Amplifiers Compared, 5 nice amps evaluated, LONG

Blue Shadow

Waiting for Vintage Gear from this century
Mike dropped by today and we listened to 5 different amplifiers. Here is the line-up in alphabetical order:

Crown PSA-2 The pro version of the SA-2 Distinction Series amplifier. Rate 265@8Ω and 460@4Ω. No modifications. Low voltage set exactly other voltages were within spec. Unit is from about 1980 and sold for about $2000 new. Available for about $3-500 today.

Hafler DH-200 rated 100@8Ω, but we used only one channel each from a pair of these providing a bit more oomph. These were well built from kits and supervised by Bill Hearn, as he wrote on my owner's manual. Recently recapped except the main caps. Bias set on these and matching driver transistors installed to lower DC offset. These are from 1980 and sold for $299 each. They sell for about a c-note or two today.

Harman Kardon Citation 22 rated 200 wpc at 4 or 8 Ω with switching for 8Ω high current and 4Ω high voltage according to the manual. This amp has only had one cap replaced to allow it to come out of protection. This amp is from about 1987 and sold new for $1149. It seems to sell for about 400 today.

Luxman MB-3045 Tube mono amplifiers rated 50 watts but converted for use with KT88/6550 tubes instead of the 8045G proprietary tube they came with, which is NLA . Tubes in this unit are new production Tung Sol KT88 operating in UL mode. Some electrolytics have been replace but none of the multi-cap cans have been changed. These amps are from 1978 or so and sold for $495 each. They sell for 2000 for a pair today or there abouts.

McCormack DNA-1 is an early standard version rated 150 wpc. This amp is stock with no modifications and is ready for a revision or upgrade, if desired. It is from about 1991 and sold for $1995. These are just cracking the $1000 mark used today.

Mike has extremely sensitive ears. He also has one hell of a memory when it comes to sound. He can notice differences in my system for month to month. He also has the ability to explain what he hears so others can hear it, too. Very helpful since I spent a lot of time switching amps and cables.

All amps are in very nice operating condition. Bias, offset and other adjustments have all been done, except the DNA-1. There were differences in the cables but these will be small differences in sound compared to the sonics of the amps. The speaker wires were not the same. Some longer, some shorter, some big heavy stuff some not so heavy. The input cables were also a number of different cable/construction. We'll worry about this later when Mike brings over some high end cables for evaluation.

The system used for this evaluation was a Thorens TD-160 Super, Magnepan Unitrac I, Dynavector 23R (50% used), Crown DL-2 Phono Module "B", Audio Research SP-9 II and Magnepan MG-IIIa speakers. Because Mike has the ability to hear the differences quickly and describe them it is very easy for others to understand these differences and notice them as easily as he did.

All amplifiers are more than adequate and sound very good. One could be happy with any of them and when using the sonic characteristics, could pair them with speakers to bring out the best in a system. None showed exceptional synergy with the system by being significantly better than the rest but there was a clear winner and sonic differences in them all.

Alphabetically, again:
The Crown was the most powerful amp on the group but a very good margin. The bass authority of this amp is easily evident and along with that it had very good drive. The imaging was very good. This amp had a crisp top end, one that some would call harsh when used with less than ideal tweeters. The Magneplanars have a 55-inch long ribbon tweeter and it does a great job with this amp. The tonal balance of this amp, top to bottom was that is has more meat on the bones down low. You gotta like big butts and this amp is perfect.

The Haflers had all the macro and micro detail one would want in an amplifier, best in the group. These were very good with the spaciousness of the sound. Each instrument has lots of air around it and the sound is like sitting farther back in the audience with a fine view of the stage with all the players easily identified and their individual work appreciated. These amps had more depth than the Crown and everything that any of these amps could show was there. It is just that these lacked a little meat on the bones compared to the best in the group. These are the skinny chick but oh, what a looker. I can see where the Musical Concepts upgrades could take this amp up a few levels. It is that good to start and can be even better.

The Citation 22, the bigger of the last two Citation amps (the Cit 24 is 100 wpc) was fuller than the Hafler and very close to the DNA-1 with its overall sound. The micro details such as the sounds heard when one plays an acoustic guitar, not the sound of the strings, but the mechanical movement on the guitar were very good. This amp had a fuller sound than the Haflers overall. There was less air around the performers but the image was good.

The Luxman amps did everything exceptionally well. A much fuller presentation. All the detail one could want. Mike's jaw, once pulled up off the floor, said these have everything, grunt, drive, body, solidity, even presentation (top to bottom frequency-wise) and off the chart imaging. People here extol the virtues of tube amplification for good reason.

Finally, the McCormack, an amplifier I have been using for years, thanks to my brother not being able to put it to use in his home. This amp has more center fill than the Crown and is smoother top to bottom. Although the bass is looser than on the Crown, it is there. This amp, listened to after the Crown was compared to it a lot. The micro details were better and the top to bottom sound was more balanced. This is the one for 36-24-36 dimensions, but the image was just a bit fuzzed up.

Fuzzed-up, what? Well it was explained that the Haflers would be a nectarine along with the Crown. The Citation would be a shaved peach and the DNA-1 would be the fuzzy peach. All there with just a bit of width to the lines drawing the instrument/performer.

These amps all perform well. Each has its own performance benefits and matching them to the speakers would produce the best outcome from the system.

This is not an esoteric equipment review. One amp is on very long term loan. Others were acquired at very nice prices. I have under 600 in all these amps, not counting parts, labor and tubes which are really the cost of use not cost to obtain. The Luxmans, Crown and Harman Kardon all needed repair after I got them. The Luxman needed to be modified and finding that information took me 20 years (hey, Al Gore needed to invent the internet) and then Gadget73 needed to look em over and finish the mod since the last step, a wire from the tube through a resistor to the choke was not called out in the mod instructions. The Citation would not come out of protection. The Crown was running on high speed fan and needed a full cleaning. I had to build the Haflers and one day my brother may want the McCormack back. That is why I have undertaken this comparison, to identify a replacement when needed.

For general listening, all these amps perform just fine. The Citation might be closest to the DNA-1 in general but it leaves something to be desired. The Haflers are a fine amp and were my main amp for years and years driving Time Windows. Again one per channel, one idle channel in each amp. If one wants all the details without all the extra meat on the bones these are the amp. I'm sure those with the Musical Concepts upgrades to these amps can comment on what that brings to the party but I have an idea.

The Luxman amps, tube units, are the real deal. Many talk about the McIntosh MC-30 but I have always thought of the Luxmans as nicer looking, more powerful and less expensive to buy. I traded for mine over 30 years ago and they have enjoyed the inside of the original boxes for years. These would not have driven my system to the levels I used to listen to music and sometimes these will not drive the Magneplanars enough today. So I keep the Time Windows when I need to dump more power into the speakers.

I had fun today finding out about my amps in such a quick, concise way. I have more listening to do and what with the cold weather arriving today, it might be time to get some hours on the Luxman amps.
 
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Luxman and Crown here are underdogs and good, McCormack is well regarded. Citation is one model past the time H-K should have discontinued the line. The build and reliability on the last Citations not worthy of the name, the sound is great when they work. Hafler is good but less refined.
 
Nice writing!!

The Haflers had all the macro and micro detail one would want in an amplifier, best in the group. These were very good with the spaciousness of the sound. Each instrument has lots of air around it and the sound is like sitting farther back in the audience with a fine view of the stage with all the players easily identified and their individual work appreciated. These amps had more depth than the Crown and everything that any of these amps could show was there. It is just that these lacked a little meat on the bones compared to the best in the group. These are the skinny chick but oh, what a looker. I can see where the Musical Concepts upgrades could take this amp up a few levels. It is that good to start and can be even better.

Yep, MOSFET amps lack those "oom" effect of bipolar amps, especially on hard to drive speakers.

Again, thanks for share!!:banana:

Edit: Glen B is right. I thoguht Jfet was one of MOSFET, I am wrong. And indeed the output are all Bipolar. Thanks Glen B!!
 
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Yep, MOSFET amps lack those "oom" effect of bipolar amps, especially on hard to drive speakers. High end MOSFET amps like Classe have more meat than Hafler, and sound sweeter than most bipolar amps too.
Classé has never made MOSFET amps, always bipolar. The DR series were all-bipolar from input to output. Starting with the CA series, they used JFETs for the input stage, MOSFET drivers, and bipolar outputs.
 
Just a mention, those Luxmans are actually running pentode mode if I remember correctly. The screens are tied to B+, not to the plate.

OP, can you confirm pentode or triode mode on the mod?

Thanks!

Nice review. I used to own the Hafler's successor, the DH-220, and thought it was a fine, fine piece, and a real bargain used. Now I have 2-1/2 pairs of the Luxmans (the half being an un-modded one whose mate was ruined (output transformer) on the bench at Shelley's Stereo - do NOT take a MB-3045 there...) The MB-3045s are even finer, but were NOT bargains, and all but one have needed repair since acquisition. :sigh:

They sure sound gorgeous though! :music:
 
The Luxman manual for the modification of the MB-3045 to use standard output tubes offers two modes of operations. The choice must be made to wire the amp for Ultralinear or Triode operation...based on what the Luxman documentation says.

I need to update the information, I have these wired according to the UL mods in the manual, not triode. As far as whether this is what Luxman calls it or what Thain thinks it is, I'm going with Thain's information. He knows tube gear, has seen and finished the mod on these amps and well Luxman couldn't even put the last necessary step in the instruction manual. I'm not real impressed with Luxman Service Manuals anyway.

There have been some MB-3045 parts listed on the bay. John, a regular Luxman Yahoo Group contributor when these amps are discussed has parted a couple of them and had parts available. I don't know if the transformer was one of the parts and if it was it was not cheap. But they come from Australia which might make shipping a deal breaker.

This was a nice way to spend the day. Mike, who enjoys natural and realistic sound with a significant collection of 50-60s and later jazz was very happy to borrow my copy of the Playboy Jazz All Stars, Vol. 3 from 1959. His DAC is not working so he has to spend more time spinning albums so he needed something to listen to. The liner notes (booklet) is a treasure in this presentation.

The thing I liked best about this day of swapping gear was that I did not have to move any of the amplifiers. All of them are in a position that allows them to be used were they sit. But the speaker wires are out of control.

Were it so easy to provide the results of this listening session with the short statement by Kent. He hit the nail on the head with his comments. Something that should probably be part of the amp introductions I did but I needed to stop talking about the amps and move onto the sound.

The Citation came with the preamp and tuner and is a nice stack. Kent is correct based on my quick internet search prior to picking up these pieces. Solder joints that break seem to be a major contributor to issues.

The McCormack was one of the amps in about 1990 that all the reviews were recommending. That and a pair of Vandersteens would make a nice system and there are a number of these out there. My brother had this and still has the 2Ces. The DNA-1 is probably the highest rated of all these amps by the high end audio rags. The Haflers were highly rated by the regular audio rags back in the day "best bang for the buck" and the Luxman's are getting their due today as discussion forums mention just how good they really are and argue as to how much is lost not using the proprietary tubes.
 
Blue, thanks for answering my question, and for making the effort to articulate your impressions and post them. A very nice shootout!

If you folks ever conduct a preamp comparison, I'd love to hear the results too, especially if they include the ARCs, and the C-1000! :tongue:
 
Thanks for the write-up. From your experience, it sounds like my Crown PSA-2XH (eXtended Headroom) is the perfect amplifier for what I am using it for. I use it in mono (both channels tied together) for my JBL W15GTi subwoofer with a dBx subharmonic synthesizer/bass extender. Gotta love those fat bottomed girls. :thmbsp:
 
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If you folks ever conduct a preamp comparison, I'd love to hear the results too, especially if they include the ARCs, and the C-1000! :tongue:

We have done some of this. Bottlehead Foreplay I (really worked), Crown DL-2, Audio Research SP-3a, Audio Research SP-9 II, Audio Research SP-9 III, Response Audio Purity One and some others I think. The Luxman was needing a recap at that time. Interesting that all the ARC models had the closest sound. The Foreplay was excellent. The Crown very, very clean sounding. It was an interesting test and another one needs to be done as there are a couple more to be evaluated. The HK 25, Foreplay II (less upgraded), Onkyo P-301 and such. Stay tuned but don't hold your breath.
 
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The Luxman manual for the modification of the MB-3045 to use standard output tubes offers two modes of operations. The choice must be made to wire the amp for Ultralinear or Triode operation...based on what the Luxman documentation says.

indeed. I kind of remember looking at that and wondering why they called it that. UL operation would require screen taps on the output transformers, which the Luxman outputs don't offer. At that point you're left with pentode or triode mode. The practical difference is where the screen ties. In triode mode, it goes to the plate. In pentode mode it goes to a DC supply. I kind of remember these run off the big choke in the power supply, which is also where the output transformers feed from. They are beautifully built amplifiers though.
 
Classé has never made MOSFET amps, always bipolar. The DR series were all-bipolar from input to output. Starting with the CA series, they used JFETs for the input stage, MOSFET drivers, and bipolar outputs.

As a Canadian I have always liked Classes, especially the ones in your picture. Very nice in build and sound. I always lusted after them when I was younger.

Nice to see the Luxman came out on top. I personally think the Japanese high end is underrated and overlooked but offers real performance that others are still trying to catch up to. Probably explains why I have the Luxman gear I do.
 
Not at all on topic, but I was working in an audio store in the 80's and the Mccormack guys brought in the first DNA amplifier. We were looking at the line then, I remember we sold their passive pre's at the time.

They confided that with this amplifier, the power switch didn't actually work, it only shut off the little LED on the corner of the faceplate; the amplifier stayed powered.

It was this actual amplifier that was used at that years CES, I forget whether Las Vegas or Chicago.

It was a hit, and they went on to finish the design and produce the amp. Don't remember whether we sold many or not, but the passive pre was popular. We were mostly into Mcintosh there.

On topic- Love that people are taking the time for fun projects like this, one day I'll do a review on a MC-240 vs an 8B.
 
Your assessment of the Crown amp was right on and why used it as LF amp with my tri-amped system. I totally a gree with your review of the Hafler amps too. Friends of mine built the kits and they sounded wonderful. Were they as good as my MC 7200s? All I can say was they were damn close. They really smoothed the highs on XR-7 and XR 19's. They also smoothed out ML-2's and ML-4's. Every one buying the Haflers wanted great performance and saved a fortune by building the kits. You just had to remember to keep them cool. FET amps are known to run on the not side.
 
The build and reliability on the last Citations not worthy of the name, the sound is great when they work.
Probably going to jinx my Citation rig by posting this but the three pieces have been my go to bedroom system for years. Used every night sometimes multiple power cycling, sometimes on for more than a few hours which is typical. Still no work done other than the single cap for the relay.

Sold the Crown to a friend to drive 901 Vs in his garage.shop.half-loft listening area. The 901s are hanging and image great on the drivers side of the hood when the car is set to go up on the lift.

The Haflers don't sell for enough money to get me to part with them. They are fine amps. The Luxmans enjoyed their first full winter season driving Dahlquist DQ-10s with dual subs at volumes enjoyed throughout the house. Gave the DNA-1 a break. Added Luxman M-12s to the mix, 80wpc, one recapped except the dual 10000/55 caps in this dual mono amp. It sounds cleaner with better highs and more defined bass then the one on the list to get a recap. With the warmer temps today, dang it was a wonderful spring this year, I'm thinking of using the Luxman M-12 SS amp on the mains with the dual subs this week or next and put the tubes away for the season. One of the Haflers was powering the DQ sub but it wore out and was dropped off at Millersound today for an upgrade., thanks to @Sharpstik who lives close.

All this and still need to think about upgrading the caps on the Citation. Folks say some of the 25V caps have 24½ volts on em and that amp runs hot.

Wish Mike was still with us. He passed a few years ago. R.I.P.
 
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Every one buying the Haflers wanted great performance and saved a fortune by building the kits.
The DH-200 was great power for short money. David Hafler was very good at that. I bought three kits for about $510 in early 81, salesman's accommodation. But wait there is more...swapped one of them after building it for the Luxman amps back in the day. Used them until the 8045G tubes died and waited until the interweb to get them modified and waited again to know Gadget to get that last wire for the modification installed so the amps would balance and bias properly.

Don't feel I was missing anything with the Haflers in the system.
 
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