Is the NAD 3020 all it's cracked up to be? Quite probably.

thedelihaus

Nocturnal transmissions
Is the NAD 3020 all it's cracked up to be? Quite probably.

The NAD didn't make me toss my physically imposing, real-estate demanding main setup and replace a class A pre-amp and 200wpc powerhouse solid state velvet beastie.

It did not extract the most essence from my small collection of modern monitors and towers.

It didn't retrieve minute details from every nook and cranny of a recording. It didn't give one a close-up examination of the pores of a performance.

What it did, however, was impart a larger-than-expected sound to a set of very small monitors (a monitor perfect for a desktop).

It hit that often elusive to technically describe grail of being "musical" to my ears. Sound was pleasant, comforting, romantic, sweet.

It takes up little space- ideal for a bedroom, computer/office use, cottage, dorm.

It's easy to use- It's not loaded down with unneeded features, but isn't sparse either. It gives you the basics, plus. Looks, while perhaps a bit bland and utilitarian, are clean and clear in operation. Ergonomically it's neat and tidy. Feel, while not rivaling the best Alps (and close competition) pots and switches, is reassuring and substantial enough to let you know this isn't some cheap cast-off from a department store budget line, but a quality execution despite the lower cost.

This model is an original model, from the collection of a departed friend's NAD 3020. An original model, very clean and fully functional- cleanest I've seen in person, in fact. I have passed it on to an AKer who will re-cap it, although it plays nearly 100% (extremely minimal static in a knob or two from sitting so long, that DeOxit will cure).

I really enjoyed this little integrated. I feel it deserves the lavish praise it's been receiving lately, and don't think the prices they are commanding on eBay are too out of line ($175-200-and-up), although the "and up" pricing seems a bit steep to me.

Now, I recall when these could be had for $35-$100. Blame Steve Guttenberg's very positive review that praised this budget audiophile icon up and down, and even felt it out-performed the $299 modern NuForce brand model, the Dia:

http://news.cnet.com/8301-13645_3-5...rce-dia-an-analog-digital-amplifier-showdown/

Or you can read his original post on the 3020 here, and how it clobbered the $200 modern Audioengine N22:

http://news.cnet.com/8301-13645_3-20079793-47/nad-3020-vintage-hi-fi-that-still-sounds-great/

Regarding vintage and modern gear I personally ran it up against, I felt, both units unfreshed, it sounded better than my Marantz 1060 I have out on extended loan, the 1060 a bit darker, hazier. Not knocking the 1060- it's a classic in it's own right and was very successful, and, well, looks-alone, it's one helluva sexy pint sized looker. Against various modern receivers by Onkyo, Denon and Marantz, they had a touch more air and clarity, but seemed sterile and boring, and some even perhaps etched or harsh, compared to the silky presentation of the NAD.

The reviews above tell you of the specs- 20 watts per channel into 8 ohms, headroom to deliver as much as 58 watts into 4 ohms, and even up to 72 watts into a 2 ohm load. Impressive, eh?

It also tells you how popular this model was- selling 500,000+ units- the best-selling integrated amp of all time.

Warm, smooth, relatively detailed (but never analytical).

A bit colored? Yes, but in a rich and comforting way. A bit misty? I do think so. But only a smidge- only ever-so-slighty, and again, in a very sweet and pleasant way.

Anyhow, I hate to see certain pieces leave my collection, and this is one of them. But... the money has gone to a good cause, my friend's widow, and it's reassuring the new owner is planning a resto of the unit- it will live on for years and be appreciated.
 
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I've got the 7020, which is supposed to be the same amp as the 3020 but with a tuner, and I agree with pretty much everything you've written. It just does so many things right.
 
A quick note-

From what I've read, and this is subject to debate, later revisions of the 3020 added an "A" to the model, and revised an "error" to the circuitry. This had an affect of reducing some form of distortion, clarifying the sound, but to many opinions, took some of that rich magic away. Later models like the 3020B seem to be less desirable, although some folks dig the 3120, which is a 3020 sans any tone control boards and buttons.
 
Here's a very glowing review from TNT audio-

http://www.tnt-audio.com/ampli/nad3020e.html


Some highlights/the review in a nutshell, warts and beauty marks:

"The NAD 3020 is one of those amplifiers that you can detect into an hifi system just at a first listening. It is indeed very peculiar: it sounds warm and a bit dark though the mid range is still clear and detailed. It does have a certain roll-off in the highs, which is (was) very, very welcomed with cheap loudspeakers of that time. It is the kind of sound that is easy to enjoy, even for hours and hours...It has a sweet and sensual mid range, very enjoyable and natural, especially with voices: a bit of the feeling of the best HiFi amplifiers around. Incredible, for that price. The high range is less attractive, since sometimes the roll-off is way too evident. It is sweet, sometimes too sweet!...The bass range is stunning for such a little and cheap amplifier: powerful and well extended...sometimes boomy and lazy, giving you, once more, the feeling of a warm and ultra smooth musical reproduction....stunning dynamic capabilities..a bit lazy with micro-dynamics that is to say those tiny, crisp musical variations that don't require plenty of power but a very agile performance. Can we forgive this? Yes, Virginia, this amplifier is so incredibly good at reproducing Music with a natural sense of pace and timing that we can easily forgive these tiny drawbacks. Do you remember how much does it cost?...The NAD 3020, as said before, isn't exactly razor-sharp: this, of course, influences the focus and the precision of the virtual soundstage: big but out-of-focus...you can't have it all! I'd say that every aspect of the 3020 aims to give you the illusion of a bigger amplifier: bass, dynamics, and 3D soundstage are bigger than one could expect from such a tiny amp. So imaging is enjoyable even if not too precise and focused... So our first question was: did the 3020 deserve all the fame it had? Well, I'd say yes, it was (and still is) a quite incredible amplifier. When compared to its competitors of the time it simply destroyed 'em hands off. Period....it sounds natural, probably not neutral, but amazingly sweet. Less HiFi, more Music."
 
I've got the 7020, which is supposed to be the same amp as the 3020 but with a tuner, and I agree with pretty much everything you've written. It just does so many things right.

Travis, these truly are a joy to listen to. Effortless, sweet, FUN.
 
I've got the later NAD 3020E,I'd also agree that its a very good all round sounding amp,but personally I'd prefer to listen to a Sansui AU-217MKII,which is more or less the same size (maybe slightly bigger and heavier).Think I read somewhere that the Sansui received a Hi-Fi choice 5 star/best buy when it was reviewed in the late 70's.
 
I've got the later NAD 3020E,I'd also agree that its a very good all round sounding amp,but personally I'd prefer to listen to a Sansui AU-217MKII,which is more or less the same size (maybe slightly bigger and heavier).Think I read somewhere that the Sansui received a Hi-Fi choice 5 star/best buy when it was reviewed in the late 70's.

That's very interesting to read.

I have had three Sansui AU-317s here at different times- all of them the original model at 60wpc and with pre-out/main in jumpers (later models got a bit more power, either 65, 70 or 75wpc but lost the pre out/main/in jumpers), and loved them all. Another great integrated worthy of praise.

The 417 in all real-world arguments is basically a 317 in a taller form factor.

The 317 (and 417), while not quite as robust as the dual power supply 517 and 717 (also note the 517 and up get beefier knobs vs the lower models plastic (but still decent knobs), is a truly excellent amp.
 
That's very interesting to read.

I have had three Sansui AU-317s here at different times- all of them the original model at 60wpc and with pre-out/main in jumpers (later models got a bit more power, either 65, 70 or 75wpc but lost the pre out/main/in jumpers), and loved them all. Another great integrated worthy of praise.

The 417 in all real-world arguments is basically a 317 in a taller form factor.

The 317 (and 417), while not quite as robust as the dual power supply 517 and 717 (also note the 517 and up get beefier knobs vs the lower models plastic (but still decent knobs), is a truly excellent amp.

The power outputs are 50wpc for the 317 and 60wpc for the 317II

The 417 is a bitza... A single transformer and two filter caps like the 317, similar power (65wpc), but circuitry which is closer to the 517 (but sans the dual mono power supply).
 
Lee has been telling me for awhile to check out the 3020, and I keep hearing good things about this amp, I might have to do that.
 
The 3020 was my first real integrated amplifier and I remember it as pure magic. Cheap, powerful and a bit of an ugly duckling, I never should have sold it and am still using NAD products today. The C370 is a beast and the 325 BEE has that same sound character of the 3020 but not the charm of the old meters and controls. Somewhat of a ham radio feel but sounded great.
 
I had one years ago. Mine however was modified by Allen Wright (later of Vacuum State Electronics). It was fine. I don't recall it as anything special.
 
I had a 3120 (3020 sans the tone controls) which I thought I'd not part with. Well stuff is stuff. I ran into someone who preferred his 3020 over *gasp* Naim gear.
 
You should hear what an almost totally rebuilt one sounds like, by this I mean one not just re-capped, but with all the carbon resistors replaced with metal films.

http://www.audiokarma.org/forums/showthread.php?t=460678

I sold this one a while back, the new owner left some very positive feedback about it on eBay. I'm currently working on another one, this time built from a parts unit, so all the small signal transistors were replaced as well. I managed to squeeze some stacked film caps in the phono stage to replace electrolytics, so I can't wait to hear how this one sounds.

I also have a couple of 1020 preamps that I plan on hot-rodding into 3020s. The only problem is the transformer. NAD used one with separate windings for the pre and power stages. A 7020 receiver trans will squeeze in there (just), but it looks like I'll have to cut the PCB and move the fuses elsewhere. Parts 7020 receivers can be bought a lot cheaper than parts 3020s. The other issue with changing the power supply is the case is so small, there's very little free space.

I was thinking about getting a new front panel made by Front Panel Express. It's just a matter of getting the design right, I think I nearly have it, I just need to figure out a way of putting a longer sheet of paper in my printer, longer than legal, in order to print a preview. This throws up an interesting dilemma. The NAD 3020 belongs spiritually with the silver faced Pioneer, Kenwood etc. designs IMHO. FPE have different options for their panels, they don't have the NAD bronze, but they do have anodized black and natural silver anodized aluminium. I wonder how that would look, it would be easy to paint the NAD buttons and knobs silver.

Lee.
 
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We all seek to find the hidden gems that are "giant killers." The 3020 delivers a presentation and years of reliable service that have gained it a stature beyond its price. It is simple, cheap, and a delight to own if in good fettle.

I would put it together with a pair of Dynaco A25s, a set of AKG 240 cans, a Dual turntable, and a Nakamichi 480 cassette deck, and call it the best affordable, reliable audio of the 1970s.
 
Although some folks dig the 3120, which is a 3020 sans any tone control boards and buttons.

I happen to be one of those folks... bought mine brand new along with a 4020B tuner to go with it.

Other audio have come and gone and while this set is not my daily driver, they're not going anywhere.

Other systems I have do things better, but there is something magical about this set that get my toes tapping.
 
There's a reason the audiophile community went nuts over these back then. They truly are something special.
 
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