I'm going to expand my search for drivers. Seems like ideally, I'd want SVC 4 or 8 ohms, yes?
The only problem with pro amps are the sometimes noisy fans, otherwise they are great.
IMHO, best bang per buck is a proven Behringer ep2500. Get a quieter fan and you're ready to go. All my subs are passive and the ep2500 has been a soldier. :thmbsp:
I'd like to avoid a fan if at all possible. My listening room can get down to 26 dbs. I know you can get sub-25db fans, but for now, I'll look elsewhere.And in the event of a fan being too noisy it is very simple item to replace it with a quieter model. Tons of em out there that can be a drop in for stock fan.
Brett do you already have any beefy amps gathering dust?
I've also got a pile of other PA gear FWIW; a paramatric EQ, a mic mixer, gain manager and feedback killer.RA2100b Professional Power Amp
100 Watts RMS per output (4 Ohm).
85 Watts RMS per output (8 Ohm).
200 Watts RMS into 70 Volt (8 Ohm).
1/4" and RCA inputs.
Fault Protected Output Stage.
Specifications
Power Output, Stereo: 100 Watts RMS/ch. 4 Ohms, 85 Watts RMS/ch. 8 Ohms
Bridged: 200 Watts into 70 Volt or 8 Ohms
Minimum Load Impedance: 4 Ohms (8 Ohms bridged)
Sensitivity: <1 VRMS for full output
THD: <.05% (500 Hz @ 1 Watt)
IMD: <.05%
S/N Ratio: >95 dB A Weighted
Power Bandwidth: 70 - 30 kHz +/- 3 dB
Damping Factor: >150
Slew Rate: 100 V/microSecond
Phase Shift: <10 Deg., 20 Hz - 20 kHz
Input Impedance: 10 K Ohms balanced
It probably won't like running two subs bridged so I suppose 100W/sub might be a little wimpy, but you could try it, especially if the drivers you choose aren't too low sensitivity. I was just going to say (as ray already kinda suggested) that you could buy a stand-alone DSP crossover to use with an amp you already have as yet another option similar to the pro amps with built-in DSP suggested above.I have a Rolls PA amp in the barn, which I thought was low-power. Turns out it's 200w bridged into 8 ohms which isn't totally out of the question.
The Lambda SB12 driver is designed for sealed enclosure. It has a high xmax, stiff poly cone with stiff poly dustcap, coated and sealed foam surround, 12 spoke aluminium basket, dual stack 120oz magnet, gold binding post, military spec coatings and glues. It is a high excursion, very low distortion, super tight bass driver. Recommended maximum crossover point is 500Hz, rated power handling is 500W. 2.83VSPL = 88.6dB
Specs
Size: 12"
Motor : PL (overhung)
Magnet : 3.4Kg Ceramic 5
VC diameter : 51mm
VC Former: Black Anodized Aluminum
VC Wire: 2 Layer Copper Roundwire
Basket : Cast Aluminum 12 Spoke
Cone : Mineral Filled Hard Poly
Surround : Doped Foam, 2 layer treatment
Dustcap : Hard Poly
Spider : Hard stiffness Nomex
Faraday : Copper
Terminals: Gold Plated Binding Posts
Weight : 10 Kgs
Fs : 20.9 Hz
Qms : 4.23
Qes : 0.64
Qts : 0.56
Vas : 160 Liters
Cms : 0.4 mm/N
Mms : 145 grams
Sd : 531 cm2
Rms : 4.5 Kg/S
Pe (nom) : 300 Watts
Pe (max) : 500 Watts
Pe (transient) : 1000 Watts
Air Gap : 14 mm
VC Length : 38 mm
Linear Xmax : 14 mm (peak)
Mech Xmax : 20 mm (peak)
The red line is there...sort of.I have not used that measurment software but the FR chart's legend shows that to be the Dayton driver because the line is green. Just an observation that stuck out to me.
I just get this from that link:Just in case you didn't find this already...
http://web.archive.org/web/20021124082847/www.stryke.com/SAL-SB12.htm
Hrm.
Wayback Machine doesn't have that page archived. It doesn't seem to be available on the live web, either.
Want to search for all archived pages under
That's probably enough to get you to xmax. Boxes seem a little small even for heavily stuffed... what is your software giving you for Qtc?Now, can someone tell me if I can drive them with one plate amp that's rated for 500 watts down to 4 ohms?