Like fish, the plural of vinyl is "vinyl".While we're kvetching about misuse of certain words, I wanna strangle the person who calls records "vinyls". They have been called records for 80+ years.
Yes, the Webster definition supports that!BTW, the "wright" was intentional.
And I've got a nifty collection of shiny, plastic discs but I call them CD's, not plastic(s)Like fish, the plural of vinyl is "vinyl".
I've got a goodly collection of vinyl.![]()
Which is why I always ran a C-162 I had for a while in bypass. I guess I prefer real bass to "fat" bass.
Tone controls can only boost what's there. They cannot restore what was never captured. On the other hand, I have used parametric EQ with the HT processor to attenuate a couple of room modes situated on both sides of 100 hz.
To each his own I guess.![]()
Perhaps you've never heard of the Fletcher-Munson or "equal loudness" curves?
Look at it this way. Fletcher-Munson curve or not, if the source has no content below 40 hz,, boosting 20 hz won't add a thing. There's nothing in the 20 hz region to boost.Perhaps you've never heard of the Fletcher-Munson or "equal loudness" curves?
Look at it this way. Fletcher-Munson curve or not, if the source has no content below 40 hz,, boosting 20 hz won't add a thing. There's nothing in the 20 hz region to boost.
I'm quite familiar with the results. It's merely a measure of the sensitivity of our hearing.Perhaps you've never heard of the Fletcher-Munson or "equal loudness" curves?
Because they focused on improving the basic circuit and power supply capabilities!It seemed to me that as "features" were removed from preamps, the prices almost always went up.
If the boost were only below 40 hz, I might actually use one. While implementations vary, emphasis begins as high as 500 hz. Just thickens stuff up too much for me.Look at it this way. Fletcher-Munson curve or not, if the source has no content below 40 hz,, boosting 20 hz won't add a thing.
True, but I was simply trying to make a point, not get into the theory of tone controls and slopes.If the boost were only below 40 hz, I might actually use one. While implementations vary, emphasis begins as high as 500 hz. Just thickens stuff up too much for me.
Just explaining the entirety of the experience.True, but I was simply trying to make a point, not get into the theory of tone controls and slopes.
So for the record here comments about 500 hz referred to the use of Fletcher-Munson curves included in the quoted text.So for the record here that's a good bit away from 500Hz,and not all too far from 40Hz.
Yes,I did.So for the record here comments about 500 hz referred to the use of Fletcher-Munson curves included in the quoted text.
Perhaps you missed that.
Well, that's certainly a mature way of handling a difference of opinion. If you haven't done it already, please put me back on your s**t list.Yes,I did.
That's because I put The Skipper on ignore after our last exchange,so I had to take him off ignore to figure out why I missed that bit.
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So you don't read the quoted text to which folks reply? Gee I find those helpful in order to put the comments into perspective.That's because I put The Skipper on ignore after our last exchange.
Just so you know,If a person is being ignored,not just their posts disappear,but their quotes in other folks posts disappear as well.So you don't read the quoted text to which folks reply? Gee I find those helpful in order to put the comments into perspective.
Ok!