Speaker Surrounds - Best source?

If you're only thinking cheap and cheerful - I refoamed a pair of Control 1's with generic Chinese foam parts from Aliexpress.

The measurements are given on the site and they matched exactly. It was the first refoam I ever did and it went like a charm - for something like $10US delivered. The only issues are slightly lower quality parts (but for me, I couldn't tell, and the parts did the job well), and long delivery lead time.
 
I find this thread kind of funny. I own Springfield Speaker. We, as well as Simply Speakers, Midwest Speaker, and Rick Cobb aka Looneytune2001 all buy our surrounds from the same place. They are the same surrounds. A couple others mentioned sell only Chinese-made surrounds, which are pressed differently, and often tend to be a little lower quality for some applications. There is 1 main supplier in the U.S., and we all buy our surrounds from them. Email me if there is anything I can do to help.
I wouldn't dispute that the quality may be better, but if a person needs more than a few surrounds, the kits begin to get prohibitively expensive for anything but high end speakers. At any rate, the problem is no longer a problem thankfully!
 
I find this thread kind of funny. I own Springfield Speaker. We, as well as Simply Speakers, Midwest Speaker, and Rick Cobb aka Looneytune2001 all buy our surrounds from the same place. They are the same surrounds. A couple others mentioned sell only Chinese-made surrounds, which are pressed differently, and often tend to be a little lower quality for some applications. There is 1 main supplier in the U.S., and we all buy our surrounds from them. Email me if there is anything I can do to help.


thanks for stopping in.

I have refoamed more than 10 sets of AR speakers. I have purchased from a few different sellers, including midwest.

I am finding that all surrounds are Not the same. I have noticed some older speakers that the surrounds have been done in the past have different textures and more often the older surrounds "SEAL" better than the newer surrounds. This is Very important on the AR acoustic suspension speakers as you know. Can YOU comment on the different textures and colors of these surrounds and why some seal better than others? This is Very important to me.

Also its Mentioned the Boston Filet style is desire able on the ar stuff.

I will be needing a set of surrounds for another AR90 I am refurbing soon. Do you sell a Proper set for these with the 8 inch mid woofer ......with the boston filet.
 
thanks for stopping in.

I have refoamed more than 10 sets of AR speakers. I have purchased from a few different sellers, including midwest.

I am finding that all surrounds are Not the same. I have noticed some older speakers that the surrounds have been done in the past have different textures and more often the older surrounds "SEAL" better than the newer surrounds. This is Very important on the AR acoustic suspension speakers as you know. Can YOU comment on the different textures and colors of these surrounds and why some seal better than others? This is Very important to me.

Also its Mentioned the Boston Filet style is desire able on the ar stuff.

I will be needing a set of surrounds for another AR90 I am refurbing soon. Do you sell a Proper set for these with the 8 inch mid woofer ......with the boston filet.

Hi Harry.

I believe I can shed some light. I agree that all surrounds are not the same. If they were, we would save an awful lot of money by stocking only a few different sizes rather that 220 different models. :)

Let me start by clarifying something. The larger retailers I mentioned, (Those who have websites and facilities outside of a simple eBay store) all have ACCESS to the exact same foams. That is not to say that, in all cases, they offer the exact same foams for a particular application. Though they probably should. On the vast majority of models, our offerings are all the same aside from the adhesive in the kit. ( I will come back to adhesives in a moment) Though there are several replacement foams that are made for a specific application rather than using what people call a "Generic" or "standard" or "Universal" foam, the vast majority of speakers actually used those same "Generic" foams when they were first manufactured. Most speaker companies don't make foam, they make or assemble speakers. Foam companies generally make foam for these speaker companies. A model-specific die is very expensive to have made, and hard for many speaker companies to justify, so they actually used foams that were readily available when they built their woofers. JBL, Boston, Cerwin Vega, Advent, Polk, and Infinity were among the companies that had at least a few of their own dies made from their designs, thus making the foams proprietary to their models. Some companies, such as Boston, allowed other companies to use their surrounds on some of their models (EPI, Genesis, EV, Fried, Paradigm).

With regard to the use of filleted foams, I too have heard this commentary in the past, but can't say that I necessarily agree. I have also heard about using the JBL 125A surrounds on the AR90. The Boston foams, as well as the 125A foam are thinner and more pliable, and also have rolls that are about 1/16" wider than the standard 10" angle-attach surround. The 125A is actually one of the foams that a few retailer do not bother to stock (But we do). It is so close in measurements to the 10" angle foam, that they simply substitute for it with that less-expensive foam. Many sellers subtitute a standard 8 in place of a true filleted Boston foam as well. It is cheaper for them, and makes their kits more profitable for them. I digress, as I often do... I feel that many people who recommend the Boston foams for their AR models are comparing the foam that they are replacing to the stiffness of the replacement. I feel that they have forgotten (Reasonably) what the foams actually felt like when they were first installed 30 years ago. With age, like nearly anything else, they become much softer, and more pliable. In many cases they also become thicker as a result of the foam decompressing. Over time, foams tend to break in, and soften. The speakers lose their original punchiness (sp?), and end up with more bass response, though it is not quality bass. The thinner foams such as the Bostons, and 125As were originally used as required to contribute to the very high-sensitivity of the models they were originally used on. (I believe the AR90s were around 87db. Sensitive, but not as high as these others)

To answer your question...I do not agree with using the Boston or JBL foams on the AR models. The AR models nearly all used what was a standard foam at the time, and therefore that is what we use to replace them. On the flipside, we DO have all of the filleted Boston foams if you want to go that direction, as well as the actual JBL 125A foam, adn we can substitute them into the kits at your request.

On the topic of "Sealing" brought up in an earlier response to my post; I believe that this is a product of the adhesive more so than the foam. Adhesives are the biggest difference between most of our kits. Many people like to use Elmer's, or Aleen's Tacky Glue for their repairs. While the convenience of a longer working time is nice for some people, the end result is an improper seal. These adhesives are water-based PVAs. They bond cleanly and permanently to a paper cone, as well as to dust caps made of that and other porous materials. However, they do not bond or seal properly to steel, aluminum, poly, injection-molded graphite, or other non porous surfaces. If you are in a particularly humid climate, forget about the bond sealing and lasting for any significant amount of time. Many sellers' kits include a similar white or even black PVA adhesive that, while NOT Elmer's as often accused (It is considerably more acidic), is still water-based and subject to the same weaknesses as the Elmer's. We sell the white as well, but only for dampening cloth surrounds, repairing paper cones, and joining non-flexing porous surfaces together.

The non-eBay-only retailers and repair facilities, such as ourselves, and others previously mentioned, use solvent-based adhesives just like the factories used originally. They bond properly to the materials involved, and don't break down in certain atmospheric conditions. Our primary adhesive has a base that has morphed over the years. Our newest formula, which comes in all of our kits, no longer even contains acetone (A common solvent ingredient), but rather 2 parts Toluene and 1 part Hexane, as these materials lend themselves to better bond with aluminum and poly in particular. The white water-based adhesive costs, wholesale, about 1/4 of what the quality solvent-based adhesives do. This may be a reason that so many seller use it in their kits instead of the proper adhesives. It increases their profitability. Would you rather get something a little cheaper, or do the job with the correct materials? I choose the latter. I hope this rambling mess made some form of sense. :)

Thanks,
Paul
 
Hi Harry.

I believe I can shed some light. I agree that all surrounds are not the same. If they were, we would save an awful lot of money by stocking only a few different sizes rather that 220 different models. :)

Let me start by clarifying something. The larger retailers I mentioned, (Those who have websites and facilities outside of a simple eBay store) all have ACCESS to the exact same foams. That is not to say that, in all cases, they offer the exact same foams for a particular application. Though they probably should. On the vast majority of models, our offerings are all the same aside from the adhesive in the kit. ( I will come back to adhesives in a moment) Though there are several replacement foams that are made for a specific application rather than using what people call a "Generic" or "standard" or "Universal" foam, the vast majority of speakers actually used those same "Generic" foams when they were first manufactured. Most speaker companies don't make foam, they make or assemble speakers. Foam companies generally make foam for these speaker companies. A model-specific die is very expensive to have made, and hard for many speaker companies to justify, so they actually used foams that were readily available when they built their woofers. JBL, Boston, Cerwin Vega, Advent, Polk, and Infinity were among the companies that had at least a few of their own dies made from their designs, thus making the foams proprietary to their models. Some companies, such as Boston, allowed other companies to use their surrounds on some of their models (EPI, Genesis, EV, Fried, Paradigm).

With regard to the use of filleted foams, I too have heard this commentary in the past, but can't say that I necessarily agree. I have also heard about using the JBL 125A surrounds on the AR90. The Boston foams, as well as the 125A foam are thinner and more pliable, and also have rolls that are about 1/16" wider than the standard 10" angle-attach surround. The 125A is actually one of the foams that a few retailer do not bother to stock (But we do). It is so close in measurements to the 10" angle foam, that they simply substitute for it with that less-expensive foam. Many sellers subtitute a standard 8 in place of a true filleted Boston foam as well. It is cheaper for them, and makes their kits more profitable for them. I digress, as I often do... I feel that many people who recommend the Boston foams for their AR models are comparing the foam that they are replacing to the stiffness of the replacement. I feel that they have forgotten (Reasonably) what the foams actually felt like when they were first installed 30 years ago. With age, like nearly anything else, they become much softer, and more pliable. In many cases they also become thicker as a result of the foam decompressing. Over time, foams tend to break in, and soften. The speakers lose their original punchiness (sp?), and end up with more bass response, though it is not quality bass. The thinner foams such as the Bostons, and 125As were originally used as required to contribute to the very high-sensitivity of the models they were originally used on. (I believe the AR90s were around 87db. Sensitive, but not as high as these others)

To answer your question...I do not agree with using the Boston or JBL foams on the AR models. The AR models nearly all used what was a standard foam at the time, and therefore that is what we use to replace them. On the flipside, we DO have all of the filleted Boston foams if you want to go that direction, as well as the actual JBL 125A foam, adn we can substitute them into the kits at your request.

On the topic of "Sealing" brought up in an earlier response to my post; I believe that this is a product of the adhesive more so than the foam. Adhesives are the biggest difference between most of our kits. Many people like to use Elmer's, or Aleen's Tacky Glue for their repairs. While the convenience of a longer working time is nice for some people, the end result is an improper seal. These adhesives are water-based PVAs. They bond cleanly and permanently to a paper cone, as well as to dust caps made of that and other porous materials. However, they do not bond or seal properly to steel, aluminum, poly, injection-molded graphite, or other non porous surfaces. If you are in a particularly humid climate, forget about the bond sealing and lasting for any significant amount of time. Many sellers' kits include a similar white or even black PVA adhesive that, while NOT Elmer's as often accused (It is considerably more acidic), is still water-based and subject to the same weaknesses as the Elmer's. We sell the white as well, but only for dampening cloth surrounds, repairing paper cones, and joining non-flexing porous surfaces together.

The non-eBay-only retailers and repair facilities, such as ourselves, and others previously mentioned, use solvent-based adhesives just like the factories used originally. They bond properly to the materials involved, and don't break down in certain atmospheric conditions. Our primary adhesive has a base that has morphed over the years. Our newest formula, which comes in all of our kits, no longer even contains acetone (A common solvent ingredient), but rather 2 parts Toluene and 1 part Hexane, as these materials lend themselves to better bond with aluminum and poly in particular. The white water-based adhesive costs, wholesale, about 1/4 of what the quality solvent-based adhesives do. This may be a reason that so many seller use it in their kits instead of the proper adhesives. It increases their profitability. Would you rather get something a little cheaper, or do the job with the correct materials? I choose the latter. I hope this rambling mess made some form of sense. :)

Thanks,
Paul


thank you for the Response Paul. I appreciate it and I am sure many other people will too.

I will digest that.


I will state that I have also refoamed 3 pairs of AR 12 inch poly woofers.....and Black glue was supplied.......some type of solvent based ( I think- midwest speakers) and they seal like a DRUM . super seal. You may have a valid point with the glue.

Harry
 
http://www.loudspeakercomponents.com/company.html
A friend with a shop uses these guys (at least I'm pretty sure this is the right company, I know they're in Wisconsin), but AFAIK they are wholesale only. If I need something special I order through him. They have an extremely detailed and extensive catalog which cross references by manufacturer and model. I also order from Matt (now HES) and it is amazing how often those generics are a perfect fit, as in the Jensen 25's I just did.
 
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I didn't know MAT closed!
Guess I haven't read this thread. I thought you were thinking Main Electronics in Vancouver, BC which has closed and were my go to for specific size smaller surrounds. They sold their surround inventory to Innovative Audio, IIRC, but the buyer is using them for repairs not making them available, just when I was needing some for a pair of Koss M-80s. Oh well, PE to the rescue with replacement drivers for a buck each more than the surrounds and way less work.

Then I looked and Mat Electronics was also gone. Following this thread I did see the reorganized company. Mat was kinda expensive in the end for me with the cost of the placing an order fee, the shipping and the tax, me being in the same state. Glad they are back for the generics but I have moved on to speakers that really should use specific surrounds and that is where the companies that specialize come into play. I've used some them recently. but it is nice to have a few of the generics in stock for whatever comes up.
 
Hi Harry.

I believe I can shed some light. I agree that all surrounds are not the same. If they were, we would save an awful lot of money by stocking only a few different sizes rather that 220 different models. :)

Let me start by clarifying something. The larger retailers I mentioned, (Those who have websites and facilities outside of a simple eBay store) all have ACCESS to the exact same foams. That is not to say that, in all cases, they offer the exact same foams for a particular application. Though they probably should. On the vast majority of models, our offerings are all the same aside from the adhesive in the kit. ( I will come back to adhesives in a moment) Though there are several replacement foams that are made for a specific application rather than using what people call a "Generic" or "standard" or "Universal" foam, the vast majority of speakers actually used those same "Generic" foams when they were first manufactured. Most speaker companies don't make foam, they make or assemble speakers. Foam companies generally make foam for these speaker companies. A model-specific die is very expensive to have made, and hard for many speaker companies to justify, so they actually used foams that were readily available when they built their woofers. JBL, Boston, Cerwin Vega, Advent, Polk, and Infinity were among the companies that had at least a few of their own dies made from their designs, thus making the foams proprietary to their models. Some companies, such as Boston, allowed other companies to use their surrounds on some of their models (EPI, Genesis, EV, Fried, Paradigm).

With regard to the use of filleted foams, I too have heard this commentary in the past, but can't say that I necessarily agree. I have also heard about using the JBL 125A surrounds on the AR90. The Boston foams, as well as the 125A foam are thinner and more pliable, and also have rolls that are about 1/16" wider than the standard 10" angle-attach surround. The 125A is actually one of the foams that a few retailer do not bother to stock (But we do). It is so close in measurements to the 10" angle foam, that they simply substitute for it with that less-expensive foam. Many sellers subtitute a standard 8 in place of a true filleted Boston foam as well. It is cheaper for them, and makes their kits more profitable for them. I digress, as I often do... I feel that many people who recommend the Boston foams for their AR models are comparing the foam that they are replacing to the stiffness of the replacement. I feel that they have forgotten (Reasonably) what the foams actually felt like when they were first installed 30 years ago. With age, like nearly anything else, they become much softer, and more pliable. In many cases they also become thicker as a result of the foam decompressing. Over time, foams tend to break in, and soften. The speakers lose their original punchiness (sp?), and end up with more bass response, though it is not quality bass. The thinner foams such as the Bostons, and 125As were originally used as required to contribute to the very high-sensitivity of the models they were originally used on. (I believe the AR90s were around 87db. Sensitive, but not as high as these others)

To answer your question...I do not agree with using the Boston or JBL foams on the AR models. The AR models nearly all used what was a standard foam at the time, and therefore that is what we use to replace them. On the flipside, we DO have all of the filleted Boston foams if you want to go that direction, as well as the actual JBL 125A foam, adn we can substitute them into the kits at your request.

On the topic of "Sealing" brought up in an earlier response to my post; I believe that this is a product of the adhesive more so than the foam. Adhesives are the biggest difference between most of our kits. Many people like to use Elmer's, or Aleen's Tacky Glue for their repairs. While the convenience of a longer working time is nice for some people, the end result is an improper seal. These adhesives are water-based PVAs. They bond cleanly and permanently to a paper cone, as well as to dust caps made of that and other porous materials. However, they do not bond or seal properly to steel, aluminum, poly, injection-molded graphite, or other non porous surfaces. If you are in a particularly humid climate, forget about the bond sealing and lasting for any significant amount of time. Many sellers' kits include a similar white or even black PVA adhesive that, while NOT Elmer's as often accused (It is considerably more acidic), is still water-based and subject to the same weaknesses as the Elmer's. We sell the white as well, but only for dampening cloth surrounds, repairing paper cones, and joining non-flexing porous surfaces together.

The non-eBay-only retailers and repair facilities, such as ourselves, and others previously mentioned, use solvent-based adhesives just like the factories used originally. They bond properly to the materials involved, and don't break down in certain atmospheric conditions. Our primary adhesive has a base that has morphed over the years. Our newest formula, which comes in all of our kits, no longer even contains acetone (A common solvent ingredient), but rather 2 parts Toluene and 1 part Hexane, as these materials lend themselves to better bond with aluminum and poly in particular. The white water-based adhesive costs, wholesale, about 1/4 of what the quality solvent-based adhesives do. This may be a reason that so many seller use it in their kits instead of the proper adhesives. It increases their profitability. Would you rather get something a little cheaper, or do the job with the correct materials? I choose the latter. I hope this rambling mess made some form of sense. :)

Thanks,
Paul

Paul, since you're on the forums, I sent your company an email a while back requesting the MSDS datasheet on the glue you include with your speaker refoam kits. Could I get a copy of that datasheet? I never did hear back from your company on that.

Thanks in advance!
 
Paul, since you're on the forums, I sent your company an email a while back requesting the MSDS datasheet on the glue you include with your speaker refoam kits. Could I get a copy of that datasheet? I never did hear back from your company on that.

Thanks in advance!
Absolutely! I'm sorry. I just search our email system for "MSDS", and can't find one that was never replied to. I'm so sorry. We did have a problem with our contact and request forms in Nov, Dec, and Jan, but that is fixed now. Sorry again.

MSDS for all of our adhesives are on our website here:
http://www.springfieldspeakerrepair.com/SearchResults.asp?Cat=1828

The "CRC" is what we use in our kits.

Thanks,
Paul
 
Hey guys. Just a note...Not mentioning any names, but using my MSDS to try and sidestep me to buy our adhesives directly from the factory that we worked with for months to formulate is pretty sneaky and uncool. I got a call from both the factory, and my sales rep. If you want some of MY adhesive...please call ME. If you want bulk, all you have to do is ask.
 
Hey guys. Just a note...Not mentioning any names, but using my MSDS to try and sidestep me to buy our adhesives directly from the factory that we worked with for months to formulate is pretty sneaky and uncool. I got a call from both the factory, and my sales rep. If you want some of MY adhesive...please call ME. If you want bulk, all you have to do is ask.
Well it was clearly me, not trying to be sneaky, just trying to save money by attempting to buy in bulk. I assumed it was a general adhesive, and would not have thought anyone had special rights to it.
I actually had forgotten you sold it because it had been so long since I looked. I dont use it, its for an older friend who had asked me about it a long time ago. At any rate, they wouldn't sell it to me. No biggie, I'll look elsewhere. Also, they never mentioned it was a custom blend, just that they only sell to businesses.
 
if there are any canucks reading this
since main electronics is gone i have been buying from audiodogs
his stuff is good, its canadian, so no exchange rates, taxes and shipping are good and no customs delays
though i have never actually been charged customs on a foam order from the US

i just finished a bunch of energy speakers using filleted surrounds and all was good
my third order from him
 
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Many people like to use Elmer's, or Aleen's Tacky Glue for their repairs. While the convenience of a longer working time is nice for some people, the end result is an improper seal. These adhesives are water-based PVAs. They bond cleanly and permanently to a paper cone...

Our newest formula, which comes in all of our kits, no longer even contains acetone (A common solvent ingredient), but rather 2 parts Toluene and 1 part Hexane, as these materials lend themselves to better bond with aluminum and poly in particular...

The white water-based adhesive costs, wholesale, about 1/4 of what the quality solvent-based adhesives do. This may be a reason that so many seller use it in their kits instead of the proper adhesives. It increases their profitability. Would you rather get something a little cheaper, or do the job with the correct materials? I choose the latter. I hope this rambling mess made some form of sense. :)

Paul,

Welcome to the forum and thanks for sharing your extensive knowledge with us.

I'm just a DIY hobbyist. For me, I don't do things in high volume or have a constant eye on my bottom line. Sure, I appreciate a bargain, but I'm doing this for my own enjoyment, not to earn a profit. So, I prefer to use whatever makes my life easiest.

Which leads to my question. I confess to having used Aleene's Tacky Glue on surrounds. I've also used solvent based adhesives, but find the Aleene's easier to work with in certain circumstances. I have large hands and have refoamed several JBL woofers where the surround is attached to the back side of the paper cones. For me, with my big hands, I find it challenging to get the surround glued to the back of the paper cones. There just isn't a lot of room to get at things. The smaller the woofer, the harder it is for me to get at the back side of the cone. So, I prefer the slower set up time of the Aleene's. It allows plenty of working time to get everything lined up and glued in place.

Getting at the outer edge of the surround where it attaches to the frame is a piece of cake. Everything it out in the open and easily accessible.

So, my question is, in this case, is there any reason not to go with a two glue solution: Aileene's for gluing the surround to the paper cone and a solvent based adhesive for gluing the surround to the aluminum frame?
 
Many of them are cyanoacrylate (crazy glue?) probably for (very) fast dry times in a
production environment where jigs are used to get everything just right. Probably not good for DIY.

The cyanoacrylates now come in an entire family of adhesives, all with different properties. The ends are modified, typically with rubbery groups, to make the adhesive flexible. Other changes make the adhesive hydrolytically stable, so it does not break down with moisture. Crazy glue and its ilk are rigid and rapidly (days, not hours) fall apart in wet environments. This is why it is not used as surgical glue, for example. But surgical glue is a cyanoacrylate, just modified one.

Many of the adhesives used for driver assembly are modified cyanoacrylates.

Pete's point about short work time should be well taken. Once the adhesive grabs it is difficult or impossible to reposition. This is why laminates are held apart from the cabinet using dowels or large nails. The surface area is high, so an adhered laminate is in that position forever, or at least until someone takes a heatgun and a chisel to it.

Solvent glues tend to be slower drying, and we, as hobbyists, can glue out of doors and the one-offs, more like two-offs, we do have minimal exposure to low molecular weight solvents.
 
Over the last few years i too have refoamed a lot of drivers and the " formula" that has come to work for me, generally speaking is to use Springfieldspeaker black BSC Adhesive
at the surround/cone junction for a fast,secure and clean joint and then for the more critical surround to frame junction "elmers" type so that i can adjust the voice coil position.

on occasion i have found that white "elmers" type glue will not adhere to certain metal frames regardless of how clean they are.
 
White "elmers" type glue is typically better suited for porous to porous where it can soak into the surface to create its adhesion, and I don't see it recommended for gluing metals or plastics.

A good adhesive for a pulp cone to soft surround would IMO be an adhesive that does NOT cure harder than the cone, or it can cause ringing as the wave hits a hard termination and travels back down the cone. You want the wave to continue out into the surround and dissipate.

It is hard to duplicate a (proper) factory cone-to-surround joint, and we do the best that we can I understand, but I feel that this is one of the most important points is to try and duplicate the factory cone assembly's mass and hardness as closely as possible if we truly wish to end up with the original speakers' performance.
 
White "elmers" type glue is typically better suited for porous to porous where it can soak into the surface to create its adhesion, and I don't see it recommended for gluing metals or plastics.

PVA and its relatives will adhere to metal provided the surface is perfectly clean and dry. An fatty acids (oils) interfere with the bond. Proper cleaning where people usually go wrong, be it with melted metal (soldering electronics or plumbing) or adhesives.

A good adhesive for a pulp cone to soft surround would IMO be an adhesive that does NOT cure harder than the cone, or it can cause ringing as the wave hits a hard termination and travels back down the cone. You want the wave to continue out into the surround and dissipate.

YES! I've taken heat for saying that the ringing problem is exacerbated because the PVA joint is now stiff (lay a line on plastic, peel off when dry and see how stiff a thin layer is) and acts like a stiff region in a full-range driver cone. Acoustic transitions are peculiar things and easily disrupted.

The problem is that White Glue Cult doesn't want facts. This is why its proponents and adherents paints cones to "improve" the sound, and "rejuvenate" surrounds into a hard, stiff layer moving Fs into the stratosphere.

It is hard to duplicate a (proper) factory cone-to-surround joint, and we do the best that we can I understand, but I feel that this is one of the most important points is to try and duplicate the factory cone assembly's mass and hardness as closely as possible if we truly wish to end up with the original speakers' performance.

That observation identifies a crucial issue.

Four years ago Ken Kantor, who would know, addressed this exact issue (emphasis added):
http://audiokarma.org/forums/index.php?threads/refoaming-a-midrange.588876/page-2#post-7759036
No doubt! I wish everyone who did a refoam would label their work. But, with a woofer, a careful job can get the driver functioning at least somewhat within the ballpark of the original. Plus, many people have the ability to do small signal parameter tests to verify basic performance.

However, with something like a midrange, the changes wrought by refoaming will be really extreme. There is almost zero chance of getting something close to the original performance, and the refoamer generally has no way to check was has been done.

http://audiokarma.org/forums/index.php?threads/refoaming-a-midrange.588876/page-2#post-7761842
How in the world do you folks know there weren't significant response changes from your midrange repairs? As a speaker manufacturer, I've seen tens of thousands of mids scrapped because a glue was applied at the wrong temperature or the cross section curvature of a surround roll was slightly off from print.

Acoustic memory is terrible. For everyone. Yes, this means even the purported Golden Ears. We, being made out of meat, can't remember acoustics for more than a handful of seconds. Cognitive scientists have addressed this and proven it. Yet meat thinks it can do this with perfect accuracy. Meat, furthermore, is amazingly delusional and can convince itself that just about anything it did to a speaker was an "improvement", particularly in the absence of objective testing. Hence White Glue Cult, Gasket Cement Cult, Silicone Cult, etc
 
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