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Audio-Technica AT150ANV is here

I have the AT-150ANV and two Signet TK-7LCa cartridges (one with the original Signet 7LCa stylus and one with an AT-155Lc substitute).
Whilst there are certainly similarities in the overall presentation of the 150ANV and the 7LCa.......there is a refinement and elegance about the Signet which the 150ANV doesn't quite manage?
At first listen...the 150ANV is impressive but with more intensive comparisons over many genres of music......the inimitable depth and transparency of the 7LCa's midrange....the control and extent of the lower frequencies....and the ethereal luminance of the highs win out.
But so it is with any contender against the TK-7LCa IMHO :-)

I did a shootout but with just two songs yesterday and perhaps the sample was not big enough.They really sounded alike to my ears but my sample was may have been to small?I tend to trust your review over mine.Either way they are both superb.
 
Actually If I recall correctly, the discussion on audiogon was about stereoneedles.com NOT turntableneedles.com

and after a bit they had noted that it was indeed a genuine, except it was weird how they treated non-US customers who were trying to use Paypal
 
Actually If I recall correctly, the discussion on audiogon was about stereoneedles.com NOT turntableneedles.com
I stand corrected.
It WAS about stereoneedles.com
Does Manfred think these might be genuine as advertised?
 
I predict the ML180/OCC will beat up the 150ANV pretty bad since the ML180/OCC was AT's only really new design for MM's,the design for the 150ANV is approaching 40 yrs. old. A different cantilever and gluing on a titanium body flange does not transform a dated design, sorry folks. Also along the same lines my ML170/OCC mops the floor with the 150MLX!
 
Not magic, just a shorter cantilever.... The MLX and ANV sport the older style longer cantilever.... So the shortest should have lower effective mass...
 
Henry: I can't really comment on that, because I haven't bought anything from Stereoneedles yet (*). However, I'd be rather surprised, if they actually offered fakes, 'cause I'd assume that anyone that would receive a fake ATN155LC would easily be able to identify that as such - so I'd expect such vendors to become publicly known pretty quickly among the vinyl community.

Greetings from Munich!

Manfred / lini

*) but not, because I'd trust them less than for example LPGear/LPTunes/ElexAtelier or Turntableneedles - rather because ordering stuff from outside the EU has become pretty unattractive to me: For one thing, as they've relocated the customs office from the centre of Munich to one of the northern outskirts - and with customs and import VAT as well as much higher transport fees for heavier than just pretty light goods in addition to the inconvenience of a pretty long drive to fetch the stuff from the customs office, in case things doen't work out optimally, quite a few foreign offers unfortunately quite quickly lose their initial attractivity...
 
I predict the ML180/OCC will beat up the 150ANV pretty bad since the ML180/OCC was AT's only really new design for MM's,the design for the 150ANV is approaching 40 yrs. old. A different cantilever and gluing on a titanium body flange does not transform a dated design, sorry folks. Also along the same lines my ML170/OCC mops the floor with the 150MLX!

Well, I have both the ANV and ML 180 here.Maybe I should do ML180 VRS ANV
with the winner to face my Clearaudio Maestro
 
Henry: I can't really comment on that, because I haven't bought anything from Stereoneedles yet (*). However, I'd be rather surprised, if they actually offered fakes, 'cause I'd assume that anyone that would receive a fake ATN155LC would easily be able to identify that as such - so I'd expect such vendors to become publicly known pretty quickly among the vinyl community.

Greetings from Munich!

Manfred / lini

*) but not, because I'd trust them less than for example LPGear/LPTunes/ElexAtelier or Turntableneedles - rather because ordering stuff from outside the EU has become pretty unattractive to me: For one thing, as they've relocated the customs office from the centre of Munich to one of the northern outskirts - and with customs and import VAT as well as much higher transport fees for heavier than just pretty light goods in addition to the inconvenience of a pretty long drive to fetch the stuff from the customs office, in case things doen't work out optimally, quite a few foreign offers unfortunately quite quickly lose their initial attractivity...

Stereoneedles sells the real thing. I've bought from there. If you go through the listings you'll see that half of them are sold out. Sometimes they're slow to update their web page and might be out of a stylus it appears they have.
All the complaints were with customer service. I ordered a stylus that was no longer available and had the option of selecting another or cancelling the sale. The stylus I received was perfect so I didn't need to contact them further. One of the complaints was about trouble returning a skewed cantilever stylus. That's not within my realm of experience with them, but most of these online retailers are slow to respond. You always have the option of cancelling the charge in which case you'll get a response PDQ.
neo
 
I have bought four styli from SN over the last couple of years and they have all been the real thing. It is much easier however to deal with Jack over the phone if you have questions or problems. There website stock situation is updated only infrequently and they are not the quickest when it comes to e-mail. They are however a whole lot easier to deal with and contact than one of the other "name" vendors.
 
So, I think the Audio-Technica AT150ANV came out a year ago or so?I really wanted to purchase but was reluctant because of the high initial retail cost.
I was able to get one at 1/3 of the cost with just 20 hours on stylus complete with box,manual ect ect..Goto tell you im glad I made the purchase.
After listening for the last several hours I would pay full retail no problem for this gem.Im wondering how the Audio-Technica AT150MLX compares to this.I never heard the 150MLX but I imagine it's great as well.Seriously, considering buying another one of these new as back up.I do have a AT 180 ML, AT 160 ML, and Signet TK-7CLa here if anybody wants me to attempt a shoot out using the same TT and arm.
I have both the ANV and the MLX. Listened to the ANV for a while. After two months I mounted the MLX back again just to save the ANV for the future. I was surprised how good the MLX is in comparison.
 
Dr.E: I would have expected just that - 'cause the sapphire cantilever and the titanium mounting frame rather are more bling-related than technical improvements over the gold-coated boron and alu alloy, so that the ANV can be considered a more luxurious, but technically pretty much on par alternative to the MLX (*). I'd even tend to think that an additional needle to body fixation by screw like on the Nagaoka MP30(0)/50(0) or on the old AT22/23/24/25 could make more of an improvement than yet another high quality line contact type diamond plus high quality exotic material cantilever and more rigid than plastic material mounting frame combination...

Greetings from Munich!

Manfred / lini

*) which imo is perfectly ok for a jubilee edition model, but of course will make it less attractive for someone who is looking for the best price-performance and doesn't care about the collector's value.
 
VS: Actually the AT-ML150/160/170/180(/OCC) weren't really all that much better anymore, and these also aren't that much younger than the AT120 family (~ 1985 vs. ~ 1979). And in certain aspects the AT-MLs could even be regarded as a slight downgrade to the older AT22/23/24/25 models and even more so the Signet siblings of these (mainly for additionally bringing the LinearContact and MicroLine tip shapes to that family).

Or in other words: The AT-MLs don't belong to the best MMs, 'cause these would have been such a new, much more modern approach in comparison, and not even, 'cause AT would have maxed out all of the known important ingredients in the by then already well-known recipe for producing a top quality MM in the AT-MLs (some of the top goodies were still reserved to the more expensive MCs...), but because with that series AT provided a pretty good, very even mix of known, very high quality ingredients. Add to that a quality of execution and a quality control level adequate to the not exactly cheap prices, and the result will definitely be a top quality MM series...

...which however doesn't mean that these models will (all) be exactly tailored to everyone's taste and requirements (for system synergy). For example, I know one guy from a German hifi forum, who prefers an ATN150MLX cantilever assembly transplanted to an AT-ML plastic holder on (iirc) an AT-ML170/OCC body over all of the new old stock original ATN-ML-needles he managed to get.

Or in yet other words: It's pretty case-dependent, which of the top quality AT MM carts and needles will actually perform best in one's system. For example, on a very light arm you might even fare best with a modest AT100E (the current one) or AT120E/II or AT120Ea body combined with a new old stock ATN152LP or ATN152MLP, just to name one of many possible examples...

Which is why I had to reply on your reply, 'cause imo there are just too many individual variables involved in record playback to make rather "crude" statements like "(A) will mop the floor with (B).", without a pretty highly exact description of the individual usage scenario - 'cause we're not talking about basic vs. high quality equipment here. Or to put in other words once again, in my view AT's top level middle and high-class MM bodies and needles in my view are too close together on absolute quality level scale, so that individual preferences will rather be caused by better individual suitability (in termsof system synergy, taste or both) than actual quality difference on that absolute quality scale.

Greetings from Munich!

--(the always inclined to self-rephrase *lol*)

----Manfred / lini

(...who btw, thinks that forums editors shouldn't remove leading "spaces", in order to provide more predictible formatting for a nicer, hand-written signature, but... oh, well... windmill alert... :))

((sure, I could try with a [tab] instead, but that's comparatively crude, isn't it - and who knows, which editors on which forums would remove leading tabs or not - so don't bother me with such new-fangled inventions as tabs! ;)))

(((Thank god, they don't yet remove leading dashes - my last resort... *rofl* :stupid:)))
 
update

Hi Scotty,

I have a AT150ANV, i think its fantastic. I have some other cartridges too.

I also have a 2M black the AT150ANV has fuller sound especially playing xylophone and some bell type sounds. The AT150ANV also picks up less surface noise.

How in the end did the AT150 Compare with the Maestro.

thanks Michael
 
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