TrevorBarten
Well-Known Member
I am not talking about the biotracer series when I say professional I am talking about turntables like the sony ps-x9. Obviously an automatic turntable is not going to be for professional use, I never implied that either. And yes I am aware that that recordplayer also has automatic functions but you get the point. It doesn't have an electro magnetically controlled tonearm and can be used purely manual. Besides it's not like the professional stuff is always the best there is. Sure decks like the sp-10 you mention or the garrard 301/401 or even the sony ps-2250 are nice but they are a lot of work and you also need to keep a lot in mind regarding which tonearm you want or the type of plinth you go with. If I really wanted a professional deck I'd go with emt over a technics regardless.TrevorBarten,
Technics was THE professional direct drive turntable manufacturer. In AM/FM broadcasting, discos, and in recording studios, mastering studios, and in record manufacturing plants, record label A&R departments. Sony made 2-3 turntables which were of that standard in their whole history. The SP-10 Mk II motor also was the drive system used in many Neumann lathes which cut the records we all love. Consider these thoughts. The Sony DD motor is far less robust than the Technics motor is, and the classic Technics motor is maintainable, and designed to be repaired and maintained. Just pointing out some things.
All of my tough records with unusually short space between last of the music and the trail out will play reliably on Technics automatics in good condition and automatic return work reliably. Big Sony problem, the grease on them often turns to gum and not unusual to see them turn to cement in the Southern climates. Same automatic parts fail, same common weak points. Professionals use Manual Turntables by the way. So my definition of professional and yours are quite different.
Technics, the turntables Classical Radio Stations use, and Discos Abuse.
Last edited:
