I have had Magnepan MG-1s, Double Advents and a slew of "other" speakers. Those made the biggest impact on me - the Maggies for their refinement and stagecraft and the Advents for their dynamism and bass. Man, those Advents could rock, but they were crude in comparison to the MGs. I've heard hundreds of other speakers over the 45-odd years in this hobby.
Well, I recently unpacked a pair of Lore References. I missed the Zu DW train by a few days. The Lores left me stumped at first. After using a pair of NHT SuperOnes paired with two SVS SB-1000s for awhile, I couldn't get a handle on the Lores. At the very, very start, the bass sounded "stuffy", but it only took a few ours for that to resolve itself. Still, I couldn't identify any particular characteristics in the Lores. Bad recordings sounded bad and great music was wonderful. The highs in particular varied widely from tune to tune. Then it hit me: they are remarkably neutral. They don't have any quality that would let me identify them in a dark room, where I could easily divine the presence of the Maggies, Advents or NHTs. What *might* help me identify them would be having my hand on the volume control. The Lores are just chameleons, but with great efficiency, dynamics and bass. Female voices are female without screech and male voices clean without any chestiness. Even listing to talk radio is a revelation: voices just sound real.They have better clarity in the highs than the old Maggies with a wee bit more sensitivity than the
double Advents. The bass is not quite as deep as the Advents, but it is much better controlled and lacks the cabinet resonances that the old speakers had. The thing is that the Advents had "big bass" on everything I played through them where the Tektons only delve deep if the source material has it. I have mostly left the SVS subs out of the mix and noticed little real difference in my medium-ish apartment. The subs actually seem to overdo the bass, so I keep them off most of the time. I may sell them and get all of my Lore money back.
The Lores do everything I need them to do - orchestra, jazz or rock - with real style and no artifice. Having the ports in front allows great flexibility in positioning too. While they are very basic in appearance, once you hear the beauty in them, they will look a lot better to you. I would recommend a less colorful finish. The dark gray does it for me. While the grilles for mine are on the way, it won't matter to me whether I use them or not. The cones are sturdy and the tweeters flexible and so they are pretty much childproof. And they look better and better to me every day. The paint does smell weird though.
I did order a pair of the vaunted Klipsch RP-600Ms from Amazon for a comparison and the RPs sounded like they had a pillow case (muslin) thrown over them by comparison, yet the Lores are never strident, grainy or sibilant. Voices are dead clear and the bass is miles beyond.
TL;DR I will be keeping these. While I'm sure that the Zu DWs very good, if not better, I am done ordering, trying and shipping speakers back. These will do just fine, thanks. If I do upgrade, it will be to an Enzo XL or something in that vein. Eric says that they are all voiced similarly.
I will miss "the chase". I'd still love to have a pair of Maggie 1.7s or something similar, but these just sound beautiful.