Haha! I can read a lot of skepticism into that first question; I'm sure it is justified.
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When it comes to audio equipment, I have no experience whatsoever actually fixing, upgrading, or otherwise building any of the components. I have always enjoyed good quality sound and I've always sought to reconcile the subjective human evaluation of sound (like warm, tight, crisp, involving, come to life, flat, etc.) with a more deterministic engineering based evaluation.
The EE in me says that what I want in any preamp or amplifier is absolute neutrality so that I get out exactly what I put in, just amplified. However, I'm not certain my ears would agree.
Furthermore, I'll admit that the traditional set of measurements (frequency response, THD) don't adequately cull out good sounding equipment from great sounding equipment.
I'm sure there must be a test yet developed, or a combination of tests that can do a better job of making this distinction.
You and me both...
I have come to rationalize that good sound is an individual phenomenon, because it is an interaction between the ears and the mind, and that it is even a moving target in each individual because the brain is constantly being trained to "hear better".
That said, it is also my opinion that "masking" occurs as energy at that frequency "band" and the cilia in the ear involved interact, and I am far less worried about phenomena at 60 plus db down.
Since the shorting input didn't cut the crosstalk further, I suspect it is in the inter-stage cables, and possibly the boards and the (operative) grounding.
With the exceptions of bypassing electrolytic caps with lower inductance caps (stacked film for upper audio and ultrasonic, and possibly ceramic caps for whatever RF), LED illumination source conversions and the current source replacements for unobtanium 50v jfets, doing recabling and other tweaks I relegate to the category of "modifications" from the original and don't spend time discussing or arguing them. I have enough worries already. The effects of bypassing electrolytics with stacked film caps in output capacitor coupled amplifiers is worry some (stability and "lost rolloff") enough to keep me distracted.
As for the original question, I was worried about (arguing with / or educating) someone with a great new toy, that they put on a golden pedestal and practically worshiped, without understanding the real word limitations involved. Even cabling can have it's own effects - sometimes I have to fight with my cabling and their connections to get repeatable, consistent results. Then I start to fight with the variable resistances inherent in old switches.... and connectors, and relays.... and so forth..... even AFTER I have "cleaned the daylights" out of them.
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