musichal
poet emeritus
Okay, maybe dearth would be a more accurate descriptor.
If you want a good stereo receiver these days, your choices are limited. Seven grand for the current McIntosh is out of reach for most of us, and higher than many folks who can afford it want to actually spend. The Magnum Dynalab costs even more, at almost nine. The Outlaw is an appealing choice at $850, and there are the networking models from Marantz and Yamaha at and below that. I like the small Cambridge Audio receiver in my MIL's bedroom, but don't get to hear it anymore because I don't go in there since she arrived about three years ago.
The receiver world has largely fallen to multi-channel theater type components that simply don't sound as good as a quality stereo model - in my opinion, to my ears.
Fortunately, there are some excellent integrated stereo amps available at around half a kilobuck. Like the used Yamaha AS-500 I recently acquired for reasonable coin.
Obviously, the changes in FM programming over the years are another factor leading to the decline of the stereo receiver, which was a product that seemed timeless once upon a time. No local 24/7 jazz stations in OKC area until I hit the lottery.
For me, simple stereo is still the best-sounding and most practical way to listen to music in the average home. I'm listening to George Benson sing This Masquerade as I type, and I regret not at all the upgrades I have made for my two-channel path to audio nirvana.
My receiver today consists of an integrated with a separate tuner. One does not have to go separates to get great sound unless the goal is very high indeed. But that's a whole different argument, and is not my focus here.
Probably most of us started with stereo receivers, and many remain there. That isn't a criticism. It is easy to understand why vintage stereo receivers are so popular among enthusiasts here when you consider all the forces in play. Practicality, including space and budget. The desire for a good tuner section and discrete-component phono inputs for you vinyl spinners. And you can add to this yourself, but with the masses wanting a combo one-unit theater/music solution, it's easy to understand the dearth of the humble receiver.
Someone play taps now.
If you want a good stereo receiver these days, your choices are limited. Seven grand for the current McIntosh is out of reach for most of us, and higher than many folks who can afford it want to actually spend. The Magnum Dynalab costs even more, at almost nine. The Outlaw is an appealing choice at $850, and there are the networking models from Marantz and Yamaha at and below that. I like the small Cambridge Audio receiver in my MIL's bedroom, but don't get to hear it anymore because I don't go in there since she arrived about three years ago.
The receiver world has largely fallen to multi-channel theater type components that simply don't sound as good as a quality stereo model - in my opinion, to my ears.
Fortunately, there are some excellent integrated stereo amps available at around half a kilobuck. Like the used Yamaha AS-500 I recently acquired for reasonable coin.
Obviously, the changes in FM programming over the years are another factor leading to the decline of the stereo receiver, which was a product that seemed timeless once upon a time. No local 24/7 jazz stations in OKC area until I hit the lottery.
For me, simple stereo is still the best-sounding and most practical way to listen to music in the average home. I'm listening to George Benson sing This Masquerade as I type, and I regret not at all the upgrades I have made for my two-channel path to audio nirvana.
My receiver today consists of an integrated with a separate tuner. One does not have to go separates to get great sound unless the goal is very high indeed. But that's a whole different argument, and is not my focus here.
Probably most of us started with stereo receivers, and many remain there. That isn't a criticism. It is easy to understand why vintage stereo receivers are so popular among enthusiasts here when you consider all the forces in play. Practicality, including space and budget. The desire for a good tuner section and discrete-component phono inputs for you vinyl spinners. And you can add to this yourself, but with the masses wanting a combo one-unit theater/music solution, it's easy to understand the dearth of the humble receiver.
Someone play taps now.

