlier that day I decided not to stop at this same pawn shop because they always have the same old crap for sale and rarely anything new on the shelves. D’oh!
Very heavy amp for its apparent size, more so than my Yamaha M-45. Two big power transformers, a nice and big extruded heat sink, four output devices per channel, two big 10 000µF ELNA power supply capacitors. THX certified, 130W per channel, bridgeable via a switch on the back panel to 270W mono. Vanishingly low distortion and, especially, noise specs. The thing is a beast and I think it sold for a steal back in ’96, something around 450$US new.
It also sounds better than it’s price point would let believe, unless it’s just the initial impressions and joy talking here. Versus my M-45, I find bass slightly more solid and an overall increased presence in what most would call soundstage.
I like it a lot so far, we’ll see what more involved listening will reveal.
az