Fire Geddy?

Thanks Cap, but I got carried away too. We all enjoy music and that's what it's about. In the dorms back during that time, you'd be amazed at the systems many of us had cranking out everything from Jazz, Blues, to Metal. You'd be stunned at what $2000 bought you in an overseas Military BX/PX in 1983; for instance a Teac X2000 or Akai 747 reel to reel for $495. I was a Teac fan back then!

Again, thanks,

~Phil

Funny, because I had an X-1000R, JVC A-X9/T-X6, Teac A-550RX, Sony PSX-800 and a pair of Infinity RS 1.5's and that was my system. I had two roommates with similar setups in our 20x20 dorm room!!! Then there were 20 more rooms on our floor!

Back to firing Geddy!

I never really heard Rush with any real airplay prior to Moving Pictures and Permanent Waves. I don't listen to any radio other than news/talk in the truck so airplay has never impacted on me. I am not much for the first three albums which I find very raw and 2112 wears on me, but Hemispheres and A Farewell to Kings I find very engaging. Moving pictures kicked down doors, but I do love Permanent Waves. After that, meh!

Funny that I don't like the first three albums but like the next three, because I usually like a bands work right up until they make it big as is the case with Kansas with their first three which are amazing, then on Leftoverture the songs went from epics like "Lamplight Symphony" to 3 minute pop songs. Not saying they were bad (most were very good), just not as engaging for sitting back and listening.

Another thought on Rush struck me in their documentary. I was simply amazed that Neil sought out instruction and help to further his technique and craft in the middle of his career when i think many would consider him one of the absolute greatest ever at the art. Spoke volumes on the man as an artist to me!

I do like the Tony Bennet suggestion earlier. I wonder if one of the old crooners would do a "crossroads" session with Rush?
 
Well I leave for a day and this thread explodes! I just skimmed through the replies and really don't have time for thorough well thought out replies but...


We're just having the usual arguments and fun here.

That's all I take it as. :thmbsp: Of course, again, I could care less what anyone thinks of anything I find of worth/value anyway.


Aaah, the irony - I posted a few weeks back that I would prefer Geddy out front of Dream Theater as I'm not a fan of THEIR singer, now this. I was shouted down for merely suggesting that we could play 'swapsies' with singers - lesson learnt ! :D

I'm not a big fan of the DT singer either (or of DT in general). His voice is kind of rough or ugly to me.

I think I posted itt thread btw and I certainly wasn't shouting anything down (again the problem of tone and manner on the internet) so apologies for any offense I might have caused.


OK - I can live (just) with the concept that some folk dont like Rush - they have released a few albums which I struggled with, admittedly - but that is an enormous body of work to dismiss out of hand. A lot of their music doesnt immediately leap out at you in 'Spirit of Radio' fashion, and I will admit that I did only warm to them when a housemate played them virtually 24/7, but once acquired its a tough habit to kick.

I can easily live with the fact that some people abhor whatever music I might like, that's fine and actually a good thing, but what I can't so easily live with is the dismissive attitude so many have towards music they have barely heard, especially with music that takes a lot of "effort" to get into, that is "deep" enough that it requires multiple listens and rumination on for months, if not years.

And Rush, imo, and as you say, is in this category. Sure they have many infectiously catchy songs and hooks that grab hold with one or two listens, they are tremendous songwriters, but as a whole their music is something that takes some time to "get". It even took me with every new and new-to-me Rush album some time and listens (about 5 or so) to "get" exactly what they were trying to accomplish. Even with my predisposition to liking everything new or new-to-me Rush put out after I initially became a huge fan (from the single Dreamline and then buying Exit Stage Left), after listening to new or the new-to-me Rush albums from high school on I was mostly just bewildered. It took several close listens to start to get into the albums, besides a few more accessible songs. But once I did, like with all good/deep music, there was so much more to appreciate, so much more depth and subtlety and nuance than in music that is more accessible. I swear I still discover new things in Rush's music after all this time...part of the reason why I never ever tire of them (I've listened to them at least a few times every week for the past 20 years for the most part).


Rush is a band which I've tried hard to get into over the years, as I have reported previously in other threads. I've listened to virtually all their albums (I think in fact all) multiple times giving myself every opportunity to warm up to their style because they seem like a band I should enjoy. Due to AKer Permanent Waves' enthusiasm I immersed myself with Rush for awhile recently and thought for a bit that I'd finally turned the corner with them via the album Hemispheres, but then it didn't wear well with me, either. So my not liking their music is certainly not a dismissal out of hand.

I applaud your effort sir! :thmbsp: I'll never understand anyone who half listens to one or two (or even several) albums (much less just a song or two) once or twice from a band and then decides they are something they don't like for all time, especially with the more complex bands. No, you haven't even tried yet and you owe it to yourself to not be so "lazy" (I'll never understand how listening to music is supposed to be an effort unless it is the type of music that really grates on you instantly) for you never know what you'll come around to. There are literally dozens of bands/artists that I didn't like upon a casual listen(s), even for years (I didn't have time to expand my musical collection a lot throughout most of my 20's), that I now (and have for some time) really enjoy or are even some of my favorites. Thank goodness I didn't just stubbornly dismiss them for all time after expending entirely minimal "effort" to get into them but instead kept listening to them over and over, sometimes for years, before I finally got them. Yes, Bowie, Queensryche, and Queen are some of these bands...it literally took years for each one to grow on me, even a decade for Bowie, and listening to much more than just "the" album to get from each one, several times, which I had done with each.


Of course their inspirational impact on the formation of the group Dream Theater is widely known, and that is a band I like a lot, so I can thank them for that. In the end I guess, as others say, I just don't care for Geddy's vocals, which sound too strident to my ear. As far as musical virtuosity, I find Dream Theater superior to Rush in that regard, too.

As I have commented recently in the Prog thread, I just can't (yet!) get into DT. I've been listening to them since the late 90's (a fellow Rush fan recommended them) and have had all of their albums for years (my girlfriend is a big fan) and have even seen them live (girlfriend semi-dragged me: I could take it or leave it but it was a good show...for their level at least).

Once a year, as I have been doing for about 10 years, I listen to all of their albums, again, and simply can't get past the "they're ok" level (and I wish I could!). I don't like LaBrie's voice much for one thing and I think they are poor songwriters: they start on something interesting then abandon it to go on to something else that doesn't really fit in the song, and on this goes in most of their songs ad infinitum ad nauseaum (mean people say they just masterbate musically: jam without direction which doesn't take much talent...but I wouldn't go that far even though such a view has some cogency imo). No tight song structure, no logical progression, no narrative (yes I know it's prog, but I like many many prog bands who can write great songs with at least some internal coherence), so-so lyrics, and I also find their keyboards really really cheesy sometimes. And though their playing is good, it is limited in ability (I think they are all merely good players with sometimes great moments). No bashing, just stating my problems with them imo. I do really like some of their songs and again think they are ok on the whole and maybe my views will all change anyway someday (I'll keep trying!).


So I finally gave up. If anyone has ever voluntarily listened to a band they don't much care for more than I have in trying to develop a taste for Rush then I'd be very much surprised...and I'd pity the poor fool. Everything Rush fans say about them in regard to their detractors we Steely Dan fans could say to theirs, but I don't because I just can't expect everybody to like what I like.

See above. :D I've done just that and more with literally dozens of bands/artists. No real effort afaic.

And I wouldn't give up for all time, I never do with any band/artist anyway. I might not listen to a band/artist much for several years, especially if I've really tried to like them but so far just can't, but I never say I'll simply never like them for I've come to like (or at least appreciate more) dozens of bands and artists (and even some whole genres) that I never thought I would before. The process can literally take years or even decades.

Have you listened to any of their live albums btw? I know people that only like their live material, but they really like it. I also know people who never got them until they saw them live and then, once they did, would sometimes even become as big of a fan as I am. (And that's fan btw, not worshiper who thinks they are infallible or demigods or any such sophomoric nonsense...they're just musicians after all and being passionate about something is quite distinct from being infatuated or fanatical about it).


In the rest of the world they played Rush 'til we puked.

That's not what I've seen. In St. Louis the main rock radio station has always been very Rush-friendly and St. Louis is a big Rush town, but that's an anomaly from the attestations of Rush fans elsewhere (from those I know personally to those on forums) who maintain that they didn't hear Rush on mainstream rock radio ever or only ever once in awhile when a more popular album came out. Rush is not a widespread radio staple like other huge bands are. Thus their success is all the more impressive.


its odd that Rush has always been on of those bands you either love them, or love to hate them...I personally think this band is awesome!! I saw them in Frankfurt Germany in 1980 during there Moving Pictures tour and a few months ago in San Antonio Texas..They sound just as great now as back then...just one mans opinion.

Yea, most I know love or hate them though there are some who can take them or leave them. Rush holds that you either love or hate them.

I've been seeing them at least once on every tour since '94 and lately a few times on each tour and I think that they have been better than ever in the 2000's. Remarkable since they were always such an incredible band live, one of the very best in rock n' roll history. They have said that they think they are playing better than ever and I'd agree, although of course I only have live albums/boots to go by prior to '94.
 
...Rush is not a widespread radio staple like other huge bands are...

You're just kidding, right? Tom Sawyer isn't their only song blasting multiple times daily from classic rock stations in OK, TX, LA and MS, states in which I've lived. Doubt they're the only four.

However, be that as it may, every now and then I still try dipping a toe in the water anyway, so you do the same with Dream Theater and thus we'll keep karmic forces in balance as your and my contribution to achieving peace and harmony in the known universe, and be superheroes to boot. Deal? :)
 
You're just kidding, right? Tom Sawyer isn't their only song blasting multiple times daily from classic rock stations in OK, TX, LA and MS, states in which I've lived. Doubt they're the only four.

However, be that as it may, every now and then I still try dipping a toe in the water anyway, so you do the same with Dream Theater and thus we'll keep karmic forces in balance as your and my contribution to achieving peace and harmony in the known universe, and be superheroes to boot. Deal? :)

OK, now I gotta listen to Dream Theater tonight. Gimme a recommendation for a starting point. I put the Greatest Hits on a like "some" of what I hear so far. Some of the guitar is little fuzzy and heavy for my taste, but things got better when I got off the G.H. and moved on to "Falling Into infinity".
 
OK, now I gotta listen to Dream Theater tonight. Gimme a recommendation for a starting point. I put the Greatest Hits on a like "some" of what I hear so far. Some of the guitar is little fuzzy and heavy for my taste, but things got better when I got off the G.H. and moved on to "Falling Into infinity".

Well, that's a hard recommendation to make. Some fans prefer their harder, edgier side, and some their softer side. I like much of both, but especially like the orchestrated "Octavarium." Actually I feel the best intro to them is their DVD "Score." It has some of all of every album they did, though is a live performance that somehow manages to sound great on DVD. Also, the two-disc DVD tells their story and provides some other extras, and I prefer it to the CD "Score."
 
Just listened to the live album, All the World's a Stage. Humm, not so great. Neal seems to be really bored with the Rush 1 stuff. It's pretty basic material and he"s putting all kinds of fills in it to quell his boredom. It actually takes away from the songs IMO. BTW, Geddy's vocals sound like ass on this album. Not his fault, the recording just sucks.
 
Last edited:
You're just kidding, right? Tom Sawyer isn't their only song blasting multiple times daily from classic rock stations in OK, TX, LA and MS, states in which I've lived. Doubt they're the only four.

No, I'm really not. I'm very very surprised to hear that they have been played often on radio in your experience, especially in those states. Even here in St. Louis where they have been played often on the radio I can't tell you how many times I ran into people who were regular listeners of rock radio who had no idea who they were even when you mentioned their most famous songs. But this is obviously not something that can be quantified so...it is just that it is pretty much accepted in Rush circles/by rock journalists that they never received much radio play, especially considering just how truly big they are.


However, be that as it may, every now and then I still try dipping a toe in the water anyway, so you do the same with Dream Theater and thus we'll keep karmic forces in balance as your and my contribution to achieving peace and harmony in the known universe, and be superheroes to boot. Deal? :)

Sounds good! :thmbsp: I think we owe it to ourselves to keep trying bands/artists that many think are worthwhile, especially the ones it seems we really should like. I know I have benefited greatly from this patient approach. :music:

Try live Rush if you haven't, and also I'd strongly recommend their latest, Clockwork Angels, if you haven't heard it, for it is easily one of their best and it has turned a few non-fans or lukewarm fans over to the Rush side. :D It takes a lot of listening though (it took me 5-7 listens before I really appreciated the whole thing which I think is literally a masterpiece) and SQ isn't the best (but acceptable, especially by newer album standards).


Just listened to the live album, All the World's a Stage. Humm, not so great. Neal seems to be really bored with the Rush 1 stuff. If you really listen to it, it's very basic and he"s putting all kinds of fills in it to quell his boredom. Perhaps he's even speaking to the first Rush drummer here saying, "Dude, you could have done all this and you basically did nothing". Cruel, I know, but just my gut feeling after listening to it again. BTW, Geddy's vocals sound like ass on this album. Maybe not his fault, but the recording sucks.

AtWaS is my least favorite of the Rush live albums. It's so raw and basic and yea the SQ is very rough. It has its charms because of this, but I very infrequently listen to it. Every other live Rush albums is better imo.

As to Neil's performance I disagree. He was in fact so impassioned on that recording that he broke his drum heads because he was pounding the drums so hard. Also, most of the songs on that album he composed the drum parts to (every song not from the first Rush album), not Rutsey, so he wasn't just filling in playing drum parts he didn't compose and thought were below his standards on most of the tracks.
 
Just listened to the live album, All the World's a Stage. Humm, not so great. Neal seems to be really bored with the Rush 1 stuff. It's pretty basic material and he"s putting all kinds of fills in it to quell his boredom. It actually takes away from the songs IMO. BTW, Geddy's vocals sound like ass on this album. Not his fault, the recording just sucks.

Late 70's and every studio wanted to ride Frampton's coattails. Sometimes the band didn't even have involvement in them. Some worked brilliantly (Bob Seger, REO, Dylan/Band), others were little better than a good bootleg.
 
Late 70's and every studio wanted to ride Frampton's coattails. Sometimes the band didn't even have involvement in them. Some worked brilliantly (Bob Seger, REO, Dylan/Band), others were little better than a good bootleg.

I don't really think that applies to AtWaS...

1. AtWaS was recorded in June '76 and Comes Alive was released only 6 months earlier so I don't think it had that big of an impact yet.

2. After the immediate success of 2112 (on the tour of which AtWaS was recorded) the record companies/management left Rush alone to do whatever they wanted for the rest of their career. So even if they advised them to emulate Frampton's live album Rush could easily say no and I'm sure they did/would have since they never sought to contort their music or sound to some popular mold for the sake of popularity/selling albums, as evidenced time and again and in particular with 2112 which contains a 20 minute long epic title piece for the opening of the album which infuriated the "powers that be"...until they saw the numbers coming in...who had demanded only short radio friendly songs from Rush after the commercial failure of Caress of Steel which contained mostly long-length songs. Rush has done it entirely their way since 2112.

3. AtWaS doesn't sound like Frampton's live album anyway. It's rough, raw, basic; Framptons is much softer, warmer, friendlier...if anything Rush's Exit...Stage Left sounds a lot more like Frampton's live work than AtWaS.

Just some considerations imo.
 
Late 70's and every studio wanted to ride Frampton's coattails. Sometimes the band didn't even have involvement in them. Some worked brilliantly (Bob Seger, REO, Dylan/Band), others were little better than a good bootleg.

I agree with Permanent Waves here – I doubt that Rush were influenced by the success of Frampton Comes Alive, or by Frampton generally. Releasing a live album (often a double) was just something rock bands did in the 70's, once they had achieved a certain level of success & recognition. It's hard to think of a 70's rock band that didn't cough up a live album at some point. And as you say, some of them (I'd include Deep Purple, Skynyrd, lots of others) were great.

The live-double thing was articulated as "The Foghat Rule" ("Your fourth album should be a double live") in Yo La Tengo’s "Sugarcube" music video/comedy sketch -- which also has a bit about Rush. Admittedly, "The Foghat Rule" doesn't jibe with Foghat’s actual discography – but hey, that’s artistic license.
 
Last edited:
I know that Rush revolted against the studio for 2112, but I do think your view of the live album is a bit rose colored. Fact is that the impact of FCA was pretty immediate, but it was not the first live album just the first that took an artist with a pretty pedestrian career (sorry Frampton fans) and rocketed them to superstar status immediately. The studios realized even before that live albums were incredibly easy pickings and the flood hit for the rest of 76 through about 1980. Many are excellent, but most go from the stage to the shelf in less than two months. Many will associate the explosion of the live album and disco at the same time as the beginning of the age of greed in the industry when the labels could kick back and rake it in with little cost and without having to take a bunch of grief from the artists. Add in the G.H. albums (Eagles, Ronstadt, James Taylor, Rod Stewart, BTO, The Band, CCR, Jethro Tull, ELO, etc) that flooded the market in 76 as well and you start to see the laziest year maybe ever in the business, but likely one of the most profitable.


Frankly I own all the following and others they are all excellent, but sorry, AtWaS is by far my least favorite. Frankly, Rush is one where I greatly prefer the studio work.

Frampton Comes Alive - 1/6/76
Live Bullet - 4/12/76
One More From the Road - 9/13/76
All The World's a Stage - 9/29/76
Wings Over America 12/10/76
You Get What You Play For 1/77
Caught Live +5 6/4/77
Foghat Live 8/18/77
 
I agree with Permanent Waves here – I doubt that Rush were influenced by the success of Frampton Comes Alive, or by Frampton generally. Releasing a live album (often a double) was just something rock bands did in the 70's, once they had achieved a certain level of success & recognition. It's hard to think of a 70's rock band that didn't cough up a live album at some point. And as you say, some of them (I'd include Deep Purple, Skynyrd, lots of others) were great.

The live-double thing was articulated as "The Foghat Rule" ("Your fourth album should be a double live") in Yo La Tengo’s "Sugarcube" music video/comedy sketch -- which also has a bit about Rush. Admittedly, "The Foghat Rule" doesn't jibe with Foghat’s actual discography – but hey, that’s artistic license.

Yes, but 76 was the explosion. In reality Rush is pretty well known for the three studio and a live album rotation as well, though it's not absolute for them either. Others choose the same rotation for a G.H. compilation.

BTW, I was mistaken with listing Before the Flood earlier as it was a couple years earlier, just as the Skynrd LP was actually after FCA.


I guess we should get back to Geddy's firing. The record industry's "year off" in 1976 is actually pretty well documented.
 
Last edited:
I know that Rush revolted against the studio for 2112, but I do think your view of the live album is a bit rose colored.

Not so sir! I can be very objective about anything I am passionate about, I'm no childish or irrational type. That's just how I feel about AtWaS and Frampton: I don't even think Comes Alive was a consideration/effected AtWaS at all. Rush were just not in that type of popular/commercial band of that league back then; in fact they never have been. If they were, then why didn't they release at least a couple more live albums quickly, like after each new album? They were certainly touring all the time from '76 to '80 and beyond.

Speaking of being dispassionate, I'm well aware that Rush may, in the last 10 years, be totally cashing in on the recent popularity of live albums/dvds/blurays....saving up for retirement as it were. Yes this is cynical, but they have released 4 live albums/dvds/blurays in the last 10 years and a new one from their latest tour will be coming soon. But from '74 to '02...almost 30 years...they released 4. So we have 4 (soon to be 5) in the last 10 years and 4 in the previous almost 30 years. Quite a difference. Why? Well there is a demand from the fans for it, but that demand has always been there. I think it has become highly profitable and Rush is cashing in on this profitability. Nothing really wrong with this, but they didn't used to be like this. However this has nothing to do with their insistence to not sell out musically and quit experimenting and make 2112 or Permanent Waves or Moving Pictures over and over again because those are what sell the best. They thankfully have never sat back and reproduced the same best selling formula on album after album like so many other bands have done (partially because they lack the ability to develop and progress musically).

Fact is that the impact of FCA was pretty immediate, but it was not the first live album just the first that took an artist with a pretty pedestrian career (sorry Frampton fans) and rocketed them to superstar status immediately. The studios realized even before that live albums were incredibly easy pickings and the flood hit for the rest of 76 through about 1980. Many are excellent, but most go from the stage to the shelf in less than two months. Many will associate the explosion of the live album and disco at the same time as the beginning of the age of greed in the industry when the labels could kick back and rake it in with little cost and without having to take a bunch of grief from the artists. Add in the G.H. albums (Eagles, Ronstadt, James Taylor, Rod Stewart, BTO, The Band, CCR, Jethro Tull, ELO, etc) that flooded the market in 76 as well and you start to see the laziest year maybe ever in the business, but likely one of the most profitable.

Then, again, if Rush was concerned with cashing in back then on live albums then why didn't we see a couple live albums from them in that period? We have a 5 year separation between '76 to '81 instead. They also had no GH compilations from that time.

Frankly I own all the following and others they are all excellent, but sorry, AtWaS is by far my least favorite. Frankly, Rush is one where I greatly prefer the studio work.

No reason to be sorry, I said above it isn't that great of a live album imo. I like Rush studio and live about equally, but seeing them live many times is something I've spent a great deal of capital on!
 
Not so sir! I can be very objective about anything I am passionate about, I'm no childish or irrational type. That's just how I feel about AtWaS and Frampton: I don't even think Comes Alive was a consideration/effected AtWaS at all. Rush were just not in that type of popular/commercial band of that league back then; in fact they never have been. If they were, then why didn't they release at least a couple more live albums quickly, like after each new album? They were certainly touring all the time from '76 to '80 and beyond.

Okay, Okay! They "just happened" to record their live album in June 1976 - ironically about the time the Frampton had been #1 for 10 weeks! FWIW, Peter Frampton was just "the guy that used to play for Humble Pie" at that point to most of the world

Speaking of being dispassionate, I'm well aware that Rush may, in the last 10 years, be totally cashing in on the recent popularity of live albums/dvds/blurays....saving up for retirement as it were. Yes this is cynical, but they have released 4 live albums/dvds/blurays in the last 10 years and a new one from their latest tour will be coming soon. But from '74 to '02...almost 30 years...they released 4. So we have 4 (soon to be 5) in the last 10 years and 4 in the previous almost 30 years. Quite a difference. Why? Well there is a demand from the fans for it, but that demand has always been there. I think it has become highly profitable and Rush is cashing in on this profitability. Nothing really wrong with this, but they didn't used to be like this. However this has nothing to do with their insistence to not sell out musically and quit experimenting and make 2112 or Permanent Waves or Moving Pictures over and over again because those are what sell the best. They thankfully have never sat back and reproduced the same best selling formula on album after album like so many other bands have done (partially because they lack the ability to develop and progress musically).

If it sells, then do it. The fans that bought your record in the 70's have money now and will buy your DVD's. Nothing wrong with that.


Then, again, if Rush was concerned with cashing in back then on live albums then why didn't we see a couple live albums from them in that period? We have a 5 year separation between '76 to '81 instead. They also had no GH compilations from that time.

Only band i really know of to do two live albums is short order was Kiss, but they did release three studio albums between Alive I & II, but we know that their intent was to hit it and milk it as hard as possible. Hate to even mention them in the same conversation.

Rush is an album oriented band who's known for their performance on stage. Greatest Hits indicate that they had "hits" which until Moving Pictures really didn't happen and even then only a few over the next few years.

No reason to be sorry, I said above it isn't that great of a live album imo. I like Rush studio and live about equally, but seeing them live many times is something I've spent a great deal of capital on!

Hey, I am a huge fan of Rush. My view is not a reflection on them so much as it on the industry in that era. Remember that until the success of 2112, Rush fought with the label constantly. AtWaS was recorded during the 2112 tour and as such , I am not so sure that they quite had the clout established that they did after that tour. t was not the release of 2112 that gave them that clout, but the sales of it and the response to the tour.

You're a passionate fan! I admire that! Of course, looking at my catalog program I have 45 copies of Jimmy Buffett albums in various iterations and another 24 of the Moody Blues. Yes, we're all a little nuts here, we just sometimes fall from different trees!!! :)
 
Okay, Okay! They "just happened" to record their live album in June 1976 - ironically about the time the Frampton had been #1 for 10 weeks! FWIW, Peter Frampton was just "the guy that used to play for Humble Pie" at that point to most of the world

I see your point, but I think regardless of whether or not Frampton ever had a live album Rush would of recorded live albums, if for no other reason than that they've always had a reputation for being such a great live group. I think you are being too myopic about the "Frampton phenomenon"; it wasn't a paradigm shift in the industry imo: there were live albums before him and there would of been had he never existed. Granted I wasn't around to witness those times though.

If it sells, then do it. The fans that bought your record in the 70's have money now and will buy your DVD's. Nothing wrong with that.

Yes and no. When a band goes too commercial that evidences a lack of integrity imo. I don't think Rush is there yet, but they are more so now than they used to be imo. I try to have a good humor about such things, but when I start seeing Rush bar stools, miniature instruments, thongs, and bobbleheads I worry. That's tacky imo.

Btw, plenty of Rush fans are under 30, or even 20.

Only band i really know of to do two live albums is short order was Kiss, but they did release three studio albums between Alive I & II, but we know that their intent was to hit it and milk it as hard as possible. Hate to even mention them in the same conversation.

Haha, here's a funny thing: Rush has some respect for Kiss. They toured with them in the early years and said they have a good work ethic that they really absorbed. Some members of Kiss also really respect and like Rush and are even friends with them.

But I too am just not a Kiss fan...at least so far.

Rush is an album oriented band who's known for their performance on stage. Greatest Hits indicate that they had "hits" which until Moving Pictures really didn't happen and even then only a few over the next few years.

Good point, however to many Rush fans a greatest hits compilation would have sold well regardless of whether or not those hits were ever really hits by airplay standards. I knew many fans who could only afford to get a couple of Rush cds as teens and then bought the double cd compilation Chronicles which contained many relatively minor hits.

Hey, I am a huge fan of Rush. My view is not a reflection on them so much as it on the industry in that era. Remember that until the success of 2112, Rush fought with the label constantly. AtWaS was recorded during the 2112 tour and as such , I am not so sure that they quite had the clout established that they did after that tour. t was not the release of 2112 that gave them that clout, but the sales of it and the response to the tour.

I didn't mean to imply that you were bashing them, but if you were then that is fine too imo. You are right about 2112 being the turning point for them: if that album hadn't been successful then we wouldn't have all the other incredible Rush albums after it. That's a world I wouldn't want to live in. (Kidding :D).


You're a passionate fan! I admire that! Of course, looking at my catalog program I have 45 copies of Jimmy Buffett albums in various iterations and another 24 of the Moody Blues. Yes, we're all a little nuts here, we just sometimes fall from different trees!!! :)

Well, Permanent Waves, I think Bayou Tiger expressed it well here.

So do I. Happy listening!


Thanks guys! But please don't mistake my passion for fanaticism. :thmbsp: I'm passionate about a great many things, from music of all sorts to intellectual pursuits (studying and writing about philosophy, science, history, literature, etc. and being active in academic associations) to nature and outdoor activities (cycling and hiking I do almost daily for instance), to social/political/charitable causes, to my girlfriend, to life in general. And thank goodness, for a life without passion is not one worth living imo. :thmbsp: But I'm not fanatical about any one thing, least of all a mere rock and roll band: I balance all my passions and interests/pursuits and try not to let any single one of them overwhelm me for that can be harmful and make for a dissatisfying life imo. Certainly it is a great thing to have passions, but they must be restrained and proportioned to the requirements of everyday life. So I'll keep greatly enjoying Rush on a weekly basis but I'll not over exaggerate their importance or any music's importance for that matter. I'm not 14-16 anymore for one thing! :D

Happy listening to whatever music you enjoy best as well! :music:
 
I enjoy these Rush threads although I admit I hardly understand them. I love music about as much as anything, outside of family and pets. What I can't understand is the almost giddy schoolgirl enthusiasm Rush fans demonstrate over this band. Rush is treated like musical deity by so many. The only person I treat with that much love, honor and respect is my wife. Now I know you Rushites will be thinking that damn cubdog is full of ****, but honestly these Rush threads are incredible. Like I said it boarders on 1965 schoolgirl passion for those four mop tops. It's, Neil is this, Getty is so misunderstood, yada, yada, yada. They are a rock band, no more no less. I tried to appreciate their music and still give them a listen on occasion. Not my cup of tea but no matter. It doesn't matter. I don't know, maybe I'm just getting old. But, if I ever treat musicians, sports stars, actors, or anyone similar like some sort of god just shoot me. I'm sure many of you would like to do so anyway. No malice intended In real life I bet we'd all get along just fine. :D Rock on.

cubdog
 
I enjoy these Rush threads although I admit I hardly understand them. I love music about as much as anything, outside of family and pets. What I can't understand is the almost giddy schoolgirl enthusiasm Rush fans demonstrate over this band. Rush is treated like musical deity by so many. The only person I treat with that much love, honor and respect is my wife. Now I know you Rushites will be thinking that damn cubdog is full of ****, but honestly these Rush threads are incredible. Like I said it boarders on 1965 schoolgirl passion for those four mop tops. It's, Neil is this, Getty is so misunderstood, yada, yada, yada. They are a rock band, no more no less. I tried to appreciate their music and still give them a listen on occasion. Not my cup of tea but no matter. It doesn't matter. I don't know, maybe I'm just getting old. But, if I ever treat musicians, sports stars, actors, or anyone similar like some sort of god just shoot me. I'm sure many of you would like to do so anyway. No malice intended In real life I bet we'd all get along just fine. :D Rock on.

cubdog

What he said, but nowhere near as filtered.
 
Back
Top Bottom