whoaru99
Epic Member
Well, if it does, then it begs the question as to why one preamp is worth $9800 more than the other, no?
bs
A price tag doesn't necessarily relate to value or worth, IMO.
Well, if it does, then it begs the question as to why one preamp is worth $9800 more than the other, no?
bs
Everybody who has said that and tried to prove it has failed. Everybody.
It might have just proven that no one in the group can hear worth a damn.
I find nothing inevitable about this conclusion. I would interpret the data as demonstrating that, under the conditions of the experiment, the panel could not distinguish between the VTL and NAD preamps to a level that was statistically significant. This could indicate that the experiment was flawed or that the preamps under test actually sounded the same.
It might have just proven that no one in the group can hear worth a damn.
He claimed that the quality of the recording, the acoustics of the room and the speakers interaction with the room acoustics were the only important variables for good sound. Everything else was marketing propaganda.
There's a British Hi Fi magazine that routinely does blind testing and somehow they always manage to point out very detailed, well thought out differences in the products that their group is reviewing.
I wonder why there are differences in those tests and not the ones where there's an agenda?
Maybe the NAD is real sleeper and we should all be looking for one. Ever think of that?
No, they haven't. To the best of my knowledge, there haven't been tests like I described, at least in any sort of number.
I'm not talking about a room full of people in an unfamiliar environment hearing a ton of gear for the first time, trying to pick out differences in one, to satisfy somebody ax grinding. I couldn't do that, not in any sort of statistically repeatable manner. Too many variables, too little time to really get what I enjoy and notice out of hi-fi differences. And regardless, almost without fail, the things I notice as 'positives' in a quick A-B in store, become things that annoy me over time.
HI FI is NOT about instantly noticeable differences. It is not about what you notice in a strange room with strange people, your mind in a different (unrelaxed) state where you are concentrating on somebody else's agenda. It is about personal enjoyment.
If you honestly think there are no differences in our gear, why are you here?
Just go buy an all-in-one and be done with it.
Sensitive, are we?
Blind testing tells you alot about the listener , but little about the equiment .
Actually I am not. The one or two blind tests that are always referred to in the 'everything sounds the same' camp don't really worry me against the mountain of evidence (including specs/measurements and ABX tests that aren't quoted because they led to, um, differences) and personal experience that tells me the tests proved nothing beyond what happened in those rooms, at that time, with those people.
If somebody can't tell the difference between a high end tube preamp, and a budget transistor one (not making judgement on which sounds better), that says more to me about the test than the products.
I don't find the quote in the original post to be off base at all...it does suggest to me that the test is flawed.
And I'm not saying that I could tell in that test...something was making those two pieces of gear sound alike, to those people. That's it. I don't for a minute think they would sound alike in my home, because I have enough real-world experience with dozens of preamps that have been through here to tell me that they're all, each and every single one not just slightly different but VERY different.
If I didn't believe that, I'd find another hobby. But I do believe. I switch gear around, as my hobby. And there are easily identifiable sonic signatures that come back every time I put a different preamp in the path. That's why I have a half dozen preamps...from low to high end. They all sound quite unique. The idea that they don't is like somebody trying to convince me the sky is red. It says more to me about their vision or the tint of their glasses than the color of the sky.
You see, I can argue with you all day and tell you that blue and purple are THE SAME. And I promise you, they are. To me. BUT, I have a deficiency.
How do I know that what I have is a deficiency and that the rest of the world isn't lying to me? Testing. I'm the one in the minority, so I have the deficiency.
But if a randomized double-blind study demonstrates that the average listener (for that is what a randomized study is) cannot tell the difference between them, I conclude what? Not that there IS NOT A DIFFERENCE, but that the average Joe cannot tell the difference in a randomized, double-blind test.
We audiophiles are at a loss - still - as to how to prove that there are quantifiable differences, or to explain how it is that there are differences that cannot be quantified. I find it curious, but I'm in the group that believes such differences exist. But I won't argue that it makes double-blind randomized testing invalid. That's just crazy-talk by people who have a lot of emotional baggage tied up in not being wrong.
http://www.stereophile.com/content/blind-leading-deaf
Truce..truce..!
We're not in as complete disagreement as either of us thought. I'd reply at length but basically, what J. Gordon Holt wrote there about the subject sums up my opinion almost exactly. Where you and I do differ is that I don't agree that audiophiles are at a loss. I think that most of them just don't care, and I'd put myself in that camp. I really don't give a rat's butt about what ABX testing suggests because I don't believe in the findings of the test. We're all different...testing proving to you that there are colors, for example, doesn't change the fact that you don't see all of them. Since there are colors, infrared colors, etc, that none of us sees..who's right? You or me? Well, neither of us are but since you have to live with your eyes, anything I tell you about how you should enjoy the colors you see would be pointless on my part. You might subjectively like an artist that I don't, because of the differences in your personal perception of the colors used. In audio, I might like an amp that you don't, because I hear differently. What would a test of random people's opinion on the art have to do with our personal choices? Well, that's how I pick audio gear. I either like it or not, and could care less about what a group of random people think.
ABX testing is, in my mind, a design tool. A lab tool. Beyond that, the fact that I can point out -to myself- the differences in a way a preamp handles room reverb, attack and decay, spacial information like imaging, and timbre..and hear those things each time I put it in the system..is enough for me. And its enough for almost every 'audiophile' I've ever met.
You hear those things, too, as you said..and seem to be bothered or at least curious that there's not proof of them. I'm not bothered. That might be the only difference we have here. I'm not trying to change your mind, just trying to explain my opinion on the matter.
Truce..truce..!
We're not in as complete disagreement as either of us thought. I'd reply at length but basically, what J. Gordon Holt wrote there about the subject sums up my opinion almost exactly. Where you and I do differ is that I don't agree that audiophiles are at a loss. I think that most of them just don't care, and I'd put myself in that camp. I really don't give a rat's butt about what ABX testing suggests because I don't believe in the findings of the test.
We're all different...testing proving to you that there are colors, for example, doesn't change the fact that you don't see all of them. Since there are colors, infrared colors, etc, that none of us sees..who's right? You or me? Well, neither of us are but since you have to live with your eyes, anything I tell you about how you should enjoy the colors you see would be pointless on my part.
You might subjectively like an artist that I don't, because of the differences in your personal perception of the colors used. In audio, I might like an amp that you don't, because I hear differently. What would a test of random people's opinion on the art have to do with our personal choices? Well, that's how I pick audio gear. I either like it or not, and could care less about what a group of random people think.
ABX testing is, in my mind, a design tool. A lab tool. Beyond that, the fact that I can point out -to myself- the differences in a way a preamp handles room reverb, attack and decay, spacial information like imaging, and timbre..and hear those things each time I put it in the system..is enough for me. And its enough for almost every 'audiophile' I've ever met.
You hear those things, too, as you said..and seem to be bothered or at least curious that there's not proof of them. I'm not bothered. That might be the only difference we have here. I'm not trying to change your mind, just trying to explain my opinion on the matter.
No - blind testing means the people who are listening DO NOT know what they are listening to. This was a flawed test trying to show people can hear the difference.
I work in science and routinely read about blind testing - what they did was not blind. In a blind test the people judging set up the equipment and switch from piece to piece but the people switching don't know what the equipment is - the originator of the test does. This way the people switching cannot influence the outcome by reacting. Only way one can do it - done with drug testing every day.