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Spendor A9 review

audiodon

Addicted Member
Hi,
I've submitted the first two posts to the Yahoo Spendor forum. Hopefully reading them again will inspire me to write sections 3 and 4.

Here goes:
I've been a Spendor fan for close to a decade now.
I've had various pairs in house, though I'm not a speaker collector by nature.
My home is vertically oriented, with three floors, so between the home and my tube gear restoration workshop, I've got one system on each floor plus the workshop system.
I'd been fortunate and patient enough to assemble a very good reference system with BC1s, along with a Sub-3, as my speakers. They are in a room and adjoining room with total mostly open space of about 30 feet by 13 feet. These BC1s were upgraded with the assistance of Terry Miles into a pair that probably cannot be bettered by any other pair in North America.
Over time, I found myself getting anxious about their use.
My goal is to have all my systems easy enough to use that any family member can turn a system on and use it. I've had fussy systems and I value people and visitors immensely, so I'm willing to compromise a bit of esoterica for accessibility.
Reasons I was getting anxious about the use of the BC1s:
1. The kids have now reached the Ipod age and I'd found myself increasingly anxious that the BC1s could get damaged because of the delay of the output of music when you turn on a tube system.
2. Coping with the pandemonium of daily life with school-age children and two working parents, we have cleaners come in every other week. They just don't seem capable of not moving the speakers or stands to clean, no matter how frequent the instructions or written signs, because of the revolving cast members of the cleaning crew.
With the speakers being spiked both at the floor and at the base, I found myself becoming impatient with the cleaners. I have the original roller trolleys, and have used a pair of Target stands, but was fortunate enough to get a pair of stands made by an Arts & Crafts furniture master, originally made for his own use.
3. The final reason is that I pay for my audio acquisitions with vintage tube gear restorations and all of my in-house speakers were 15 years old or older and, as my technical and voicing skills have improved, I've wanted to have a final voicing speaker pair that were made in this century.
The conclusion I reached was that I needed a reference system that goes louder than the BC1s, that has a sonic signature that is modern, yet classic, with a neutral balance of reserve and forwardness that I can live with, and that I can get factory replacement parts for if, heaven forbid, it becomes necessary.

So, over a year or so, with the assistance of some inheritance money, some gear restoration money, and six months of patience watching a used pair sit on Audiogon, I was able to get that pair of Spendor A9s in house.

That's all I have time to write for this pass, what I think about them will have to wait until the next installment.
 
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While auditioning these speakers in a high-rise in Manhattan, I immediately knew they were something special. I trust my first impressions.
The seller had the good sense to not have them on when I arrived, so my first impression could be with music properly presented.

I brought some material, but let the seller select the bulk of the music we listened to in our hour audition session.
I told him I had about 30 minutes worth of material to listen to, and I requested that he audition for a similar amount of time.
He picked a lot of "hifi-ish" music first.
His music was mostly music by jazz quartets, solo classical guitar, and percussion pieces that ring out beautifully, but don't tell the whole story.
I find this to be a loner's hobby, but populated with people who feel great joy in sharing what they love. I often learn a lot by letting others share music that they love with me.

His music was far different from what I brought to listen to. My List:
1. Martin Sexton - Black Sheep - Diner
2. Mahler's 1st Symphony - Track 3
3. Berlioz Requiem - Closing track
4. Sinatra - I Have Dreamed - from The Concert Sinatra
5. Alison Krauss - Ghost in this House from Forget About It
6. Opeth - Haxprocess from Heritage

I brought a couple vinyl and high res audio selections, but his player wouldn't play them.

Martin Sexton has a joyful pop tenor on this late 1990s CD and the track has a lot of hand drumming that is very revealing of a system's deficiencies or exaggerations. It ends with a "please ring for service" bell that's a pleasure to listen to. I'd listened to this on the BC1s before leaving home for the trip.

Mahler's "Frere Jacques" track has low threshold music, single instruments, complex swelling passages, full out roar and dynamics that tell a lot. On the A9s, the resolution was exquisite and the separation of the instruments deep on the stage was still very discernible and, on the whole, very cohesive.

Berlioz Requiem's closing track is the culmination of all that has been built up through this big oratorio. The ability of speakers to pick out the individual voices in the choir, let the room resonances ring out, to place the off-stage trumpets, and to follow the dynamics of the piece can be very demanding on a system. The Spendors certainly didn't call attention to themselves as anything other than accurate transducers for this piece. It was a very satisfying listen.

Vocals: Both male and female vocals are very important to me in presenting what is added or subtracted in a system. Any nasalness in female vocals or artificial chest resonances in male vocals show what should be subtracted from the transducers for the presentation to be right. Eerie forward vocals can suggest smearing of the backing instruments, subtracting from the overall performance, so proper placement is important.
Sinatra's "I Have Dreamed" showed the man at the peak of his powers, with astounding large-scale Nelson Riddle arrangements. His voice had no phony resonances, no accented consonants, the two mike bumps at the end present, the plosives present but not annoying - The Spendor A9s showed a wonderful human performance here, revealing in the very best way.

Allison Krauss knows how to sing a song and how to play a fiddle. Her intonation and vocal flavors can make a system shine, can elevate a less-than-average system, and her voice can be relentless when something in the mid-band is out of place. Again - The Spendors got an "A" rating.

Opeth are a metal band and this album has none of their vocal shouting. There are multiple acoustic environments on display in this piece, simple unadorned vocals in places, mellotron, exposed acousic guitar, solo rock guitar, and big rocking trap drums. You know how sometimes you can hear metal and think, "If only" . . . it would be satisfying? This piece, for me, provides that kind of satisfaction. It's demanding on a system but not in a relentless headbanging metal way and not with sustained metal trying to top itself. It's the best of the best of this genre. Another checkmark for the Spendor A9s.

I couldn't wait to get them home and try them out. They were in very good physical condition. The seller was the kind of person I'd choose to associate with outside of a business transaction, and he had saved the original boxes, in a Manhattan apartment - no small feat.
He'd replaced the Spendors with Tidal (I think they were Piano) speakers on what may have been an impulse buy at the RMAF audio show in Colorado.

The voicing was quite similar between the A9s and the Tidals, but the Tidals were more forward and had additional bass energy, perhaps more bass energy than the room could handle. At the price, the Tidals had better be better.
This purchase by the man selling to me was a reflection of his good taste, but I did garner a sense that the Tidal purchase hadn't gained him as much as he'd hoped. He first had the good taste to purchase the Spendors, and then to upgrade and make the Spendors available to me.
I certainly was thrilled that he'd bought the Tidals. Not only did I get to hear them, but I got to hear two wonderful pairs of speakers in the same room, with the same gear, with the same material, on the same day.

Then I put the A9s in my Mazda5 minivan, happy with my purchase and without looking at the Tidals.

More on the next installment.
 
BC1 is a magical pair of speakers which would represent the core of the English speakers tradition. Look forward to see its comparison with the A9.
 
After the commute back to the Boston area from Manhattan in mid-February, I was exhilarated but exhausted. That minivan needed new struts, that's for sure.

The speakers sat in their factory boxes for a few days while I recovered and then I set them up in the living room, replacing the BC-1s. I spent zero time in positioning, putting them 8 inches from the back wall and slightly toed in. The instructions recommend 20 centimeters from the rear wall as a starting position, with closer placement when you want to reinforce the bass. For the initial listening, I turned off the system's Spendor Sub-3.

Since these speaker, while still new from an availability perspective, are already run in, I didn't have to consider that issue.

Equipment list:
Lexicon RT-20 universal player.
Thorens TD-126MkII with SME 3009 Series 3 arm and AT20SS LE moving magnet cartridge.
Fisher 500-C tube receiver.
Canare interconnects using video coax cable that I make myself.
13 foot long Nordost Blue Heaven shotgun speaker cable.

Here are some comments I wrote in that timeframe and posted into my systems thread.
http://www.audiokarma.org/forums/showpost.php?p=5423948&postcount=64

More later on:
1. Positioning
2. Living with the A9s
 
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Tomorrow will be the 1st of July and these speakers have been with me for more than four months.

I've used three different units on them:
A Wyred-4-Sound STP-SE preamp and Fisher SA-300 amp
A Fisher X-101-C tube integrated amp
A Fisher 500-C receiver.
The last two are fully restored including the power supplies, final stage resistors matched to 0.5%, replaced coupling caps, with the 500-C receiver even having teflon output coupling caps.

These speakers blend in with family living. I've had no problems, they balance omnidirectional behavior with sweet-spot listening in a way that I truly enjoy.
They sound muscular and authorative without being overbearing or too subtle.
They do not have a sound of their own . . . a coloration if you will.
They do everything I need to do right.
They're tube friendly.
They're now a member of the family.

Running them with a Spendor Sub-3 integrated in with restraint for the bottom octave works wonders.
I can't imagine being without them.
They're so right that my BC1s, which were probably the finest pair in North America, have moved on to a new home to do battle against a pair of new production Harbeth SHL-5s.
This is kind of the end of the story in a way because the speakers have ceased to be an issue. They simply are correct and right, they present a good sound to the world around them.

I had some of my more discerning audio friends over and all have left inspired to see what they can do to get their system to operate at this level.
Though I've told them some of what it takes, little do they know how measures to correct a less than very good pair of speakers with upstream componentry, interconnects, and tweaks is not the direction to go.
These speakers let the music flow as it should.
Strident music is strident.
Refined music is refined.
Room acoustics take on the room of the recording, not of this room.
They've satisfied me.
 
My friend Paul Jacob (thedelihaus) conveyed to me how great your system sounds. He was mighty impressed and he doesn't just hand out laudable comments like the ones he gave those Spendors. You are a lucky man!
 
Hey Don,

Great to read your thoughts.

I can say our listening session was a delight. Everything seemed so accurate in it's portrayal, so honest in it's presentation, lacking only in any artificiality- no false coloration. Detail was exquisite and friendly to the ear, never over-emphasized, the music's nuances never amped or exaggerated.

Extremely accurate and brutally honest, while keeping composure. Polite and friendly. That's how I'd call it. We could have listened for hours on end. Fatigue does not factor in with these.
 
Deli spent some time listening to this Japanese drum CD at his selected volume. I don't even think he moved his head during that time.
That's kind of how it is with these.
Yesterday I played my new red vinyl record store day version of Here's Little Richard and wow! Everything crept out in all its mono vinyl glory. What a wild man.
 
Thank you sir for your very articulate description of what your Spendors can do. I am happy that you are having fun. I like the part when you say they are part of the family now. When that reach they level, that means they are not going any place for a long time, and maybe not ever. Your idea of what a speaker should do in the second posting is pretty much spot on and sounds a lot like my Vento 830.2', and they too have become part of my family. Seeing that I have decided to stay home today from church, I was playing some of my praise music, but you inspired me to put on some Alison Krauss. Oh how I love the 830.2's and I am sure you are thrilled with your Spendor. I know they are as every bit as romantic as mine.

Happy listening my friend.

...slippers---
 
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The Spendors are favorites of mine. Alas, beyond my budget. Some day I'll own a pair or some Rogers LS 3/5a BBC monitors. Love Spendors a lot.
 
There are lots of used Spendors that you can afford.
In the 2 foot square box three-way department, the SP1/2 is a great choice. Use a powered sub with it. It doesn't have to be a great one.
 
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had a chance to hear the spendors yesterday and felt that they were shockingly lifelike. The level of refinement was staggering. They bring together detail, finesse and assertiveness with a cohesive elegance that makes me want to meet the designers. This may sound pompous but I am a speaker freak and have listened to a lot in the past few years and although I have some nice corvettes and classic 57 chevys, I know a Rolls when I hear one.
 
Congrats on the A9's. I have a pair of the Spendor A6's on their way and FedEx says they'll be here Friday...in time for the weekend.
Hearing your praise for the Spendors makes me even more excited. When I heard them at the dealer, I just sat back and felt like I was home. Finally upgrading after 20 years.
I look forward to hearing more about the A9's and maybe comparing a few impressions.
 
Welcome mtaudio. Allow those A6s time to run in. On the Spendor forum, some suggest putting the speakers face to face an inch apart and running them with some input source overnight a few nights. I've used the inter-channel noise on an FM tuner or CDs on repeat.
I'd love to hear your impressions after they've had some running in time.
 
Thanks for the note on the run in time. The dealer told me the same thing. Iwas planning to put some time in just listening, then leave them on overnight on FM, although I had not thought of the CD on repeat, I think I like that better. Seems like it might work the drivers a bit more.
How come FedEx is always early when it doesn't matter but it seems like an eternity when you're waiting for something like this:D
 
Spendor A6's Arrived

Welcome mtaudio. Allow those A6s time to run in. On the Spendor forum, some suggest putting the speakers face to face an inch apart and running them with some input source overnight a few nights. I've used the inter-channel noise on an FM tuner or CDs on repeat.
I'd love to hear your impressions after they've had some running in time.

They are everything I hoped they would be. I've got them running I with some albums I have heard many times and am already blown away and really, really happy with my decision. Not sure if I can stand it they get better.
More later after some time with them. :banana::D:D
 
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