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So here's a really cheap way to reach audio nirvana

audiomagnate

Addicted Member
1. Buy a pair of JBL L300's. This is nothing new. Nelson Pass was right about these. Even stock, they're superb, but we're going to take them to a level mere mortals never dreamed of - we're going to break the control room glass! Don't pay top dollar because you'll be trashing or reselling everything except for the cabinets and the L85 compression driver, its horn and the tweeter. Don't worry about the lenses, I don't use them. The stock, wax encased L300 crossover is quite possibly the coolest audio thing I've ever seen, but alas, it too must go.
2. Buy a pair of JBL 2216Nd woofers from Simply Speakers. The ones used from 20Hz to 800Hz in the $28K JBL M1 studio monitor. They'll run you about $1,000 a pair.
3. Buy a cheap Chinese tube amp. Don't go all crazy, all you need is a watt or two. I'm using the infamously horribly designed, completely unmodified Nobosound with some Russian tubes and it sounds glorious in this setup.
4. Buy this electronic crossover for $119

Behringer Super-X Pro CX2310 V2.​

Buy it new for $119 from an authorized reseller and make sure to register it with Behringer to get a three year warranty. It sounds great but it is a Behringer. I'm just sayin'. You'll probably need some XLR to RCA cables as well. Four female XLR to RCA and two Male XLR to RCA.
5. Solder up this ridiculously simple crossover to roll off the highs in the horn and block lows from the tweeter: 1.0 mfd in series with the tweeter, .2mh coil in series with the mid horn and a 2.2 mf cap across the horn and use and 8 ohm L-Pad on the horn. That's it. Set the Behringer for 700Hz. Use virtually any solid state amp to drive the 2216ND's direct, and tweak the levels with your ear or a computer.

NOTES: I connected all drivers in phase and you can flip the phase of the woofer and the tweeter/mid combo with the Behringer, but if you want to flip the tweeter phase by itself you'll need a double pole double pole switch added to the small parts list, or you can do it manually.
 
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As of late, I've really been getting into imaging, and the L300s and their varients just don't do it so well. I think that time alignment has much to do with it and the front-mounted long horns don't allow for that.

To paraphrase a song, "One man's nirvana, is another man's floor."
 
I just bought a pair of ADS 910s and a Sherwood HP2000 amp for $1500. I’ll argue that those are audio nirvana ‘til death.

Oh wait… in my other room is a pair of ADS L810s driven by a Marantz 250M. That’s also audio nirvana in that room.
 
This might be an excellent idea if you already have L300s but your not using the woofers or crossovers.
So people who have large boxes could just buy the woofer, and is there a suitable reasonably priced
horn and driver that are as good as the one in the L300?
Essentially an Econowave with the JBL 2216Nd woofers.
 
This might be an excellent idea if you already have L300s but your not using the woofers or crossovers.
So people who have large boxes could just buy the woofer, and is there a suitable reasonably priced
horn and driver that are as good as the one in the L300?
Essentially an Econowave with the JBL 2216Nd woofers.
My current project:
2216ND woofers in L200 Cabinets, 2445J pro Midrange on wooden midhorn, 2405 slot tweeter in box from Michaels ...
External crossover in custom Cabinet just under the midhorn.
Acurus A200 power amp runs the whole config (not biamped).
JBL_3Ways-with Beanies_3170.jpeg
 
I had something similar with a pair of L200, used a 2235H, 077, Ashly XR1001. It was glorious.
That would definitely be close. I've been trying out different tube amps and have settled on this DIY 6BQ5 beauty (to my eyes anyway). I don't know who made it but parts and build quality are through the roof. I guess I'm at Nirvana +1 now, especially after scoring a bricked Sony PS-X800 that I was able to resuscitate.
 

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