bigcaps
Member
Rebuilt to slam on a big descrete class A Krell ..using a cathode follower tube pre amp in needed a big speaker capable of dynamic slam..My 804s B&Ws fluttered and sounded stressed when pushed hard..The B&Ws got paired to a Threshold 400a and sold, paved the way for the tube pre , 90s Krell and Vega pairing and mods needed to voice the Vega well about its pay grade alas the DX and MX Vegas are a rare breed in build so i knew i had a good start .Ditching the Vega drivers for better wasnt really needed , they are already a few steps above most 70s 80s, 90s builds anyway..They just have shitty networks and caps, wiring and that stupid Damping Control killer the fuse system..it all had to go...
Globally sourced caps films cans..made a mockup crossover on a board sitting on my bench with clips so i can swap cap types in real time and listen to the changes..Anything turned out better than those cheap Mexican Mylars and polys..Even those nasty sounding Daytons people tend to use because they are cheap..
The big mid range did its best work on 90% value AC run cap , (polypropylene in oil ) and a aluminum foil to pick up last 10% of needed value that driver is tuned for..
Throated dome tweeter.. Muldorf in oil and Dearborn paper in oil with a 20% to 80 % split really added depth of stage and keep its sparkle in the very top reaches..
MGBO Russian is a all paper in oil CAN , used as phase balancing in place of the Electroylic balancing cap on neg feed..I just copied what the original network values where and listened as i changed them to bring out the best sound stage and natural flesh tones..They never really had much in flesh tones before, alot of textures but there was always much congestion from cheap caps, now there is vast space and almost liquid darkness, that brings out rich flesh tones, more precise textures and a vast improvement in actual instrument placement..Low volume or cranked..the Vega is reborn..
Note..It will NEVER be a Wilson , it is better overall then my B&Ws yes and this higher power with sonic balance is what i was striving for....Box was already cross braced, on platforms just needed some more damping and wire upgrades along with changes like ridding the design of that nasty sonic killing Fuse system..Best investment ive made un along time...The Mighty Krell sounds open, alive and very dynamic..