In general, I tend to gravitate toward 70s gear a bit more for its looks, build quality and the overall sound it has, but I definitely enjoy gear from the 80s and 90s, and beyond as well. And as someone else previously mentioned, I also enjoy mixing gear from different decades which, unless you require a singular aesthetic, I think has merit.
However, there was also a time when I had a lot of preconceived notions about audio gear that I picked up over the years from audio writers and people within the community as a whole that I believe held me back in my audio journey, and kept me from having an open mind (and open ears) toward other equipment. Equipment that many people say "should" be crap, but wasn't once I allowed myself to try new things...including "BPC" from the 80s and 90s.
It's only when I stopped listening to all the noise about what "should" and "shouldn't" be any good that I began to discover some real hidden gems out there. A world of discovery is out there, but only if someone is able to discard any preconceived notions they have about this era of gear in particular. I know I have been humbled
many times since I stopped armchair poo-pooing certain eras of gear, and actually started
listening to it. Regardless of era...and even
regardless of price. My eyes are now wide open.
Since then I have found some true gems, and a couple are even BPC tin cans that 98% of the audio community wouldn't give a turd's trade for. One of which has a synergy with a pair of speakers I own that, together, has the most utterly
insane soundstage size and placement of any audio gear I have ever heard. With this "BPC" receiver, and with a recording I have that was recorded in a large church in particular, it readily throws an utterly MASSIVE soundstage that defies the barriers of my medium-sized listening space with sound that goes 30-40 feet beyond the plane of the speakers, 40-50 feet to each side, literally up 80-100 feet over your head, and many dozens of feet
behind you as well. It also places things the struck tone bars of a xylophone or marimba in lifelike, realistic space and delineates the keys being struck from left to right (or visa versa) with individual and precise places within that space, in sequence. Regardless of the genre or the physical size of the space it was recorded in, it just simply recreates the size and instrument placement of that venue. It's an incredible pairing. "BPC" though? I think not!
Again, this is just an insane synergy thing between those two components, but it goes to show I never would have found that pairing if I had never broke down the preconceived notions I used to have, and I'm all the better for it. Sure, a lot of 80s and 90s stuff isn't built as nicely as stuff from the 70s, but
sound is sound, and the sound that pairing produces is utter magic. I have had friends and family over to listen to this BPC setup in the past - including some who know nothing about audio gear, or who listen to very little music - and I always find it funny when they hear those presentations with the soundstage, because just about every time they cock their heads or say "whoa!" when it happens. It's so predictable sometimes it's amusing.
Anyway, I'll part ways with one last example of the validity of not dumping on BPC gear altogether. Below is a post I made about a cheap 15-pound tin can "BPC" receiver that I bought on a pure whim. Mostly because it was only $5 and it pretty much fell in my lap. I initially kept it for demoing any gear I may ever have for sale, but since then I promoted it to a system in a smaller room for listening while at my computer. It was worthy enough of its promotion. As I mention in my post, is it enough to replace my other gear? No. But this is just a small indication of some of the 80s "BPC" gear out there. Again, regardless of price...
Anybody else had good experiences with JVC? Charlie When we met, my late wife had a JVC component system. Receiver, Cass deck. CDP , EQ but no turntable. Had 4 Bose speakers hooked to it. I got the speakers and the audio rack when she passed. The son took the components. The components had...
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