OK.... I just don't understand where that cutoff is between a good system vs an audiofile system. What makes a system an audiofile.
Terms are used in different ways by different people, and from past threads on the subject, one's age and the region they grew up in seem to make a difference, too. My conception of the terms equate "audiophile" with "high end," with both of these contrasted with things labeled "mass market" or "mid-fi." Brands like brands Pioneer, Kenwood, Akai, EPI, Technics, Toshiba, Philips, BIC, and so on, were classified as mass-market or mid-fi. They qualified as "hi-fi" because they met the DIN 45 500 standards for gear to be called hi-fi, but no one called them audiophile or high end brands. I paid no attention to high end components until the 1980's, but brands in that category would include conrad-johnson, Apogee Acoustics, VPI, Audio Research, Mark Levinson, etc. In the 1970's, I assembled a good-sounding mass-market system using products from BIC, Pioneer, and EPI for about $600; an audiophile system would have been several times that price. These days, I like the definition given at PCMag:
"Quite often, audiophiles are as passionate about the equipment they use as the music they listen to. An entry-level, audiophile-class stereo system typically begins around $10,000 and includes a CD player and/or turntable, AM/FM tuner, preamplifier, amplifier and two speakers. A very high-quality system with similar components can cost upwards of $100,000"
http://www.pcmag.com/encyclopedia/term/38179/