Big Mc & Little Mc

Front end:
Lamm LL2 Deluxe stock tubes
Manley Steelhead 1940s Tunsol 5687 ladder black plates

Bi-amped Power:
McIntosh Mc-3500 350 watt Tube mono-blocks low/mids
RCA grey plate 6LQ6
RCA Clear top 6CG7's
Tele smooth plate 12AX7's
Amperex BB1950's 6DJ8's

McIntosh Mc-225(2) 50 watt Tube mono-blocks high mids/highs
NOS Westinghouse 7591
late 50's Mullard Long plates 12AX7's
Tele Smooth plates 12AU7's
RCA greyplate 12BH7's

Digital
Macbook & TADAC Tube DAC with 1960s Amperex long plate 12AU7's (Very modest but very sweet and analog sounding)

Phono(work in progress)
Lenco L-75 Modd and custom plinth
Zu Modded Denon 103 cart.
Audioquest PT-9 Tone-arm

Elac 50H Changer Custom plinth
Soundsmith entry level cartridge (Dads Elac not quite highend as the tone-arm is the weak link but this changer is very under rated and really does have a special sound. A sentimental piece of gear for me)

Tape:
Studer A-810 Open reel for Tape Project

Speakers:
Polk SDA SRS Highly Modded crossovers with Deulund caps in the high pass
Sonicaps in the mid pass & Duelund resistors
Replacement silk dome tweeter(8)
Almond grill cloth and Mappa Burl veneer to lighten up the large presence

The Polks sound fantastic very similar to an intimate jazz club setting with tight bass with a snap and absolutely crystal clear detailed imaging.
They will become part of a home theater system but for now I'm hard pressed to hear anything that come close to the presentation as a whole.