StatguyKT88
New Member
I have a pair of Bev 2SW-1 amps and the associated 'stat speakers that go with them and would like to
understand the operation of the circuit better than I currently do. The amps were designed by the late great Roger Modjeski. See below.
For any of you out that are familiar with this novel circuit using 36KD6 output tubes (it was novel in it's heyday-mid/late '70s, maybe still today), I would ask if you could give me an overview of the circuit's operation. I bought the system in '79 which were the store demos (the only way I could barely afford them) and I'm still not tired of them yet after 42 years.
Looking at the circuit, I'm mostly concerned with the circuit up to resistors R1,2,3,4 which connect to the grids/cathodes of the tubes which appear to be in bridge configuration. I believe Q107 is a phase splitter with its collector and emitter sending the negative halves of the signal to the cathodes and grid 3 of V201/203. Q108/9 and Q110/111 are the driver circuits for V202/204. I would like to understand more how pairs V201/202 and V203/204 operate together to produce the audio output which 'rides' on the diaphragm of the transducer which has +1650Vdc on it. As you may know these speakers are constant voltage transducers as opposed to constant charge type which all other 'stat speaker companies use. assessments
Please correct me if my assessments above are incorrect. The reason for all this is that I have very ambitious aspirations to convert the circuit that's upstream and to the left of resistors R1,2,3,4 from SE transistor to differential/balanced triode input using an Alan Kimmel Mu stage that I have from a paper he put out way back which describes the benefits of the Mu stage with various circuit configs. One of them is one which has differential inputs/outputs using a 12AX7 (or 6DJ8) and a 12GN7 pentode. Another circuit I saw was from a Chinese company that sells various pwb kits. One of them is a differential I/O circuit board using a 12AU7 followed by a 6DJ8. I would choose the mu stage over the other circuit. This would eliminate the phase splitter and I would reap the sonic benefits of a tube front end with balanced inputs which can drive the amplifiers directly. This would also ultimately allow me to hear the full potential of my Levinson CD Processor which has its own switchable preamp with balanced outputs.
The goal for me is to know if these circuits are adaptable to the Bev amp circuit perhaps with modification.
THANKS MUCH in advance!
Statman

understand the operation of the circuit better than I currently do. The amps were designed by the late great Roger Modjeski. See below.
For any of you out that are familiar with this novel circuit using 36KD6 output tubes (it was novel in it's heyday-mid/late '70s, maybe still today), I would ask if you could give me an overview of the circuit's operation. I bought the system in '79 which were the store demos (the only way I could barely afford them) and I'm still not tired of them yet after 42 years.
Looking at the circuit, I'm mostly concerned with the circuit up to resistors R1,2,3,4 which connect to the grids/cathodes of the tubes which appear to be in bridge configuration. I believe Q107 is a phase splitter with its collector and emitter sending the negative halves of the signal to the cathodes and grid 3 of V201/203. Q108/9 and Q110/111 are the driver circuits for V202/204. I would like to understand more how pairs V201/202 and V203/204 operate together to produce the audio output which 'rides' on the diaphragm of the transducer which has +1650Vdc on it. As you may know these speakers are constant voltage transducers as opposed to constant charge type which all other 'stat speaker companies use. assessments
Please correct me if my assessments above are incorrect. The reason for all this is that I have very ambitious aspirations to convert the circuit that's upstream and to the left of resistors R1,2,3,4 from SE transistor to differential/balanced triode input using an Alan Kimmel Mu stage that I have from a paper he put out way back which describes the benefits of the Mu stage with various circuit configs. One of them is one which has differential inputs/outputs using a 12AX7 (or 6DJ8) and a 12GN7 pentode. Another circuit I saw was from a Chinese company that sells various pwb kits. One of them is a differential I/O circuit board using a 12AU7 followed by a 6DJ8. I would choose the mu stage over the other circuit. This would eliminate the phase splitter and I would reap the sonic benefits of a tube front end with balanced inputs which can drive the amplifiers directly. This would also ultimately allow me to hear the full potential of my Levinson CD Processor which has its own switchable preamp with balanced outputs.
The goal for me is to know if these circuits are adaptable to the Bev amp circuit perhaps with modification.
THANKS MUCH in advance!
Statman
